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Sum 41 – Underclass Hero

October 22, 2007 By Andrea Hubbell 3 Comments

Sum 41

Artist: Sum 41
Album: Underclass Hero
Label: Island Records
Purchase: Smart Punk
Release Date: July 24th, 2007

Overall: 8.0
Music: 7.5
Lyrics: 8.5
Production: 7.0

Sum 41’s latest album, “Underclass Hero”, is “sound” proof that the quality of bands’ music doesn’t necessarily dwindle with passing years and changes in lineup. Following three well-received albums, “All Killer, No Filler” (2001), “Does This Look Infected?” (2002), and most recently, “Chuck” (2004), “Underclass Hero”, although perhaps not the most remarkable of Sum 41’s albums, certainly has its impressive elements. Former lead guitarist and backup vocalist Dave Baksh’s absence from this album, although somewhat noticeable in frontman Derek Whibley’s change in vocal style, hardly hinders its sound. In fact, the guitar throughout this album is especially notable, even without Baksh, Whibley producing loud, and passionate guitar riffs and meshing with Jocz’s aggressive drumming to create a generally hyper punk rock sound. Various portions of the album are, in fact, “All Killer, No Filler”-esque, while others display the more mature sound and lyrical content present in “Chuck”. This latest album has a loose political concept, some songs attacking the concept of government and elitism, and supporting the “underclass”, while others convey different, more personal themes. “Underclass Hero” as a whole is a very diverse album. While the songs it includes are mostly raucous and enthusiastic, a few slower songs are enclosed, such as “Best of Me”, “So Long Goodbye”, and “Look At Me”. A certain amount of piano seems to be enclosed on various tracks of this album, something not often heard in Sum 41’s music. The most unique element of this album, however, is not the addition of piano, but the inclusion of a song entirely comprised of French words, titled “Ma Poubelle” (translating to “My Waste” in English). Although it would be difficult to analyze the lyrics displayed throughout “Ma Poubelle”, the lyrics presented in the English tracks on this album, although not completely groundbreaking or wholly conceptual, are insightful and opinionated, rather than whiny and sorrowful, something that seems to be a trend in the rock genre as of late. These songs could have been better organized, however. Overall, “Underclass Hero” is an appealing album in sound and message, although, the album could do with the exclusion of a few of its less prominent, more mediocre-sounding songs. Some mentionable tracks off of this album include “No Apologies”, “This is Goodbye”, and “Walking Disaster”.

Track Listing
1. Underclass Hero
2. Walking Disaster
3. Speak of the Devil
4. Dear Father
5. Count Your Last Blessings
6. French Song
7. Carnival of Sins
8. The Jester
9. With Me
10. Long
11. King of Contradiction
12. Best of Me
13. Confusion and Frustration in Modern Times
14. So Long Goodbye
15. Look At Me

Filed Under: Album, Reviews Tagged With: Sum 41

We The Kings – We The Kings

October 20, 2007 By Bryce Jacobson 5 Comments

We The Kings

Artist: We The Kings
Album: We The Kings
Label: S-Curve
Purchase: Smart Punk
Release Date: October 2, 2007

Overall: 7.5
Music: 8.0
Lyrics: 7.0
Production: 7.0

Virtually appearing out of thin air, We The Kings have sneaked onto the scene with their new self-titled album. The band is made up of long-time friends who sing about their life experiences and even their hometown. Going the way of bands such as The All-American Rejects and Boys Like Girls, We The Kings bring out their pop rock and coat it with a sweet layer of catchy sing along lyrics. On their first single “Skyway Avenue” the band showcases their catchy rock style with lyrics like “Cause If you jump I will jump too, we will fall together from the buildings ledge, never looking back at what we’ve done, we’ll say it was love, cause I would die for you on Skyway Avenue.” With songs like “Whoa” , “The Quiet” , and “All Again For You” We The Kings are sure to please pop rock fans of all kinds.

Recommend if you like: Boys Like Girls, The All-American Rejects, Cartel, songs to sing along to.

