Driven Far Off

The latest on the indie, alternative, and rock music scene including news, music, contest, interviews, and more. Best described as your favorite place to find new bands.

  • Home
  • Reviews
  • Interviews
  • Videos
  • Articles
  • About
  • Contact

Driver F – Chase the White Whale

June 25, 2008 By Trace Cowen 2 Comments

Artist: Driver F
Album: Chase the White Whale
Label: None
Purchase: CD Fuse
Release Date: April 7, 2008

Overall: 7.0
Music: 7.0
Lyrics: 6.0
Production: 7.5

I really love a well-placed horn. Maybe throw a trumpet into the middle there, maybe a little trombone in the intro ““ even a full-blown horn section in the chorus. What I enjoy most about Driver F’s Chase the White Whale is exactly that ““ some well placed horns saving otherwise typical arrangements.

“Two Words, Mr. President: Plausible Deniability,” which effectively lifts the curtain on Whale, despite having nothing to do with presidents or plausibility, is actually strong in the hook department ““ particularly the drawn out “Hey angel” chorus.

Unfortunately, “Two Words,” and the remainder of the album, fall quickly into genre-specifics and very, very tired clichés with mentions of “broken arms” (the aforementioned “Two Words”), bleeding that “never ends (“Suncrusher”), and ““ yes ““ truth that “flows like water” despite a bitten tongue (“Lie 248″).

Lead singer Andy Lane’s voice mostly avoids generic, well-covered Patrick Stump-lite territory by coming off as more of a cleaner take on now defunct underground darlings Northstar, making the inescapable shortcomings of Whale even more unfortunate.

Driver F puts forth a very obvious amount of dedication and effort (evident in their occasional ability to craft decent melodies ““ something often lacking in lesser bands likely sharing shelf space with Driver F at your local record store), and for that alone, should be rewarded with typed pats on the back; but they’d do well in terms of artistic relevance to ditch the (intentional or not) emo-shtick and just write songs that speak to everyone. Of course, more horns like those found in the refreshing last minute of “I Have Better Things to Do Tonight Than Die” would certainly help as well.

Track Listing
1. Two Words Mr. President: Plausible Deniability
2. Temple of Doom
3. Suncrusher
4. I Have Better Things to Do Tonight Than Die
5. At Least We Are Civilized
6. Remember When That Train Wrecked Our Lifestyle?
7. The Inevitability of Closing A Hat
8. Bury Me With My Money
9. Water Fun Express
10. Lie 248

Filed Under: Reviews Tagged With: Driver F

Angels & Airwaves in Nashville, TN show review

May 26, 2008 By Trace Cowen 8 Comments

The World is Watching
Angels & Airwaves broadcast peace and love from Nashville
by Trace William Cowen

Photobucket

photo by Trace William Cowen

Mathematically, I had to do it. Angels & Airwaves, free show (the annual Journey’s Backyard BBQ), three-hour drive to Nashville, so-so shopping mall ““ it made too much sense to ignore. So, after a quick Waffle House breakfast (honestly, the atmosphere alone can fill your stomach) perfectly complimented with four cups of coffee, I turned my girlfriend’s Camry gently in the direction of Nashville”¦well, Franklin, Tennessee. Thankfully, I kept a mildly detailed mental journal of the day ahead and will do my absolute best to transcribe it here.

10:30ish ““ After settling comfortably into the knowledge that we are halfway there, I decide to enjoy my packed lunch of: a) one turkey taco (deli sliced turkey, shredded Mexican cheese, yellow mustard, wheat tortilla), b) two prunes, and c) the desire to enjoy the Rice Krispie slyly lurking in the bottom of the cooler; a desire not fully realized until about 12 hours later.

12:15ish ““ I whip through the parking lot of the Cool Springs Galleria (wreaking overall of a subtle attempt at appealing to wine “˜n’ cheese types, though I can’t really pinpoint why I feel this way) at a pace semi-terrifying to my girlfriend (“I’ll drive on the way home!”), park, and enter the mall. I savor a Vanilla Shredder from Smoothie King ““ a savoring that happens all too quickly, as I will endure a fleeting stomachache about 30 minutes later.

