Driven Far Off

The latest on the indie, alternative, and rock music scene including news, music, contest, interviews, and more. Best described as your favorite place to find new bands.

  • Home
  • Reviews
  • Interviews
  • Videos
  • Articles
  • About
  • Contact

Dave Barnes – Roxy Theatre – 11/29/06

December 2, 2006 By Michael Schneider Leave a Comment

Dave Barnes Dave Barnes
November 29, 2006
The Roxy Theatre in Hollywood, CA

You might know of Dave Barnes, an independent musician out of Nashville, TN for more reasons than just his recorded music. It might be from his production of his friend and fellow musician Matt Wertz’s records, or from co-writing songs by Bebo Norman, Bethany Dillon, Marc Broussard and Micah Dalton. Regardless, if it’s not from his live show then you definitely need to enlighten yourself.

The first time I was fortunate enough to see Dave perform was last June and I was completely taken back. Touring in support of his third release, Chasing Mississippi, Dave has honed his live show to near perfection. This time around he brought along a bassist and a drummer and has again exceeded my expectations.

With a mix of songs dating back to 2001’s Three Then Four EP, Dave played with an open ended set time and the crowd stayed all the way through. One of the things that makes his live show so entertaining would be the comedy in-between songs. Dave told a three to five minute story for every two songs he played and I wonder why he didn’t pursue a career in stand-up. Further proving my thought that ‘awkward is the new sarcastic’- he confessed his desire to one day end a show as a figure skater ends a perfect performance. Check out some photos I have posted on our photos page for proof!

Beyond the incredible band, comedy and guitar work, the most impressive aspect of his live show is his voice. At times it was the only thing present, letting his acoustic guitar fade to a light strum, or even diminish completely. He hit every note of every song he does on his albums and it showcased even more emotion than a recording could convey. Mid-set, the band took a break and Dave played two definite fan favorites, ‘On A Night Like This’ and ‘Nothin Fancy,’ both causing a formidable stillness in the crowd. While he’s no Sinatra, Dave brings a new flavor to love songs, and I think the formula is simple. He’s honest in every single word he sings.

Something incredible that Dave shared with the audience was his involvement in the Mocha Club. The Mocha Club is an organization that helps with some of the many problems currently in Africa. To join, it costs $7 a month and 90% of your money goes directly to funding the projects. In Kenya, $7 can feed 9 orphans 3 meals a day, that fact alone prompted me to want to be involved. It’s something I’m very passionate about, and I suggest you at least take a look at.

All in all, this was one of the best performances I’ve seen all year. His humor and his talent are present from beginning to end. There’s no question in my mind that I’ll definitely be in attendance the next time Dave is in town.

Thanks to Dryve Managment and Dave Barnes for letting me attend this show!

Filed Under: News, Reviews, Show Tagged With: Dave-Barnes

Hellogoodbye Show Review – Nov 24, 2006

November 27, 2006 By Michael Schneider 4 Comments

Hellogoodbye, Reggie & The Full Effect, Cute Is What We Aim For, & Dave Melillo
House of Blues in West Hollywood, CA
November 24, 2006

The House Of Blues, spanning the entire United States in the biggest and most famous cities, you can always count on HOB to put on a quality show. Extensive security and a very short list of items you can bring in (that doesn’t include bottled water or any form of camera) makes for a very different dynamic for a concert. Stage lighting equivalent to that of an arena or broadway performance, I’ll just stick to staying short and say you can definitely expect a “show.” Sorry, no photo pass for this one, you’ll just have to take my word for it.

Dave Melillo, one of Drive Thru Record’s youngest artists (signed at age 16), followed the typical DTR format and released an EP entitled “Talk Is Cheap” for free online earlier this year. I’m a big fan of the EP and have been excited to see him perform live ever since hearing it. With a band that couldn’t possibly be out of their teenage years, I was quite skeptical as he stepped on the stage. From the first note it was quite clear that with your eyes closed you’d believe you were listening to someone far beyond his 17 years. Playing his entire EP and the debut song, “Wait For It”- Dave is a true testament to the idea of talented people becoming younger and younger. If this is what he sounds like now, I can only imagine what he will create in the coming years.

I am guilty. 100% guilty. It took countless listens and this being my fourth time seeing the band in concert, but I’m getting past the denial. I am addicted to Cute Is What We Aim For. Now, lyrically they are not my favorite. Songs that speak the truths of popular TV shows like The OC or Laguna Beach, but even though their subject matter isn’t always applicable, I still can identify to nearly every song. If I’m not able to identify, I’m still singing along. This 4-piece from Buffalo, NY has slowly begun to take over the world that is currently run by Fall Out Boy and Panic! and I wouldn’t be surprised if they achieved a complete monopoly by this time next year. Their live show is solid, and Shaant sings quite well considering the energy he exudes on stage. If you’re a hater, you’ll come around. If you’re addicted already, I’m starting a support group soon, let me know if you’d like to join. All in all, I am really impressed with this band and can’t wait to see them again. They’re my pick as the next big thing in pop music.