Track Listing
1. Secret Valentine
2. Skyway Avenue
3. Check Yes Juliet
4. Stay Young
5. Whoa
6. August Is Over
7. The Quiet
8. Don’t Speak Liar
9. Headlines Read Out…
10. All Again For You
11. This Is Our Town

Filed Under: Flash, News, Reviews Tagged With: Boys Like Girls, S-Curve-Records, The All-American Rejects, We-The-Kings

Barely Blind – The Way We Operate

October 20, 2007 By Bryce Jacobson 1 Comment

Barely Blind

Artist: Barely Blind
Album: The Way We Operate
Label: TDR Records
Purchase: Interpunk
Release Date: August 28, 2007

Overall: 7.5
Music: 8.0
Lyrics: 7.0
Production: 7.5

Barely Blind’s The Way We Operate is full of pop punk goodness that instantly hits your ears with “Life On Wilson Street” and continues through on “The Way Out.” Dueling vocals, bouncy bass and all the catchy pop-punk guitar riffs your ears desire are included in this package. The Way We Operate was produced by Punchline’s Steve Soboslai, which couldn’t have been a better fit for this album.

Recommended if you like: Pop-Punk, Punchline, Home Grown.

Track Listing
1. Life On Wilson Street
2. Pariah
3. Crazy
4. Crowded Room
5. 97′ Called
6. The Way We Operate

Filed Under: Flash, News, Reviews Tagged With: Barely Blind, Punchline, TDR-Records

Farewell – Isn’t This Suppose To Be Fun

October 15, 2007 By Bryce Jacobson Leave a Comment

Farewell

Artist: Farewell
Album: Isn’t This Suppose To Be Fun
Label: Epitaph
Purchase: Smart Punk
Release Date: September 25, 2007

Overall: 8.0
Music: 8.5
Lyrics: 8.0
Production: 8.0

Fun Rock
noun
A type of rock music that empowers the being of fun. A sound of enjoyment, amusement and pleasure: the fans were rocking out to their favorite fun rock band, Farwell. (Also see Farewell)

Farewell‘s Isn’t This Suppose To Be Fun can easily be described as the best fun rock album of the year. Thirteen tracks of synth filled rock and sing along lyrics couldn’t make your ears feel any better. Enjoy the fun!

Recommended if you like: Fun music, pop punk, synth rock, Motion City Soundtrack, Houston Calls.

Track Listing
1. Start It Up
2. Anchors Away
3. First One On The Blog
4. Stay Pretty
5. War
6. Sing, Baby
7. Eighty Eights
8. Zelda
9. September Brought The Fall
10. Cut You A New Smile
11. Hey Heather
12. Darling Darlene
13. Fed The Fire

Filed Under: Flash, Reviews Tagged With: Epitaph, Farewell

The Secret Handshake – One Full Year

October 15, 2007 By Adam Weidman Leave a Comment

One Full Year

Artist: The Secret Handshake
Album: One Full Year
Label: Triple Crown Records
Purchase: Smart Punk
Release Date: September 25, 2007

Overall: 7.0
Music: 7.0
Lyrics: 7.5
Production: 8.0

Luis Dubuc, the mastermind behind The Secret Handshake has spent years toiling behind his Apple computer screen to create and perfect his sound. With the release of One Full Year he has proven that there truly can be substance behind the beats. The album is chalk full of enough drum machines, voice processors and synthesizers to create a bona fide dance party. However, I found that it’s Dubuc’s lyrical content that shines the brightest of all.

Recommended if you like: Fun electronic indie-pop, in the vein of PlayRadioPlay! and Hellogoodbye.

