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Brightwood – The Love Antidote EP

February 14, 2006 By Michael Schneider Leave a Comment

Brightwood

Artist: Brightwood
Album: The Love Antidote EP
Label: Independent
Purchase: Smart Punk
Release Date: February 18, 2006

Overall: 9.5
Lyrics: 9.2
Music: 9.5
Production: 9.7

Brightwood seemed to catch my attention almost out of nowhere. I checked out their myspace page on a link from a friend and was immediately attracted to their sound. When their debut EP â┚¬Ã‹Å“The Love Antidoteâ┚¬Ã¢”ž¢ finally made its way into my hands, I had only had one listen before I was ready for the full-length.
Self-described â┚¬Ã‹Å“Brightwood is a four-piece aggressive melodic rock group based in the Portland areaâ┚¬Ã‚¦a modern blend of raw, yet intelligent, melodic rock laced with soaring guitars, passionate vocals and intermittent tasteful screamsâ┚¬Ã‚¦Ãƒ¢Ã¢”š¬? I will boldly state that no band has made an impact on me this much since my first listen of Copelandâ┚¬Ã¢”ž¢s â┚¬Ã‹Å“Beneath Medicine Tree.â┚¬Ã¢”ž¢

Brightwood takes the tone of artists like the Goo Goo Dolls, and Rookie of the Year and puts their own spin on it. The EP begins with incredibly produced programming that doesnâ┚¬Ã¢”ž¢t overrun the bright toned guitars and vocal melodies. Vocalists Andrew and Stephen complement each other, and until reading the liner notes of the cd, I couldnâ┚¬Ã¢”ž¢t discover why until last names were mentioned. Drummer and Guitarist, this combination of brothers are bringing a vocal combination rarely found in todayâ┚¬Ã¢”ž¢s music. Adding Benjamin Hawkins on guitars and Matt Fosket on bass, this four-piece has collectively stumbled upon a formidable sound.

The third track â┚¬Ã‹Å“In Memoryâ┚¬Ã¢”ž¢ reaches the peak of acoustic splendor that I would expect from a band who denotes their concentration on it. This track establishes their range as a group. From entering with acoustic guitar, following with piano and blending in distorted guitars and booming drums, this epic ballad sings â┚¬Ã‹Å“you carried my heart in the midst of this battle, in your hands, And Iâ┚¬Ã¢”ž¢ll wait for you.â┚¬Ã¢”ž¢ As I stated earlier, I am waiting for a full length and to see the incredible things this group can achieve.

Brightwood has written, recorded, produced and mixed an EP that will remain a staple on my playlist for as far as I can see. These six songs sound as though they were done with an endless budget, yet this independent band, about to embark on a west coast tour is seemingly â┚¬Ã‹Å“do-it-yourself.â┚¬Ã¢”ž¢ Expect great things from these guys and BUY THIS EP!

Track Listing
1. My Reply
2. Sit Still
3. In Memory
4. The Futile
5. Superfire
6. Unspoken

Standout Tracks
The Entire EP, literally

Filed Under: Album, Reviews Tagged With: Brightwood

Pistolita – Oliver Under the Moon

February 12, 2006 By Michael Schneider Leave a Comment

Pistolita

Artist: Pistolita
Album: Oliver Under the Moon
Label: Montalban Hotel
Purchase: Smart Punk
Release Date: February 7, 2006

Overall: 7
Lyrics: 6.5
Music: 7
Production: 7.5

In March, Pistolita will embark on a lengthy tour with scene veterans Saves The Day, Canadian rockers Moneen, and Circa Survive. Before my knowledge of this tour I had never heard of Pistolita, nor their music. In thinking of other piano-rock type bands, Pistolita is in the same vein as Something Corporate and Melee, unfortunately, theyâ┚¬Ã¢”ž¢re just not quite there yet.

Upon my first few listens to this debut full-length, what sticks out to me as a major weakness is the vocalist. While Connor Meads is a solid pianist, his voice does not hold the passion that the music demands. At times it seems he is right on the verge of a brilliant melody, he drowns off with moans expected of a high school screamo band. I can only imagine how much my opinion of this record would change with Jason Gleason behind the microphone. Disregarding voices for the time being, this is quite a catchy and solid record. With hooks that contain the intensity of much heavier groups like Moneen, and piano lines that saturate with harmony, this band has the potential of any piano fronted group I have ever heard.