I said it earlier to a friend of mine, and I’ll say it again. Reggie and the Full Effect was the absolute worst choice for this tour. Not only does their music not fit the pop outline set by the other three acts, but the on-stage comments made by the once admirable James Dewees may very well make it so that half of the 14-year-olds in attendance will never be able to convince their onlooking parents to take them to a concert again. I’m not saying I’m not a fan of them, I actually appreciate their honesty and intensity, but not in this setting. James’ additional performance under his side project “Fluxuation” was NOT funny to anyone in the audience, it caused most of us to turn away from the man only wearing a bra and shorts and his “turkey” dancers. Basically, whatever respect I had for him, I lost.

Finally, after the hour long experience I mentioned above, Hellogoodbye took the stage. A packed out venue filled with frantic teenage girls, family friends, label staff and veteran scenesters was definitely ready to be uplifted. The band took no time changing my mood and performed nearly all of their recorded songs. Bright lights, confetti, balloons that Forrest insisted on pausing from his vocal duties to stomp, people dressed as food, and incredible music were all present in their performance. An amazing encore included “Oh, It Is Love” dedicated by Forrest to his own girlfriend was then supplemented by the audience favorite “Touchdown Turnaround” and an all-crowd dance party ensued. The only thing I could’ve asked for beyond the incredible performance was my personal favorite track “Two Weeks In Hawaii” but I guess you can’t have it all. Hellogoodbye puts on one of the most memorable and fulfilling performances in music today. I would gladly see them play every single night, and I don’t think I’d ever go to bed sad again. I shouldn’t even have to sell this to you so do yourself a favor, GO SEE HELLOGOODBYE LIVE!

Filed Under: News, Show Tagged With: Cute-Is-What-We-Aim-For, Dave-Melillo, hellogoodbye, Reggie-and-the-Full-Effect

Copeland – El Rey Theatre – Nov 22, 2006

November 24, 2006 By Michael Schneider 6 Comments

Copeland at the El Rey Theatre

Death & Taxes Tour featuring:
Copeland, The Appleseed Cast, Acute, Owen
November 22, 2006
The El Rey Theatre in Los Angeles, CA

A special thanks to Libby and MSOPR for letting me attend this show!

While entering the famous El Rey Theatre on a seemingly quiet, pre-Thanksgiving wednesday night, slowly but surely my bias towards the current music scene was lifted. Not since seeing Bad Religion at age 13 have I ever felt like one of the younger in attendance at a concert. However, the crowd that was present for this tour was not ridden with parents escorting their scandalously dressed daughters to the merch area and purchasing all of the brightly colored t-shirts and posters; sensing some bitterness?

For this type of show, the crowd began as quite an intimate group, taking in the soft but intense acoustic stylings of opening act Mike Kinsella, known as Owen. Kinsella formerly played a few different roles in the band American Football but has ventured under the title Owen since 2002. His songs are very well structured but his voice doesn’t keep up with the beauty of his guitar work. He definitely did a great job as an opening act.

Up next was Los Angeles’ own Acute. Formed with former members of Poulain, Ozma, and Whispertown 2000, this 4-piece brings a solid blend of indie, pop, and rock. With singer Isaac Lekach also controlling all of the guitar work, it’s quite impressive how the band fills up open space. Drummer Patrick Edwards maintains the rhythm almost perfectly enough to believe he’s playing to a metronome and bassist Colt Maloney is always right beside him. What impressed me the most was the latest addition to the band in Jason Borger. He did an incredible job using two keyboards and different voices and tones to add the feeling that the live show was just as impressive as a recording of the band. I would love to see what they could do with a second guitarist in a live performance.

Third, was the always incredible Militia Group band, The Appleseed Cast. Since 1998 this band has been touring in support of multiple full-lengths, most recently Peregrine. Their sound is far superior every other artist in this vein of music, and what bothers me is how much longer they’ve been doing it than everyone else who tries to copy their sound. I wish I had something to balance out all of the positive things to say, but in this case, I can only give praise. Don’t take my word for it, check out any of their several releases and be prepared for something different and better than what you currently listen to.

Copeland, is a band that at one point changed my perspective of the potential of music. Unfortunately, while some of the songs from that era still remain as staples, some have been re-worked to fit the current direction the band is headed. Recently releasing their third full-length record “Eat, Sleep, Repeat” and meeting much critique and acclaim, I felt as though I owed the band enough to judge on more than a recording. Unfortunately, the live performances of boring songs are just that, nothing more. While bringing down the pace of the past’s more upbeat and passionate songs, I still love them, but I grow fonder of my pillow for purposes of sleep rather than the tears they once used to manifest within me.

On the verge of reaching success the band greatly deserves, this slew of new songs just doesn’t make the cut that my expectations have been set at. For me, the band has taken a step to the side, not a step forward and has much more ground to make up with new material past what was so recently introduced. While I still recommend Copeland’s live show, don’t expect the gut-wrenching emotion that was once displayed. Take it as you will, and enjoy it.