Track Listing
1. Too Young
2. Summer of ’98
3. Coastal Cities
4. Wanted You
5. Everyone Knows Everyone
6. Denton, TX
7. Midnight Movie
8. Game Girl
9. Pictures
10. Don’t Count on Me
11. I Lied About Everything
12. Make You Mine
13. Lately
14. Crosses Fingers

Filed Under: Flash, Reviews Tagged With: The-Secret-Handshake

June – Make It Blur

October 11, 2007 By Adam Weidman Leave a Comment

Make It Blur

Artist: June
Album: Make It Blur
Label: Victory Records
Purchase: Smart Punk
Release Date: August 7th, 2007

Overall: 7.5
Music: 8.0
Lyrics: 6.5
Production: 8.5

On this their sophomore effort for Victory Records, June has broken new ground and redefined their sound. From the opening powerful pop-rocker “No Time for Sense” to the piano tinged single “I’d Lose Myself” it’s evident that this is a band coming into their own. Each song truly has it’s own unique identity, and the record as a whole merely doesn’t just bleed together and become forgettable. If their last record, If You Speak Any Faster was the foundation for their sound then Make It Blur makes for the sleek and sturdy walls. I can’t wait to hear how they build upon this.

Recommended if you like: mainstream alternative radio-rock without the stigma attached.

Track Listing
1. No Time for Sense
2. Finally
3. Tempter
4. Closer
5. Your Shadow
6. I’d Lose Myself
7. Just Don’t Let Go
8. Machine and the Line
9. Swallowed
10. A Taste
11. Sight for Sore Eyes
12. Southpoint

Filed Under: Flash, Reviews Tagged With: June, Victory Records

Motion City Soundtrack – Even If It Kills Me

October 6, 2007 By Bryce Jacobson 2 Comments

Motion City Soundtrack

Artist: Motion City Soundtrack
Album: Even If It Kills Me
Label: Epitaph
Purchase: Interpunk
Release Date: September 18, 2007

Overall: 9.0
Music: 9.5
Lyrics: 9.0
Production: 9.0

The Minneapolis based quintet, known as Motion City Soundtrack (or MCS for short), have unleashed their new album, Even If It Kills Me and its filled with witty lyrics, bouncing bass, and of course all the moog sounds your brain desires. The band headed to New York City in the early part of this year to write and record their third studio album for Epitaph Records.

Opening the album is the fast paced “Fell In Love Without You” and it certainly feels like your listening to a Motion City Soundtrack song with the fast guitars and moog hitting your ears almost instantly. Justin’s voice feels clean and focused while the drums beat fast and the nerd rock guitars belt out a crazy belch of goodness. “This Is For Real” continues things with a bouncing bass and drum intro followed by something I would only expect to hear out of Justin’s mouth “I’ve got emotion drippin out my pores”. “This Is For Real” carries that classic MCS sound with lyrics you’ll be singing along to in no time. “It Had To Be You” brings in a bit of a new sound with a mixture of piano and some wonderful “Woo Ooo’s” which fit right into this songs great melody. A slower intro on “Last Night” is calming and also includes some more piano bits. I feel like this song is a story and Justin is sitting next to me reading it, is that crazy or wicked cool that it could make me feel this way?

Upon first hearing “Calling All Cops” I didn’t know what to think of the song. Justin’s voice seems to stay in one key throughout the entire song and its a bit slower then the average MCS tune. Listening to this song more is the cure to not liking it at first, the moog parts are catchy, the bass is bouncing and the melody is soothing yet uplifting. This song even includes strings at certain parts, and I have to say it sounds amazing. On “The Conversation” Justin dives into his heart and pulls out a soft sad story wrapped in emotion. This slow song is a first for MCS, no guitars, bass, drums, or moog, just Justin and a piano.

“Broken Heart” brings things back up to speed with the line “I’ll start this broken heart, I’ll fix it up so it will work again, better then before” followed by a catchy drum line and raging guitars and bass. “Hello Helicopter” is another slower song incorporating a mix of acoustic guitar and strings wrapped in a soft yet upbeat package. You’ll find yourself singing along to this song no time, I just have to wonder how it would go down in a live show.