The final track, â┚¬Ã‹Å“Panicâ┚¬Ã¢”ž¢ which clocks in at an epic 7 minutes, 25 seconds, is easily my favorite song on the whole album. I feel like they finally achieve the dynamic theyâ┚¬Ã¢”ž¢ve been striving for with the swelling bridge, the tension is breathtaking, and makes me wonder how the live show ends. â┚¬Ã‹Å“China Dolls,â┚¬Ã¢”ž¢ a beautiful mid-album piano-rock ballad, chimes in at only two minutes, definitely a creative decision as it is the only real break from the aggression filling the rest of the record. Without track tags, I might believe that â┚¬Ã‹Å“Killjoyâ┚¬Ã¢”ž¢ was just a Moneen song left off of â┚¬Ã‹Å“Are We Really Happyâ┚¬Ã‚¦Ãƒ¢Ã¢”š¬Ã¢”ž¢ Regardless of the music and production the same problem taints this whole record. The vocals, just do not reach the height of the music. An instrumental record would better suit my tastes with this band.

Although I might come off as a little harsh with the vocals of this record, the truth is itâ┚¬Ã¢”ž¢s quite well-written. The recording is transparent, the instruments connect and complement each other, and the lyrics are excellent; this is just not the record for me. If you are a fan of piano-driven music, give this record a shot but donâ┚¬Ã¢”ž¢t keep the bar as high as past artists have set it.

Tracklist:
1. Age
2. Big Shot
3. China Dolls
4. Cupid
5. Fadawhite
6. Killjoy
7. Metronome
8. Oliver Under The Moon
9. Panic
10. Papercut
11. Pity Refrain
12. Voicebox

Standout Tracks
“Killjoy”, “Panic”, “Cupid”

Filed Under: Album, Reviews Tagged With: Pistolita

Fivespeed – Morning Over Midnight

February 8, 2006 By Bryce Jacobson Leave a Comment

Fivespeed

Artist: Fivespeed
Album: Morning Over Midnight
Label: Virgin Records
Purchase: Amazon
Release Date: January 24, 2006

Overall: 7.7
Lyrics: 7.5
Music: 8.0
Production: 8.0

After reviewing Fivespeed’s Bella EP this past summer I was actually looking forward to their full-length. Overall I was pulled in by Jared’s voice as it’s nothing short of spectacular. On Morning Over Midnight Fivespeed unleash a flurry of new songs that pick up where their EP left us hanging. “Fair Trade” opens the CD to a powerful and vocally ear pleasing song. Jared’s voice is not something you can ignore on this track leg alone this CD. The band bring along their powerful style and sugar sweeten it with lots of melody throughout this whole album. On the title track “Morning Over Midnight” the band slows things down just a notch to more of a radio friendly track. The band has overall polished their sound since their EP but have they done it a little bit to much? Both “The Mess” and “Vegas” have been carried over from the bands EP to this full-lenght. These songs have more of an old prog or grudge feel to them compared to their new tracks. Besides the emotion that “Touch Of One” gives off the rest of the tracks are rather disappointing. They slow things down way to much for what I was expecting this album to be. You can rule out this as being a great hard rock album and throw it in the not what you expected pile.

I think the band was either pushed or thought for themeless that they should streamline their sound to be radio friendly. Their EP showed a lot of originality where as now they are floating down the mainstream rock river. I hope the band takes things up a notch on their future releases and doesn’t follow the radio friendly major label way.

Track Listing
1. Fair Trade
2. The Mess
3. Morning Over Midnight
4. Blame It On You
5. Vegas
6. Lights
7. Touch Of One Listen
8. Drive (Field Guide)
9. Wait Forever Listen
10. Misery Loves Company

Standout Tracks
“Fair Trade”, “Touch Of One”, “The Mess”

Filed Under: Album, Reviews Tagged With: Fivespeed

Blood On The Tracks – Blood On The Tracks

February 8, 2006 By Bryce Jacobson Leave a Comment

Blood On The Tracks

Artist: Blood On The Tracks
Album: Blood On The Tracks
Label: Em Dash
Purchase: Smart Punk
Release Date: November 10, 2005

Overall: 6.8
Lyrics: 6.6
Music: 7.2
Production: 7.0

Hailing from Santa Clara, CA, Blood On The Tracks is an up-and-coming three piece rock outfit who have plenty to show for their existence of less than a year. The bands influences come from bands like Muse, The Mars Volta, Jimmy Eat World and U2 and their sound comes from a mix of those bands as well as a sound like that of The Strokes and even Green Day.