Filed Under: Reviews, Show Tagged With: acute, Copeland, owen, The-Appleseed-Cast

Jars Of Clay & Matt Wertz Tour Review

November 9, 2006 By Michael Schneider Leave a Comment

Matt Wertz & Jars Of Clay
November 4th & 5th, 2006
Pepperdine University & Biola University
Pepperdine: 8.5
Biola: 8
Tour Overall: 7.5

Seeing the same concert two nights in a row is always interesting. Sometimes you can predict what song is next, or even what joke is next. However, it’s never been more apparent how much a setting (venue) can effect the mood of a show or just my mood when I go to a concert. First and foremost- I’d like to thank Emily Provansal at Nettwerk, as well as Jason Hecht for allowing me to see this tour!
Pepperdine University, a small private school in Malibu, CA. Also at a small southern California university, I quickly became jealous of the amazing views and incredible location of the school. Including free in-n-out burger with each ticket, as well as free concert posters of the night, Pepperdine did really well at putting on a quality concert.
Opener Kate York, I have to assume is a friend of Jars Of Clay. While her voice is crisp, clear and perfectly in-tune, singer-songwriters are a dime and dozen and she’s no exception. Just one song and I was laying flat on my back in the grass listening to her incessant lullabies. Imagine Eisley’s vocals with simple chords and straight-forward strum patterns.
Matt Wertz, as some of our readers may have seen over the past half-year, is easily one of my favorite artists. Learning before the show during my interview that tonight he would just be accompanied with guitarist Justin Rosolino, I was quite anxious to see how his more upbeat songs would sound.
His set contained a good mix of songs from the new record “Everything In Between” as well as past releases, dating back to 2003’s “Twenty Three Places.” Interaction with the crowd contained his open confession of having his own song, “Heartbreaker” as his ringtone. Sorry Matt, I have Carolina. Using the incredible talents of Jars Of Clay’s Stephen Mason on Carolina, the mandolin rounded out the most complete sounding acoustic set I have ever heard. Matt’s live show is just not perceivable without seeing it and it’s impossible to capture in CD form.
Jars Of Clay, I’m not really sure where to begin with this band. They’ve been around since I was just six years old and recently released another studio album entitled “Good Monsters.” Their U2-esque CD sound is replicated perfectly by their incredibly talented lineup. Bright lights and every instrument from drums to lap steel, it’s easy to see that the band has honed their live show to perfection.
While their music is not my favorite, it is easy to enjoy fan favorites like Flood, Love Song For a Savior & the newer additions to their repertoire, Dead Man & All My Tears. While Jars Of Clay appeals to a wide audience, most of the crowd looked like graduates of either university, or Christian Radio junkies, and the band drew quite well at both venues.
If I had to pick one show to attend, the setting of Pepperdine as well as a longer set for Matt Wertz (including Like The Last Time and I Will Not Take My Love Away), clinched that decision for me, however if you have the opportunity to see Matt Wertz or Jars of Clay live I would definitely recommend it, just maybe not at the same show. That is the reason for the 7.5 rating, otherwise it was a very good concert experience.

Check out my photos from the show here.

Filed Under: Reviews, Show Tagged With: Jars-Of-Clay, Matt-Wertz

Show Review: Butch Walker and the Lets Go Out Tonights

August 15, 2006 By Katie Arsenault 1 Comment

butch1.jpg

As Fast As, Boys Like Girls, Butch Walker and the Letâ┚¬Ã¢”ž¢s Go Out Tonights
July 28, 2006
Boston, MA
Axis

Boston was full of excitement on this night. I was running late as usual. The trains were packed with Red Sox fans. There was a baseball game going on right next to the club and Lansdowne Street was bustling with people. There are sausage vendors and scalpers all yelling. I canâ┚¬Ã¢”ž¢t even recount how many times I got ask if I needed tickets to the game. I just barely made it inside before As Fast As started. As Fast As had so much energy. Being my first time even hearing of them, they definitely caught my attention and held it. Spencerâ┚¬Ã¢”ž¢s vocals were strong and I was definitely impressed. Zach was crazy with his guitar and full of energy. The crowd seemed to absorb their energy and really got into their set. In between the sets there was karaoke. It was thoroughly entertaining. People picked songs like Baby Got Back, Material Girl, You Oughtta Know, and Donâ┚¬Ã¢”ž¢t Stop Believing. Next up was Boys Like Girls. They are a definite favorite around here because Boston is their hometown. There was a definite buzz in the air as they hit the stage. Martinâ┚¬Ã¢”ž¢s vocals werenâ┚¬Ã¢”ž¢t as strong as I hoped but he was still pretty good. The stage presence of the band as a whole was amazing. They definitely know how to put on a show for their hometown. I will admit that I was dancing around by myself and cheering like crazy. BLG will do that to you. Butch Walker followed Boys Like Girls. Butch Walker and The Letâ┚¬Ã¢”ž¢s Go Out Tonights put on such an amazing show complete with amazing stage lights, back up singers and amazing music. Butch is crazy on the guitar and his vocals were amazing. The Letâ┚¬Ã¢”ž¢s Go Out Tonights were also entertaining to watch. Their two female back up singers put on quite a show singing and dancing, dressed in their 80â┚¬Ã¢”ž¢s attire. Butch would throw his pick up in the air multiple times and catch it in his mouth, hands, etc. Martin from Boys Like Girls jumped up on stage with Butch at one point and they sang a cover of Gnarls Barkleyâ┚¬Ã¢”ž¢s â┚¬Ã…”Crazyâ┚¬?. This night was amazing. One of my favorite shows of the year. I hope you all got to check it out before they finished the tour.