“Point Of Extinction” is a song I expect to see Justin doing his jittery robot moves too. Its quirky guitar parts and body moving abilities make this song feel like a classic upbeat MCS tune. “Antonia” is filled with more lyrics about a girl then one might desire to hear in a three minuet span. However the way they are put together is rather unique and pleasant, you feel like you know this girl by time the song is done. Wrapping up the album is the title track “Even If It Kills Me.” Its soft guitar intro is complimented by a beat box effect before the rest of the band chimes in. You can feel a difference in Justin’s voice on this song, its clean, confident and better then I think I’ve ever heard it. The moog, bouncy bass, beat box, soft guitar and everything else in this song play so well with Justin’s voice this song became my favorite on the album. There is no way you can listen to this track and not belt out the lyrics, tap your foot, and possibly just get up and play some air guitar all at the same time.

If you listen to this album once through and feel like MCS has changed, well then you are right. The guys are fine tuning their sound, style, lyrics, and even their voices for this release. I found myself falling in love with it a bit more every time I listened.

Track Listing
1. Fell In Love Without You
2. This Is For Real
3. It Had To Be You
4. Last Night
5. Calling All Cops
6. Can’t Finish What You Started
7. The Conversation
8. Broken Heart
9. Hello Helicopter
10. Where I Belong
11. Point Of Extinction
12. Antonia
13. Even If It Kills Me

Filed Under: Album, Reviews Tagged With: Epitaph, Motion City Soundtrack

Four Year Strong – Rise Or Die Trying

October 4, 2007 By Manuel Enrique Garcia 2 Comments

Four Year Strong

Artist: Four Year Strong
Album: Rise or Die Trying
Label: I Surrender Records
Purchase: Smart Punk
Release Date: Sept. 18th, 2007

Overall: 8.5
Music: 8.5
Lyrics: 8.0
Production: 9

You are driving down the highway with the windows down. The warm, polluted air is rushing against your face. You stick your left hand out the window and you feel the various bugs smacking against your palm. The radio is filled with male enhancement commercials, lousy news-reporting, and mainstream music that will make you let go of the steering wheel and take a step closer towards your death. The sound of passing cars and impatient honking is growing tiresome. You want something to pop into the CD player that is going to take you away from this dreadful highway filled with too many potholes. You want something that will take you away from the hopelessness you felt this morning when you put that bland t-shirt over your head. You want something catchy enough to make you sing-along as loud as your post-puberty voice can go. Something that will uplift and strip away the hopelessness and replace it with humble fun. Are you ready to rise up and find the band that you so desperately need to discover or will you die trying and listen to whatever filth is on the radio for the rest of your life?

Four Year Strong released their debut full-length on September 18th entitled “Rise or Die Trying”, which is not to be mistaken for 50 Cent’s “Get Rich or Die Tryin”. Surely there must be something worth dying for besides getting rich. Four Year Strong hails from Massachusetts and they packed their debut with eleven songs filled with catchy choruses, relative and hopeful lyrics, upbeat song structures, and out-of-nowhere breakdowns.

You just found out your favorite dog has been recruited into dog fighting by Michael Vick’s colleagues. Listen to “Catastrophe” and you’ll find yourself pumped up when you are calling the police, but only to be put on hold for twenty minutes. Your girlfriend of a year has dumped you via text message. Listen to “Men Are From Mars, Women Are From Hell” and you’ll find yourself searching Facebook for a new lady to charm with your good looks and arsenal of magic tricks. Each song on “Rise or Die Trying” is filled with simple, yet relatable lyrics that will rain down nostalgia.

It’s impossible to listen to this record without walking away with a surge of energy and a smile across your pampered face. The songs have been packed with kicks, punches, and taser guns (incase you speak up against John Kerry). The breakdowns come out of no where and will serve as sober man’s cocaine (rehab is too expensive to waste away but he needs an energy boost). The choruses are as catchy as when “mmmBop” was blasting from thousands of minivans across America in 1996.

Four Year Strong has released a solid debut that will leave an impression on listeners and critics around the world. “Rise or Die Trying” is a fun record that will leave you in a wonderful mood, even if your boyfriend broke up with you and you have a school paper due tomorrow on something you’ve never heard of.