On the bands debut 6 song EP they define their sound with mild to up beat songs. On the track “Tonight” the mix of indie guitars and a soft bass line flow through the speakers along with soft vocals. “Love Is Dead” is a catchy track with a nice chorus and some guitar effects to add depth to the song. On the track “Perfect” they mix in some piano and a stronger bass line for a song that differs from the others on this EP.

Blood On The Tracks are paving the road to a bright future. Their sound doesn’t compare to their influences as of yet but with some time on the road and more writing they can accomplish this task rather quickly. Check out this EP for a great indie band that isn’t following trends but rather making a new one.

Track Listing
1. Here Today, Gone Tomorrow
2. In Flames
3. Tonight
4. Love Is Dead
5. Perfect
6. Without You

Standout Tracks
“Love Is Dead”, “Perfect”, “In Flames”

Filed Under: Album, Reviews Tagged With: Blood-On-The-Tracks

Rocky Votolato – Makers

February 8, 2006 By Michael Schneider Leave a Comment

Rocky Votolato

Artist: Rocky Votolato
Album: Makers
Label: Barsuk
Purchase: Barsuk
Release Date: January 24, 2006

Overall: 8.9
Lyrics: 8.8
Music: 9
Production: 9

As quoted from Rocky Votolatoâ┚¬Ã¢”ž¢s onesheet, â┚¬Ã…”Rocky Votolato is a soft-spoken, hard-working 28-year-old father of twoâ┚¬Ã‚¦Ãƒ¢Ã¢”š¬Ã¢”ž¢My dad was in a motorcycle gang based out of Dallas, TX called the Scorpionsâ┚¬Ã‚¦I remember the family trip to the state fair and my dad being handcuffed and taken away because of the pistol he always carried in his beltâ┚¬Ã‚¦Ãƒ¢Ã¢”š¬?â┚¬Ã¢”ž¢

To say the least, Rocky Votolato has had his share of life experiences, most of which occur in his music. After my first time seeing him play in the now re-invented Paradox Theatre in Seattle, I have not stopped supporting and listening to his projects. Touring with bands like The Get Up Kids, Rocky has made his way around the country, â┚¬Ã‹Å“Makersâ┚¬Ã¢”ž¢ is his third album; The first two released on Second Nature Recordings, and â┚¬Ã‹Å“Makersâ┚¬Ã¢”ž¢ under license to Barsuk Records.

The first track, â┚¬Ã‹Å“White Daisy Passingâ┚¬Ã¢”ž¢ is a beautiful and mellow introduction to a very well crafted record. His falsetto background vocals sing â┚¬Ã‹Å“passing white daisies taking turns, all those evenings on the back deck on our first apartment, they mean everything but the wind just carried them off.â┚¬Ã¢”ž¢ Rockyâ┚¬Ã¢”ž¢s metaphors are so well put I wouldnâ┚¬Ã¢”ž¢t dare tried to reword them. His voice is soothing, and full; White Daisy Passing is a perfect introduction into his best release yet.

Next is the other single, â┚¬Ã‹Å“Portland Is Leaving.â┚¬Ã¢”ž¢ This track reminds me of why I could listen to Mr. Votolato sing for the rest of my life. Harmonica melody and minor chords blend with his insightful lyrics, and often leave me contemplating his messages.

Rocky has taken a good step forward in his song-writing. On Suicide Medicine, some of the songs grabbed you quickly, and pulled you in to listen to the rest of the album. It seems as though he has abandoned the plan of writing the radio single, and stuck to his best formula; Rocky writes songs that require a few plays to understand. His sometimes-depressing topics, speak so honestly that I would think his age would be far past his late twenties. The title track â┚¬Ã‹Å“makersâ┚¬Ã¢”ž¢ describes the loss of a loved one, or so said metaphorically, and if you remember his last release, the topic is identical to Suicide Medicine. â┚¬Ã‹Å“Wait Out the Daysâ┚¬Ã¢”ž¢ talks about waiting for death to come. Apparently the human fate is a constant on his mind.