(photo from butchwalker.com)

Filed Under: Reviews, Show Tagged With: Boys Like Girls, Butch-Walker

Show Review: Brand New F. Colour Revolt

July 23, 2006 By Devin Henderson Leave a Comment

Brand New

Show Review: Brand New, feat. Colour Revolt
Venue: Kool Haus (Capacity: 2000), Toronto, Ontario
July 22nd, 2006

Let it be hereby known that the best four minutes of my entire nineteen-year existence were spent in the middle of the Kool Haus in Toronto, Ontario belting out the words â┚¬Ã‹Å“gave up my body & bed, all for an empty hotel; wasting words on lower cases & capitalsâ┚¬Ã¢”ž¢ at the top of my lungs surrounded by 2000 other Brand New fans. That, in and of itself, made this one of my top 5 concerts of all time. Now, here is the REAL review of the show:
We got to the concert about a half hour before doors opened. The line-up was already wrapped four blocks around the building. These were dedicated kids. Being the jerk that I am, and having paid my dues in free labour for the music industry, we went inside the venue and put up a bunch of promo posters, thus having primo choice of standing spot. We didnâ┚¬Ã¢”ž¢t punk the good spots â┚¬Ã¢â‚¬Å“ we left those for the kids waiting outside all day, and instead stood just in front of the mixing board, in the centre of the room. The band Colour Revolt was doing their soundcheck at this point, and there were about 10 people in the room, including Jesse Lacey, and two other members of Brand New (it must be noted at this time that I do consider Brand New to be one of my top 3 favourite bands of all time, yet I still canâ┚¬Ã¢”ž¢t recognize all of its members). Anyhow, after watching the band soundcheck and admiring Jesse Lacey from afar (Iâ┚¬Ã¢”ž¢m much too shy to approach him, or any member of most bands, for the record), the doors were open.

We waited for an hour â┚¬Ã¢â‚¬Å“ which was not fun. Then, Colour Revolt took to the stage. After the show, I spoke to a random guy who seemed to know them and found that they are presently unsigned, working off a distribution deal with Interscope records (undoubtedly struck up around the same time that Brand New made the move to Interscope). Their style was very much Coldplay for me, with a bit more of a screaming touch. I enjoyed their set, but found it to be too long for an opening band. They had some amp problems, but to cover for it, the guitarist took it upon himself to lead the crowd in a rousing rendition of â┚¬Ã‹Å“Oh Canadaâ┚¬Ã¢”ž¢. He knew all the words, and being from Mississippi, this was no easy feat. When their set was finally over, I cannot say it wasnâ┚¬Ã¢”ž¢t a welcome finish. Good music, good guys, but an overly long set due to illness from the 2nd opening band.

Brand New opened with Tatou. I was sort of expecting this â┚¬Ã¢â‚¬Å“ itâ┚¬Ã¢”ž¢s definitely just that type of â┚¬Ã‹Å“introductionâ┚¬Ã¢”ž¢ song. I had been waiting to see Brand New do this shit live since I was in the tenth grade, and I was nervous that they would disappoint. They did not.

After Tatou, Jesse seemed to have a few monitoring problems, resulting in a couple off-key notes. He was adjusting his earpiece and playing guitar and trying to sing in-key, all at the same time. By the third song, however, all seemed to be fixed because he was back in key, and singing strongly. I cannot remember the whole set list. I wish I could. I wish I had every second of this show engraved into my brain forever, but I donâ┚¬Ã¢”ž¢t. They played some great songs â┚¬Ã¢â‚¬Å“ The Quiet Things That No One Ever Knows (my personal favourite long before it was released as a single); Play Crack the Sky; Tatou; Guernica; Seventy Times 7; Sic Transit Gloria; The Boy who Blocked his Own Shot; and many more.