12:45ish to 4:40ish ““ Angels & Airwaves aren’t playing until 6pm, so about four or five hours are spent calmly alternating between the barbeque (hot sun) and the mall (too-cold AC) ““ a pastime adopted by nearly every attendee, particularly those here solely for Angels. Every time I reenter the barbeque, the number of people multiplies significantly. Eventually, I cave and buy a hot dog. I don’t usually eat red meat, so I enjoy accordingly ““ it reminds me of marching band, in a good way.

6:00ish to nearly 7:00 ““ The closer the clocks tick to 6pm, the more obvious it becomes how many people are here for this and nothing more. It’s free, so casuals and those generally “out of the loop” are to be expected ““ but the San Diego, California based Angels & Airwaves have filled the pavement with about 1,500 people who, individually, have very little in common. Skateboarders, fans of frontman Tom DeLonge’s former band Blink 182, fans of Angels, curious adults, cops, and the aforementioned casuals”¦a potpourri of mall America. It would be forgiven, even expected, if a band playing a free show in a parking lot (no doubt a decision fueled by the fact that DeLonge’s company, Macbeth, is a large sponsor of the Journey’s BBQ) decided to simply take it easy by regurgitating unpracticed renditions of the hits, interacting very little with the audience, and jogging defeatedly back to the bus for the drive to the next, more “important” show. Yet, platinum recording artists Angels & Airwaves possessed a characteristically triumphant tone with each song ““ to them, the Cool Springs Galleria was simply a sold out arena in disguise. Tom DeLonge tossed his guitar off to the side to appropriately fuel opener “Call to Arms” with just the right hint of grandiosity, honesty, and victory (a feeling carried over into every song)”¦reaching optimistically to the sky and articulating each word with an undeniable conviction. The band, completed by guitarist David Kennedy, bassist Matt Wachter, and drummer Atom Willard, have weathered quite the storm of mixed reaction from critics and fans (namely, the sad fact that many listeners feel they have the authority to try and halt DeLonge from evolving out of his lighter, pop-centric past with Blink), yet have finally projected themselves as truly untouched by it. DeLonge believes in his message, and he knows that others do as well ““ regardless of those left clinging to a buried, but not forgotten, past. Angels & Airwaves has finally achieved the atmosphere DeLonge spoke so confidently about surrounding the release of the band’s first album (2006’s We Don’t Need to Whisper, followed quickly by 2007’s I-Empire), a fact that is most certainly the ultimate revenge against those who continually question and mock the band’s ambitions. Tom DeLonge’s sense of humor is still firmly intact (he claimed one of his childhood dreams was to “play in the parking lot of a JC Penney,” and thanked the audience for helping him “reach his dreams,” even inviting them to help him purchase some Dockers later on), but he wisely refrained from even mentioning Blink 182 ““ a decision that will continue to allow him renewed relevance as the years go by. The people listening this time around have applied the message to their own lives, only further evidenced by the appearance of a homemade American flag replacing the 50 stars with the “˜AVA’ logo ““ a triumphant moment in a triumphant, 45-minute escape.

7:00ish to now ““ The drive home was easy; as I felt renewed and impassioned myself. The purpose of art is to create inspiration, and inspiration is the spark to everyone’s fire. Any artist that can start this fire in merely 45 minutes in the front of a JC Penney deserves the entire world in sold out arenas across the globe for an audience, sure; but sometimes you can reach the entire world from a parking lot in Tennessee.

Filed Under: Reviews, Show Tagged With: Angels & Airwaves, tom-delonge

Death Cab for Cutie – Narrow Stairs

May 12, 2008 By Trace Cowen Leave a Comment

Artist: Death Cab for Cutie
Album: Narrow Stairs
Label: Atlantic
Purchase: Atlantic Records store
Release Date: May 13, 2008

Overall: 9.0
Music: 9.5
Lyrics: 9.0
Production: 10.0

Excuse me while I write a quick, informal letter to the great city of Seattle.

Dear Seattle,

You reside in Washington, yes, but I feel as if you’re right next door”¦Seattle, Alabama perhaps? If living in Seattle feels anything at all like listening to a Death Cab for Cutie album (plus rain, a severely underrated form of precipitation and my personal favorite), then I’ll visit often and willingly cry strong, nostalgic tears of pain on the plane rides home.