Track Listing:
1. The Takeover
2. Prepare To Be Digitally Manipulated
3. Abandon Ship Or Abandon All Hope
4. Heroes Get Remembered, Legends Never Die
5. Wrecked ‘Em? Damn Near Killed ‘Em
6. Catastrophe
7. Men Are From Mars, Women Are From Hell
8. Bada Bing! Wit’ A Pipe!
9. Beatdown in the Key of Happy
10. If He’s Here, Who’s Runnin’ Hell?
11. Maniac (R.O.D.)

Filed Under: Album, Reviews Tagged With: Four Year Strong, I Surrender Records

The Dangerous Summer – If You Could Only Keep Me Alive

September 30, 2007 By Bryce Jacobson 2 Comments

The Dangerous Summer

Artist: The Dangerous Summer
Album: If You Could Only Keep Me Alive
Label: Hopeless
Purchase: Smart Punk
Release Date: August 21st, 2007

Overall: 7.5
Music: 8.0
Lyrics: 7.5
Production: 7.0

The Dangerous Summer’s debut EP is a mix of catchy rock and powerful vocals. From the first song, “I Would Stay” you can hear a difference in this band compared to others. The vocals ring out and the power and emotions come with them, filling your ears with a never ending delight. This EP caters to those looking for an upbeat tune (“The Permanent Rain”, “Here We Are After Dark”) and those looking for a song to sing along to (“Home”).

Recommended if you like:
A new band to sing along to, catchy rock, Amber Pacific, All Time Low.

Track Listing
1. I Would Stay
2. The Permanent Rain
3. Here We Are After Dark
4. Wake Up
5. Home
6. Disconnect
7. Of Confidence

Filed Under: Album, Flash, Reviews Tagged With: The Dangerous Summer

Dropout Year – Best Friends For Never

September 13, 2007 By Andrea Hubbell 2 Comments

Dropout Year

Artist: Dropout Year
Album: Best Friends for Never
Label: None
Purchase: Smart Punk
Release Date: June 12th, 2007

Overall: 9.0
Music: 9.5
Lyrics: 8.5
Production: 9.0

Dropout Year, obscure though this Maryland-based band may be, is certainly comparable to or perhaps more appealing in sound than a great deal of mainstream bands of the rock genre. It would seem that being unsigned would in different aspects hinder a band in producing music. However, within their EP “Seven Unreturned Phone Calls” and even more so in their new EP “Best Friends for Never”, Dropout Year fails to hold anything back. Every track off of this new EP is singularly unique, each with a very defining sound, none sounding like the next. Since “Seven Unreturned Phone Calls”, lead vocalist Adam Henderson’s voice’s range, ability, and sound overall has matured and improved. The backup vocals along with Henderson’s create a unique harmony, especially apparent in the choruses of most of the tracks. Quality of the instrumentals is also very high, and also truly defines Dropout Year’s sound. The bass of this band meshes very well with the drums, and the guitar really branches out. It would be unfair to select only a couple of the eight tracks as notable, since each seemed to me to be really enjoyable and distinctive. This band seems to understand the concept that putting out a few exceptional tracks trumps producing several mediocre songs, as not one of the eight songs off of “Best Friends for Never” can be branded “mediocre”. The only typical aspect of Dropout Year’s music is their lyrical focus on mostly love, angst, and heartbreak, and even in this they have found a new way to express old feelings, with their both clever and poetic words. Overall production of this album is obviously great. To fans of Amber Pacific, bands similar, or of rock music in general, be sure to listen to Dropout Year’s new EP “Best Friends for Never”!

Track Listing
1. From Across The Room
2. As You Wish
3. It Wasn’t Over, It Still Isn’t Over
4. A Coming Of Age Story
5. Confetti
6. Biggest Fan
7. Hold On Tight
8. Best Friends For Never

Filed Under: Album, Reviews Tagged With: Dropout-Year

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