It took a fair amount of time for them to delve into material from the first album, but the first song they sang from it (Shower Scene) was phenomenal. This concert is difficult for me to write about because I am continuously tempted to write shit like this:

This concert was fucking AMAZING. WOW! Like when Jesse did that acoustic song, didnâ┚¬Ã¢”ž¢t you love it!? How fucking great was it when he played Guernica!? His voice sounds great live, I was hoping it wouldnâ┚¬Ã¢”ž¢t be bad, and it wasnâ┚¬Ã¢”ž¢t! Iâ┚¬Ã¢”ž¢m so glad they didnâ┚¬Ã¢”ž¢t fuck up the harmonies on â┚¬Ã‹Å“The Quiet Thingsâ┚¬Ã¢”ž¢! WOW! It was just so phenomenalâ┚¬Ã‚¦

No one reading a concert review needs to read crap like that, but it seems that the amazing concert that took place tonight scrambled all of my brain functionality. All I can say is this: You need to see Brand New in concert if you havenâ┚¬Ã¢”ž¢t yet. It should be one of those cardinal things that you absolutely must do before dying. A right of passage into the world of amazing music. Though the rest of the band often took a backseat in the spotlight to Lacey, they are what truly made the show.

Honestly, I promise to revise this review when my brain returns to normal and I can function as a normal human being. I guess you could say Brand New truly blew my mind. We tried to invite Jesseâ┚¬Ã¢”ž¢s little brother out for wonton soup, at the request of Jesse while on stage (â┚¬Ã…”Someone take my little brother out â┚¬Ã¢â‚¬Å“ he has until 3am, so show him a good time. I keep saying this, but no one actually does. They just take pictures with him instead.â┚¬?), but we feared our social credibility would be ruined by the fact that instead of going to get high and drunk with the rest of the Brand New fans from the show, we were, in fact, going out for wonton soup.

Thatâ┚¬Ã¢”ž¢s allâ┚¬Ã‚¦ for now.

Filed Under: Reviews, Show Tagged With: Brand-New, Colour-Revolt

Show Review: Dashboard Confessional, City & Colour, etc.

July 13, 2006 By Devin Henderson Leave a Comment

Dashboard Confessional

Dashboard Confessional w/ special guests City & Colour and John Ralston
June 30th, 2006
Molson Amphitheatre, Toronto, ON

First things first: NOT the ideal venue for this show. This music deserves to be coddled. To be listened to in a sound acoustic environment with great reverberation. Not a place with concrete walls.

However, the show was popular and therefor, it was held at a larger venue.

John Ralston, a player in Dashboard, took to the stage first. To be entirely honest, I think there were perhaps fifteen people in the entire place that noticed he was on the stage. No lights, no introduction. In my opinion, he has definite talent. He just needs to grasp this talent and project it more fully. Sure, he was the opening act, and the production was understated in an inappropriate venue, but I still feel he could have done more to be noticed. Overall, decent songs, good live performance, but lacking any wow factor.

City & Colour went on next – vocalist/guitarist Dallas Green, accompanied by cousin Nick (sorry, I don’t know his last name! Green, possibly?) on keys, and friend Casey Baker (lead singer of the band Sleeper Set Sail) on guitar. Again I must state that this was a less than appropriate venue. I’ve had the experience of seeing Dallas twice before in intimate bar settings, and it became my understanding that he was easily distracted while performing. Because of this, I did notice the high number of people wandering around, talking, and just all around not paying attention during his set, and found myself wondering if he were getting upset. If he was, he sure didn’t show it.

His performances are always great – strictly because of the overall quality of his vocals, and his playing – but tonight was not his best. He sang his songs, and did a good job, but failed to fully engross the crowd – which he certainly has the talent to do. Again, I’d like to lay blame on the environment. Overall, I’d say his set was well-received but lacked the intimacy it meritted.

Finally Dashboard Confessional hit the stage. The vocals and performance were great. Not only did Chris Carrabba seem into it, but the entire band seemed to be having a great time performing. They played a nice mix of older hits, and new songs, to keep happy older and newer fans alike. Saving their two biggest for the double encore (Hands Down & Vindicated), the only true (and somewhat irrelevant) complaint I have is Carrabba’s on-stage attire: a white t-shirt with tight cream coloured pants doesn’t flatter anyone – especially under the influence of heavy stage lighting. The energy was high, the dynamic was great, and though the sound was alright, the charisma more than made up for it.

Filed Under: Reviews, Show Tagged With: City-&-Colour, Dashboard-Confessional, John-Ralston

Show Review: S.C.E.N.E. Festival – St. Catharines, ON

July 13, 2006 By Devin Henderson 1 Comment

Date: July 9th, 2006
Location: Downtown, St. Catharines, Ontario
Line-up: (120 bands – see lineup at bottom of post)

Review:

I had the pleasure of attending the S.C.E.N.E. music festival in St. Catharines, Ontario, this past Sunday. While it was my first SCENE, I had high hopes as I had heard good things about the festival from years past.

Major highlights of the show: City & Colour and Alexisonfire both put on great shows, as per usual. The Black Lungs were incredibly entertaining. Ken Reaume’s acoustic songs were perfect for the setting in which he played. Sail Boats Are White have an INSANE amount of energy. Johnny Truant packed the venue like I’d never before seen, and did not disappoint.