Love,
-Trace

With principal songwriter Ben Gibbard, you’re always assured an atmosphere all its own ““ be it a supposed Seattle, the winter season in general, or, in the case of Narrow Stairs, the lyrical world of Ben Gibbard’s mind.

The atmosphere begins immediately with “Bixby Canyon Bridge,” featuring Gibbard’s voice, almost alone, crawling from silence and steadily inviting guitars, drums, and bass along for the build. Guitarist Chris Walla’s production here is in top form, a feat no doubt helped by his accomplished work producing past Death Cab albums and others (notably, Tegan and Sara’s The Con). Walla gives each song a little room to breathe, but also plenty of space to scream. Death Cab for Cutie even manages to eclipse the seeming inevitability of pompousness with the nearly nine minute length of first single “I Will Possess Your Heart” by simply pulling it off without question, a confidence few bands allow for themselves.

There are really no missteps here at all, but something hidden underneath the songwriting keeps Narrow Stairs from being an inarguably great album. Ben Gibbard is a confident lyricist in a band confidently embracing the future of their sound, but he seems to get a bit lost in the “Death Cab-ness” of his songs, never fully graduating from “very, very good” to great. Perhaps Seattle’s response to my theoretical love letter will come in the form of Death Cab for Cutie’s first truly great album. Naturally, I hope it’s raining that day.

Track Listing
1. Bixby Canyon Bridge
2. I Will Possess Your Heart
3. No Sunlight
4. Cath …
5. Talking Bird
6. You Can Do Better Than Me
7. Grapevine Fires
8. Your New Twin Sized Bed
9. Long Division
10. Pity And Fear
11. The Ice Is Getting Thinner

Filed Under: Reviews Tagged With: Death Cab For Cutie

Socratic – Spread the Rumors

May 2, 2008 By Trace Cowen 1 Comment

Artist: Socratic
Album: Spread the Rumors
Label: Drive-Thru
Purchase: Drive-Thru
Release Date: May 6, 2008

Overall: 8.0
Music: 8.0
Lyrics: 7.0
Production: 9.0

Remember when the radio actually mattered? Listeners were proud to sit through some Mariah Carey or a few car commercials if it meant just one more spin of Third Eye Blind’s “Semi-Charmed Life.” Well, Socratic’s Spread the Rumors is a lot like that. Unfortunately, even Socratic have their car commercial moments, but it’s usually worth the wait for the next little gem around the corner.

Spread the Rumors, produced by Mark Hoppus (of +44 and the now disbanded Blink 182), opens with the hooky first single “Boy In A Magazine,” grabbing ears immediately. Production wise, Rumors is only further proof of Hoppus’s growing talent as a producer, giving each song just the right amount of tweak and headphone flourish, again reminiscent of 90s headphone records like Third Eye Blind’s Blue . Some of the hooks inspire a hint of annoyance after a few listens (“Constant Apology”), while others grow from simply tolerable to gently pleasing (“Long Distance Calls”), though mostly falling somewhere loosely in the middle. Many of the choruses suffer from a serious melodic condition known as “sameys,” in which many individual choruses from many individual songs sound, well, the same. This is especially unfortunate in Socratic’s case, given the potential of the verses, which one can’t help but hope will naturally build into something much, much bigger (think Paul McCartney sized hooks), but, alas, few follow through with this commitment.

With several lyrical misses (nearly all of “Diamond In A World of Coal”), some underdeveloped arrangements, and, of course, the sameys, Socratic still put forth a good effort with an impressive collection of would-be 90s radio hits (something they should embrace even further next time around), perfect for giving your own unique version of “the finger” to today’s radio landscapes. Get those sameys cleared up, and Socratic could very well surprise everyone ““even radio.

Track listing:

1. Boy In A Magazine
2. Haven’t Seen You In Years
3. May I Bum A Smoke
4. Janis Joplin Hands
5. Long Distance Calls
6. Constant Apology
7. Relevant Elephant
8. Spread The Rumors
9. Don’t Say
10. This Opinion of Mine
11. Diamond In a World of Coal
12. Another Headache

Filed Under: Reviews Tagged With: Mark Hoppus, Socratic

New Found Glory – Tip of the Iceberg EP

April 29, 2008 By Trace Cowen 1 Comment

Artist: New Found Glory
Album: Tip of the Iceberg EP
Label: Bridge 9
Purchase: Bridge 9
Release Date: April 29, 2008