Rocky Votolato has created an album that in my mind should speak for itself. Well I donâ┚¬Ã¢”ž¢t doubt it make take you a few listens to come to the level of appreciation I have, he has again proven to me why he is one of the best solo artists in the music scene today. If you are a fan of angst-filled emo songs about losing your girlfriend, this album is not for you. If you are a fan of heart-felt, honest, and wise folk-rock, you have found your new favorite artist.

Track Listing
1. White Daisy Passing
2. Portland Is Leaving
3. The Night’s Disguise
4. She Was Only In It For The Rain
5. Uppers Aren’t Necessary
6. Wait Out The Days
7. Streetlights
8. Tennessee Train Tracks
9. Goldfield
10. Tin Foil Hats
11. Where We Left Off
12. Makers

Filed Under: Album, Reviews Tagged With: rocky-votolato

The Radio Fix – Of Hyacinth and Jasmine

February 7, 2006 By Trevor Bivens Leave a Comment

Radio FIx

Artist: The Radio Fix
Album: Of Hyacinth and Jasmine
Label: None
Purchase: Interpunk
Released: December 10, 2005

Overall: 9.0
Lyrics: 8.5
Music: 8.9
Production: 9.2

The Radio Fix are a five piece rock outfit from Dayton, TN. You’d never know it. I love finding bands that break the Tennessee stereotype. You know..country artists? Not that there’s anything wrong with that, but I love hearing good rock music from Tennessee. It goes to show that we’re all not a bunch of hicks obsessed with our tractors, how sexy they are, and a sunny day on the farm ending with a dip in the mudhole. With that being said, let’s hop to it.

The Radio Fix play emo tinged rock much in the vein of Anberlin. It’s got “that sound” but isn’t cliche “oh baby baby, you broke my heart, I want you back” stuff. The opening track on this EP, “Curse Me When You Leave” is a pretty good way to start things off. The song showcases vocalist Craig Biddy’s varied range. I would love to hear this guy live and will probably make the effort to do so within the next month.

“Put You Out to Sea” sounds like a radio ready song that should be kicking crap like Crossfade off the airwaves.

“Sun and Sea Become An End” is an upbeat tune that again capitalizes on the superb vocals. The drums will keep your head bobbing around, and once you learn the words to this song, you will be singing along.

I didn’t like “Save Yourself” until I heard the “whoahs” during the chorus. I like pretty much any song with “whoahs” in it, and the ones here are awesome. Plus, the song picked up a bit after the first chorus.

“The Sweetest Air” closes the EP with a strong song that makes you want more. This is probably my favorite track on here. I hate to repeat myself, but the vocals here are just beautiful. To be cliche, they’re soaring.

Overall, this is an impressive debut from former members of Rifles at Recess and Across Five Aprils. Keep an eye on this band, because they should have labels chasing after them soon enough.

Track Listing
1. Curse Me When You Leave
2. Put You Out To Sea
3. The Sun and Sea Become An End
4. Save Yourself
5. The Sweetest Air

Filed Under: Album, Reviews Tagged With: The Radio Fix

Time and Distance – The Way It Should Be

February 3, 2006 By Michael Schneider 4 Comments

Time And Distance

Artist: Time and Distance
Album: The Way It Should Be
Label: None
Purchase: Smart Punk
Release Date: August 15, 2006

Overall: 7.6
Lyrics: 6.5
Music: 8.0
Production: 8.0

It’s been a couple years since I was introduced to this once “solo acoustic-rock” project from Charleston, WV. Since then, this four-piece has toured the country relentlessly with bands like Taking Back Sunday, Midtown, Daphne Loves Derby, and hundreds more. To say the least, this is one of the hardest working bands in the music scene. “The Way It Should Be” was recorded last spring and due to personal decisions was not released on their current home I-Surrender Records. The release date and label is still undetermined.

The dueling vocals provided by Greg McGowan and Derek Reese are unusually crisp for a two-singer combo. Aaron Squared’s bass and Ryan Ware’s drumming create a well-rounded rhythm section. What you might notice after a few listens is that there is very little extra instrumentation done on this record. Besides a track guest produced by Heath Sacreno of Midtown, almost all of what you hear, you will hear in the live show.