Disappointments of the show: Crowded venues prevented from truly enjoying the music, because you were constantly dealing with pushing, and sweating. I missed two of my favourite acts due to venues that were at capacity, so it may be important to re-evaluate who should play where, to ensure as many people as possible can see their favourite bands.

The great thing about SCENE is its concept. There are 120 bands, a whole bunch of venues, and a main market where all the merch and big shows go down. If you’re one of the first however many to arrive, you get a free festival CD. The customizable schedule, and easy to read maps make it easy to navigate, even for out-of-towners such as myself. I was also pretty surprised at the quality of most of the venues. Not one dive bar in sight! For a smaller place, the bars seemed great!

The staff of the show were like none other. We had a minor ticket fiasco upon arrival, and though I didn’t get her name, the woman in the red shirt that seemed to be in charge took great care of us. Instead of brushing us off, she apologized profusely and even went so far as to get us each a free autographed City & Colour t-shirt, and some Alexisonfire pins. Definitely above and beyond the call of duty. The security and venue staff were all very friendly and able to help when seeking venues, etc.

As far as bands go, there were only a few disappointments. While I obviously didn’t get to see all 120 bands, the few I did make it to see were exceptional.

City & Colour had yet another stellar performance. The one drawback lay with whomever was mixing the sound on this set. There was far too much bottom end, which completely drew my attention away from the guitar and keys, as well as the soft vocals. It would have been nice if the problem had been corrected but unfortunately it continued throughout the set, at no fault of the performers. There was also a fair amount of feedback, and as Dallas Green put it, ‘a thunder storm in my monitor’. (www.myspace.com/dallasgreen)

After City & Colour, we went to check out The Black Lungs. This band is simple: Wade (from Alexisonfire), and Sammi Bogdanski (on keys). While Wade carried the show through his guitar, vocals, and on-stage banter, Sammi’s piano skills did not go unnoticed. The bar was packed for this set, and I loved the venue, but was fairly upset when a group of people at the back took to cheering for the World Cup over paying attention to the set. It was nothing less than rude, and even Wade brought that to light several times. Regardless, the music was great. (www.myspace.com/dirtyblacklungs)

After the Black Lungs, we tried to get into a venue to see Casey Baker (lead singer of Sleeper Set Sail). Unfortunately, the venue was at capacity long before we arrived – much to our disappointment. Luckily, I have seen Casey’s set before. While often awkward on stage, his songs fortunately compensate. He’s definitely worth checking out. (www.myspace.com/caseybakermusic)

After Casey, we managed to work our way into the Johnny Truant set. PHENOMENAL. These guys are THE next big thing in metal. Recent album release, great stage presence, and tight music. Although the venue was INSANELY hot and overpacked, it was well worth it to catch just a few of their songs. (www.myspace.com/johnnytruant)

Post-Johnny Truant, we made our way back to the Market Square. We were tired, and there were too many bands left to choose from, so we decided to chill and see what was going on at the main stage. Much to our pleasure, we caught some freestyling from Bukue One. Though not the biggest hip-hop fan, I have to say he was great. He stayed on with Del Tha Funky Homosapien, and while it’s my understanding that Del is the more popular of the two, I have to that Bukue was the one with the ‘wow factor’.

An unlively performance by Magneta Lane followed. While the girls sounded great live, the constant look of boredom on the bass players’ face simply made it look like they weren’t enjoying themselves. How can fans enjoy themselves when the musicians aren’t even into it?

After them, Alexisonfire took to the stage. Energetic, lively, and loud – they were polar opposites to the Magneta Lane set. Always great live performers, the guys didn’t disappoint. They played a mix of older songs, as well as three off their upcoming album ‘Crisis’. The only disappointing part of the set was the general disregard for others that came from the crowd. Lead singer George made a point of telling everyone to help each other out, but the crowd was overly rough to the point that those of us standing farther away were even getting trampled unnecessarily. It was a great preview of the new album, though, and that more than made up for the beating I took.

Next we wandered off to see A Northern Chorus – another chill band I’ve had the pleasure of seeing live before. Good thing – their WAY TOO SMALL venue was at capacity. This is definitely a band that should have been given somewhere bigger and more prominent to play, and it was sorely disappointing that so many missed their set.

We checked out a few songs by Sailboats are White – whom I can be blunt about. The music is amazing; the vocals leave something to be desired. I’m not usually one to misunderstand music, but this concept leaves me out in left field. I just downright don’t understand the appeal. But hey, to each his own.

Following them was Ken Reaume. My first time seeing him live, and he didn’t let me down. Soft-spoken and quiet, the music was relaxing and well-played. Though because his set was not well-attended, many missed out on some great songs.

Though we wanted to stick around for Raising the Fawn, we had a two hour drive before us, and work in the morning. So sadly, I missed them as well, but I am trying to catch a set sometime in the near future.

Overall, SCENE was draining and entertaining. A long day, but definitely worth the money (only $25! HOLY CRAP!) and the time. One of the best indie festivals I’ve been to.

Band listing:
11 Minutes Away
4 Barrell
A Minute Till Midnight
A Northern Chorus
Alexisonfire
Andy Moog & The Sausage Party
Arise & Ruin
Attack In Black
Baptised In Blood
Black Lungs
Boys Night Out
Brett Friesen & The Great Lakes
Bronx Cheerleader
Cadence Weapon
Cain And Abel
Casey Baker
Ceremonial Snips
Cities In Dust
City And Colour
Clothes Make The Man
Crush Luther
Damn 13
Dance Yourself To Death
Dead Letter Dept.
Del Asher
Del Opener
Del Tha Funky Homosapien
Die Driving
Die Mannequin
Disgruntled Employees
Dodger
Doris Day
Eden Ants
Erick Von Erick & The Raving Psycho’s
Everlea
Everything Was Perfect
F.Y.I.
Femme Generation
Fever Out!
Fucked Up
Fuzz Bug
G Spot Unit
Groovy Food
Hardcore Warrior
Holiday
Hostage Life
Inferis
Ion Dissonance
Jamie Hunter
Jay Maillard
Jesse T. Reid
Johnny Truant
Keep It Up
Ken Reaume
Kendra Ford
Kover
Las Tarantulas
Late Fallen
Levee
Magneta Lane
Marco Defelice
Mark Vida
Matinee Slim
Maximum RNR
Means
Meesh
Million Dollar Marxist
Momentus
New World Son
No Buddhas In Texas
Overfiend
Policies And Procedures
Public
Rad Affair
Ragni
Raising The Fawn
Rammer
Random Projectors
Romeo Liqour Store
Rosesdead
Rum Runner
Ruth’s Hat
Sail Boats Are White
Scandalnavia
Screamin’ Black Cadillacs
Shade
Shock Nagasaki
Sights Unseen
Siren Street Shutdown
Skullkrusher
Sleep The Season
Slute
Soap Opera Coma
Socialight
St. Alvia Cartel
Starlit Lounge
Summer Of 92
Surplus sons
The Anti-Q’s
The Artist Life
The Audio Visuals
The Bang Theory
The Bob Heath and the Staggering Drunks
The Cheap Suits
The Creepshow
The End
The Februarys
The Flatliners
The Gorgeous
The Infinite Machine
The Junction
The Mahones
The Matadors
The Minatures
The New Cities
The Perms
The Reason
The Regards
The Ride Theory
The Satelite State
The Stick Up
The Terminal Wally’s
The Video Dead
TheCauseâ┚¬Ã‚¦IfAnything
Throck Morton
Tokyo Police Club
Trigger Incident
Truth And Rights
Two Knives
Vanmarines
We Want Barrabas
Word People

Filed Under: Reviews, Show

Show Review: Cornerstone Festival IL July 3-8 2006

July 10, 2006 By Bryce Jacobson Leave a Comment

Cornerstone

This year I had the opportunity of attending the great Cornerstone festival in Bushnell, IL. If your not familiar with the festival I highly suggest heading to their website and dive into all the content for one of the largest christian festivals of the year. The festival has been an annual event for over twenty years now and each year great new events are added to the bill. Not only is the festival filled with the hottest christian bands but also with many independent bands that play small tents and even bands that come and set up in the grass and play at will. Let me just tell you that you will have no trouble finding a band to listen to at almost any time of the day as bands go well into the night.

Other then music being one of the main attractions there are lots of seminars about everything from christian music to church and religion. I highly suggest attending some seminars if you ever go to the festival as they can be a breath of fresh air. This years event was four days long but included a special Tooth & Nail day on the 4th of July and early camping started the day before that on July 3rd.

Camping is also a big part of the festival, you can go for a day if you want but why not go for the whole event and catch as many bands and seminars as you can. I didn’t know what to exactly expect as far as the camping, but the grounds are filled with everything you need (bathrooms, showers, grocery store, food vendors and more). Although some campers look to bring almost everything with them including full sized grills and even a sink (so much for the camping on their part).

Tooth & Nail day was packed with almost every band on their roster as well as bands from Solid State. I caught almost all the bands that day as there were only the two stages going back to back. I was very impressed with the sets from Jonzetta, Sullivan, Spoken, As Cities Burn, and Showbread (all bands I hadn’t had the chance of catching before). Other T&N bands like Run Kid Run, The Fold, mewithoutYou, Project 86, and Hawk Nelson played as well. Devin Shelton of Emery played an acoustic set that sounded amazing none the less as the rest of the band were currently out playing on the Warped Tour.