The first track titled Up-Out & Over it begins with a frustrated attack on a former romantic interest saying, “I can’t wait for this to end.” Wouldn’t it be fitting if that were the theme of the whole record? Fortunately, it’s not. This track is a very catchy, ready-for-the-radio song that has become quite addicting.

Moving forward to “Miss New York,” my favorite track on this record; As far as musicianship goes, it quite a simple song. What I am most impressed with is the caliber of back up vocalist Derek Reese. He handles most of the bridge, with vocals that I wish were seen in a lot more of the music in this genre. His melody is high, yet powerful and full, a great complement to Greg’s vocals.

This record is filled with other great tracks like Remember and Until it’s Over, and the do-it-yourself recording of Addicted. With traditional chord progressions, and catchy melodies, this is not a breakthrough record by any means. The truth is that they’re a very solid band that’s ready for the mainstream. This record has potential to be every one’s guilty pleasure, & maybe land them on one of the many major labels that have been following them since their first national tour.

Track Listing
1. Up Out & Over It
2. Lost In Me
3. Four To Go
4. I Miss New York
5. Remember
6. Until It’s Over
7. Say Anything
8. A Promise
9. Coast To Coast
10. Three Days Late
11. Addicted

Standout Tracks
“I Miss New York”, “Up Out & Over It”, “Lost In Me”

Filed Under: Album, Reviews Tagged With: Time-And-Distance

Action Action – An Army of Shapes Between Wars

January 30, 2006 By Trevor Bivens 1 Comment

Action Action

Artist: Action Action
Album: An Army of Shapes Between Wars
Label: Victory
Purchase: Smart Punk
Release Date: January 24, 2006

Overall: 7.9
Lyrics: 7.7
Music: 9.0
Production: 8.8

I loved The Reunion Show. “The Motion” remains one of my favorite EPs to date. I loved Count the Stars. “Never Be Taken Alive” is the soundtrack to a summer for me. I was devasted when both bands broke up. Then again, I was ecstatic when I heard remains of these bands would be forming a new band. “Don’t Cut Your Fabric to This Year’s Fashion” had some good songs on it, but let me down. There was a lot of boring stuff on that album. I can’t say the same for “An Army…”

Holy synth-lines abound, Batman! This album’s packing heat in the form of keys and beats. The opening track, “Smoke and Mirrors” is heavy with synth and Mark’s voice fits the mood perfectly.

Let’s hop forward a couple of songs to “Sleep Paralysis.” This is an ubeat number telling “everyone to wake up.” Head his words. This song will have you dancing about. Not to mention the outtro to the song will have you scratching your head while it’s still bobbing up and down. If you took a recorder(like the ones you had to practice with in Jr. High for band) and screwed around with it in fruity loops, you’d have this sound.

The album’s first single, “The Game,” is reminiscent of retro-rock such as Rooney. For real. I’m not kidding. Aside from Mark’s voice, I could see this being on a Rooney disc. The big difference is; I like Rooney. I don’t like this song. There’s no synth here, and honestly, when it’s present, that’s this band at their finest.

“Paper Cliche” picks things back up. It sounds like Shiny Toy Guns minus female vocals. I dig this song pretty well and would add it to rotation at a club. It rocks out allowing you to thrash and groove at the same time.

“120 Ways to Kill You: An Illustrated Children’s Book” has a very “80s feel” to it. This song is one of my favorites on the album.

Unless you want to go to sleep, skip “What Temperature Does Air Freeze At?” This song tries to be artsy and fails. It’s pretty boring.

Aside from the last two tracks on the disc, the rest are synth-driven pop that will make you want to go listen to Joy Division. That’s where this band are at their finest. Stop making slow music, because frankly, we’re listening to you for the novelty that you’re a synth-pop band. We want dancy, upbeat stuff. Take out the few sleepy songs next time around, and I’ll be 100% happy.

If you liked the first album, definitely pick this one up, because it’s way better. If you didn’t like the first album, give this one a spin and see what you think.

Track Listing
1. Smoke and Mirrors
2. Chemical Frustration
3. A Tornado; An Owl
4. Sleep Paralysis
5. The Game
6. Paper Cliche
7. 120 Ways to Kill You: An Illustrated Children’s Book
8. What Temperature Does Air Freeze?
9. The Other 90% of the Iceberg
10. Analogue Logic
11. Don’t Shoot the Messenger(Not My Idea)
12. Attached to the Fifth Story
13. The Blanket Truth

Filed Under: Album, Reviews Tagged With: Action Action, Victory Records

Hawthorne Heights – If Only You Were Lonely

January 23, 2006 By Joe Kominowski Leave a Comment

Hawthorne Heights

Artist: Hawthorne Heights
Album: If Only You Were Lonely
Label: Victory
Purchase: Smart Punk
Release Date: February 28, 2006

Overall: 9.3
Music: 9.4
Lyrics: 9.4
Production: 9.2

Hawthorne Heights burst onto the music scene two years ago with their release of “The Silence in Black and White”. With a similar sound to such bands as Taking Back Sunday, Senses Fail, and My Chemical Romance the guys cashed in on the screamcore scene that was forming. With the huge success of their single, “Ohio is For Lovers” not to mention all the nonstop touring with everyone from Spitalfield to Fall Out Boy and appearances on Warped Tour everyone now knows the melodic band from Ohio. This sophomore album is the product of all the hardwork and aspiration the guys put into playing music they are passionate about.

The new album opens with the track, “This is Who We Are”. It opens with a pounding guitar solo before giving way to the soft vocals of JT Woodruff. I have always enjoyed Hawthorne Heights because of the balance between the higher pitched soft vocals of JT and the background screams and this track highlights that superb balance. The next track, “We Are So Last Year” is by far my favorite. The verse is upbeat and the chorus has the most unforgettable lyrics on the album. Woodruff sings, “I just wanted you to know/ I think about you every night/ when I fall asleep/ you were in my dreams/ just like in a movie/ the one you want to see/ with the happy ending.” I also loved the softer sung chorus in the bridge of this one because it drives the lyrical aspects of the song home. The next track, “Language Lessons (5 words or less)” demonstrates Hawthorne Height’s ability to layer its music. With the dual guitar work you can hear the delicate stability between the two. They also work with the background vocals having JT sing the main as well as softer background instead of using the screams. They also have that typical HH sound in the real soft slower bridges. The track “Saying Sorry” was selected as the first single and the video can already be seen on various webpages (AOL music). In the video the guys are wearing white and playing in the clouds as a version of heaven. It’s a pretty trippy rocking video and an excellent pick as the first single. Once again the way the guys turn it from hardrock to soft vocals and the vocal delivery in the chorus makes this song a standout. Woodruff sings, “Saying goodbye/ this time/ the same old story/ seeing you cry/ makes me feel like saying sorry”. They also have the background screams accent the perfect lines to drive home the message. In “Breathing Sequence” the song opens with that all too familiar dark intro before giving way to the dual guitar action and Woodruff’s soothing vocals accenting the verses. The vocal deliver changes so much from the soft first verse to the driving chorus to the fast paced delivery seen in the second verse it constantly kept me on the edge. There is also a very sinister undertone to the whole song that keeps it interesting. Another musical highlight of this record is the song, “Light Sleeper” which opens with that slow moving guitar riff and Woodruff’s comforting vocals before cranking it up and rocking it out. The chorus grabbed my attention and hooked itself in with a great melody and a sensational beat. The song then closes the same way it started very gentle and relaxing. The album closes with the song, “Decembers” which features, believe it or not, a piano and some acoustic guitars. This closing song demonstrates once again how far HH have come since “Silence in Black and White”. Woodruff sings, “You don’t have to speak because/ I can hear your heartbeat/ fluttering like a butterfly/ searching for a drink”. Unquestionably a song like this didn’t appear on the last album and it shows how the guys have made that attempt to grow musically and lyrically.

As I compare “If Only You Were Lonely” to “Silence in Black and White” the immediate thought that comes to mind is that they’ve definitely stuck to their hard rocking roots. In my opinion, however, this album is above and beyond the last album. I found “Silence in Black and White” a little too rough on the ear drums at times. It seemed as if they were just using the throaty screams to add that dimension to their music. On “IOYWL” the screams were only used to accent the message and bring in that added dimension of emotion and angst. Midway through the last album it also seemed like all the songs sort of started to blend into each other while on this album each song stands alone. Hawthorne Heights have definitely progressed musically and lyrically and this album is going to be one of the hardest rocking emotionally driven albums of the year.