The following days were filled with many more bands playing a handful of tents and stages. It was a good thing that the stages didn’t get going until 10 a.m. or later since you stayed up the night before rocking out. Sleeping in was actually hard to do as the sun, heat, and humidity usually woke us up around 8 a.m. every day. I caught a handful of bands the next few day including Family Force 5, Oceans Firing, Flee The Seen, The Class of 98, Norma Jean, As I Lay Dying, Underoath, The Wedding, Man Alive, Anberlin, Mute Math, Lovedrug, Transition, MxPx, Relient K, and even more on the smaller generator stages. If you want band overload you can usually achieve that at events like the Warped Tour but this is 4 days straight of band after band so there is always something going for you to check out.

Now like I said before the festival isn’t all about music. There were some great seminars going on and I attending a few on christian music, how to conduct interviews and more. Overall I was very thankful that everyone I talked to was extremely nice and helpful. What other event could you walk around at and find all the band members sitting around talking with friends and fans and even find them searching through the trash for cans and bottles that attendees didn’t put in the recycle bin. I don’t believe there is one and I think these people are amazing and should be looked upon as great people and not just a person in a band trying to be the next rockstar.

Camping, music, and great people made this a wonderful festival to attend. I look forward to attending again in the future and to pick up on the many things that I missed. If you get the chance to head to he festival I highly suggest you do so and be sure to be ready for a great week.

Filed Under: Reviews, Show

Show Review: Warped Tour Nashville, TN June 21, 2006

June 23, 2006 By Trevor Bivens Leave a Comment

Warped Tour

Of all summer festivals, Warped Tour has always been the best bang for your buck. Twenty three dollars for 30+ bands is ridiculously awesome. Too bad Ticketmaster likes to stab at our wallets. “Convenience” charges and service fees aside, Warped is still your best ticket of the summer, and maybe even the year.

The sun was already high in the air and there wasn’t a rain cloud in sight over the Starwood Ampitheater in Nashville, TN. The parking lot was filling up as street punks, older Warped vets, and the Myspace generation made their way to the gates.

While walking around, the smell of hairspray hung in the air, as most kids didn’t anticipate sweating it all out for the day. I made a quick sweep of the layout, because every date’s differs according to the setup of the venue.

After learning it was almost time for Gym Class Heroes, I made my way to their stage. That band never ceases to amaze me, and with the addition of a synth player, their live sound is even better.

After Gym Class, I walked around a bit before checking out Dayton, TN’s Radio Fix. I’d been wanting to see the band live for a while and they delivered.

I left The Radio Fix to catch the first of Saves the Day’s set. Legends in this scene, it was amazing to see true masters at work.

I hopped over to the Myspace tent to check out a little acoutic Gym Class Heroes. MC Travis McCoy dropped some spoken word that was quite incredible to experience.

I then got into the second row, eagerly anticipating theAcademyIs…, however, the heat was starting to take its toll. Coupled with the headache I was developing due to the fourteen year olds freaking out because TAI is so “hawt,” I was near the point of blacking out. I took off before they started for some shade while still being able to listen to them.

After a nice turkey sandwich for lunch, I watched Greeley Estates with a friend and was pleasantly surprised at how tight they were.

I went from Greeley to Rookie of the Year, which is quite a dynamic change in sound. I didn’t stick around long, because I wanted a good spot for Motion City Soundtrack.

The sun was slowly, and I stress slowly, trying to go down, but still loomed over the crowd as MCS took the stage. Never a band to disappoint, they had the entire crowd singing along. Unfortunately, they also had the teenagers moshing. Let’s not forget the crowd surfers. Mostly between the ages of 13 and 16, it would be the first time a lot of these girls were held in the arms of a man: a security guard.

Just staying at the same stage and waiting it out, I got up front and center for Paramore. They have never put on a bad show in Nashville, and they continued their streak. Frontwoman Hayley Williams may be small, but she knows how to command a crowd better than a lot of bands headlining this tour for multiple years. The Farro brothers both played their respectful instruments with the efficiency of seasoned professionals. Bass player Jeremy grooved along to the tunes and threw in an acrobatic cartwheel over Josh’s back. Guitarist Hunter Lamb rounded out the lineup to help deliver one of the best sets of the day.

As soon as Paramore ended, I walked all the way across the grounds to catch the most underrated band today: Spitalfield. Mixing songs from their first two Victory LPs and throwing in a song from their forthcoming album, Spitalfield played a set of pop songs solid enough to make Fall Out Boy jealous.

And so ended my day at the Warped Tour. I left with a bag full of free swag, a headache, and the sunburn from Hell. It was a blast.

Filed Under: Reviews, Show Tagged With: Greeley-Estates, Gym Class Heroes, Motion City Soundtrack, Paramore, Saves-The-Day, The Academy Is..., The Radio Fix

  • « Previous Page
  • 1
  • 2
  • 3

Recent Posts

Motion City Soundtrack To Release Video Documentary

Secrets Stream “Maybe Next May” Video

Emery to Launch Crowdfunding Campaign for New Album

I Am The Avalanche Stream New Album “Wolverines”

The Weeks @ The Ryman Auditorium

Copyright © 2025, Driven Far Off. All Rights Reserved.