Track Listing
1. This is Who We Are
2. We Are So Last Year
3. Language Lessons (5 words or less)
4. Pens and Needles
5. Saying Sorry
6. Dead in the Water
7. I Am on Your Side
8. Breathing in Sequence
9. Light Sleeper
10. Cross Me Off Your List
11. Where Can I Stab Myself in the Ears
12. Decembers

Standout Tracks
“Light Sleeper”, “We Are So Last Year”, “Saying Sorry”

Filed Under: Album, Reviews Tagged With: Hawthorne Heights, Victory Records

Race The Sun – The Rest of Our Lives is Tonight

October 6, 2004 By Joe Kominowski Leave a Comment

Race The Sun

Artist: Race The Sun
Album: The Rest of Our Lives is Tonight
Purchase: Smart Punk
Label: Fidelity
Release Date: September 21, 2004

Overall: 8.8
Lyrics: 8.5
Music: 9.0
Production 8.5

Race the Sun is a new band hailing from Virginia (yes Virginia) that promises to rock us to our roots. Being compared to everyone from Fall Out Boy to Jimmy Eat World, Race The Sun has blended all types of music and added their own spin. Their debut album, “The Rest of Our Lives is Tonight” offers an emotion driven, hook filled, infectious mix. The album kicks off with the track, “Solo Tonight”. In the opening track Race The Sun gives a taste of what is to come. This song definitely reminded me of a Fall Out Boy track (which never is a bad thing). The funky bridge comprised of interesting guitar licks lead way into the chorus, which kept my head bopping. Apparently this song will soon be accompanied by a video (good choice). In the track, “Paper Weights and Coffee Stains” lead singer Jason Henderson opens with the perfect line for any poor punk kid, “My wallet is only getting lighter. I’ll keep it folded for now it’s a paper weight”. The verses seem to perfectly compliment the chorus. In the verses there is a definite singsong pattern that greatly contrasts the shouting/pop-punk style of the chorus. Once again the bridge in this song kept my toe’s tapping, especially when Henderson sings the opening line again this time with only a palm-muted guitar in the background. In “Dreams v. Me”, Race the Sun offers a bit different style. Light background screaming helps harmonize Henderson’s voice in this slightly harder track. If you’re looking for hardcore this is definitely not the song for you, think more Fall Out Boy backgrounds rather than Senses Fail. However, the screams did add substance to an already good song. This song also has a weird, almost out of place, bridge that slowed the song dramatically down. That is, of course, until youï¿Â½re hit again with the pounding vocals and heavy guitar. “Weak Would Be Me Flinching” offers a great transition. “Dreams v. Me” blends into the opening of this track and the end almost effortlessly blends into the next song as well. This song is a simple rock song with plenty of repetition that causes it to firmly implant itself in your head. The next track, “To Icarus With All Sincerity” offers enough hooks and melodies to keep me humming along throughout. The screaming in the track also offers a pretty cool vocal balance that made this track stand out. Another part of this song I enjoyed was the title. A play on Greek methodology’s Icarus who was known for flying too close to the sun, Race the Sun’s creative title made me laugh as I read through the track listings. Race the Sun closes their debut album with “460 to Nowhere” which offers the same great intensity and emotion that kicked off the CD. Race the Sun is by far one of the best new bands Iï¿Â½ve heard this year. They are really worth checking out, especially if you are into the new pop-punk scene. Tremendous harmonies, excellent pop style vocals, powerful guitar hooks, and an overall great debut album. Pick up a copy soon, you wonï¿Â½t regret it.

Track Listing
1. Solo Tonight
2. The Vanity Score
3. Paper Weights and Coffee Stains
4. As Wings Develop
5. Dreams v. Me
6. Weak Would Be Me Flinching
7. My Heart The Compass (Points West)
8. Can’t Wait
9. To Icarus With All Sincerity
10. I Hear the Book was Better
11. 460 to Nowhere

Stand out tracks:
“Paper Weights and Coffee Stains”, “Weak Would Be Me Flinching”, “Dreams v. Me”

Filed Under: Album, Reviews Tagged With: Race-The-Sun

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