Overall: 8.0
Music: 8.0
Lyrics: 7.5
Production: 8.0

Any band or artist longing for career longevity will, at one point, take at least a small amount of risk with a particular collection of songs, thus creating what is known as the “self-titled” phenomenon. This phenomenon is generally accompanied by a drastic reinvention of image, an obvious shift in tone when speaking about the power of their music, and, for lazier artists, constant reiteration of the word “mature.” The collection of songs is usually deemed “Self-titled” or “Untitled,” and careers go one of two ways ““critics and fans hope aboard for the ride, and the artist continues down a new path; or, the album flops commercially and critically, concert attendance dwindles, and the fans remaining constantly reminisce about the “good old days” of their former favorite. With 2006’s Coming Home (Geffen/Suretone Records), New Found Glory fell somewhere in the middle of this cruel dichotomy. Familiar with selling a good amount of records (since their inception in 1997, the band has sold more than two million albums), the weak Billboard 200 chart debut of Coming Home at Number 19 halted most press of the release, even limiting the album to one official single (“It’s Not Your Fault”). The band continued to tour (extensively and successfully), eventually making an obvious attempt at strictly pleasing their fans with 2007’s From the Screen to Your Stereo, Part II, a collection of cover songs chosen by fans themselves. Coming Home sadly faded into casualty status quickly and quietly, despite the promising new direction presented with the band’s new image and love-themed songs ready for radio, smartly standing alone beside NFG’s older, more “punk-centric” material. With the Tip of the Iceberg EP (Bridge 9 Records), New Found Glory is blatantly taking a few brief steps back, though hopefully only nodding at their past with storied experience, and not living in it.

The presence of notably heavier, hardcore-inspired guitars and a quicker pace overall (the EP clocks in at around 12 minutes total) on each of these six songs shouldn’t surprise any true fan of the band, as guitarist and unofficial spokesman Chad Gilbert was properly baptized in the waters of such music with his original role as vocalist in Shai Hulud. The three originals here (“Dig My Own Grave,” “If You Don’t Love Me,” and the tightly arranged title track) seem to speak directly of Gilbert’s recent split from Sherri DuPree (of pop darlings Eisley), after being married for less than a year. The refreshingly optimistic tones of peace and love (not the hippie kind) that helped fill the canvas on Coming Home with some fresh ideas are noticeably absent here, but the lyrical direction isn’t entirely negative or even unwelcome. The remaining tracks, all covers, are mostly faithful to the originals (Lifetime’s “Cut the Tension”, Shelter’s “Here We Go Again”, Gorilla Biscuits’ “No Reason Why”), with “No Reason Why” immediately taking stance as the strongest of the three. The EP seems to be over before it really begins, allowing little time to breathe between tracks; something that works very well for the overall presentation of this side of New Found Glory.

The solid Tip of the Iceberg appears to be a quick, fun dabble in the sandbox for New Found Glory; perhaps still simply enjoying their “free agents” status a bit after their split from longtime label Geffen in 2007. However, the band would do well to wisely leave the sandbox for their next full-length record, reportedly due later this year. The progressive territory covered and claimed on Coming Home shouldn’t go forgotten by Gilbert and the rest of the band, as the further you step backwards in your career, the closer you come to eventually colliding with yourself. Regardless, New Found Glory has managed to survive the “Untitled” phenomena with little more than a few bruises and a couple stitches. The doctors are through; it’s up to New Found Glory to get back Home.

Track Listing
1. Tip Of The Iceberg
2. Dig My Own Grave
3. If You Don’t Love Me
4. No Reason Why (Gorilla Biscuits Cover)
5. Here We Go Again (Shelter Cover)
6. Cut The Tension (Lifetime Cover)

Filed Under: News, Reviews Tagged With: Bridge Nine Records, New Found Glory

Beating It With Fall Out Boy

April 29, 2008 By Trace Cowen Leave a Comment

Fall Out Boy have debuted their new video for “Beat It,” originally performed by Michael Jackson.

  • MTV
  • Music Videos
  • MTV Shows
  • Entertainment News

Filed Under: News Tagged With: Fall Out Boy, Michael Jackson, Pete Wentz

Angels & Airwaves Release “Breathe”

April 28, 2008 By Trace Cowen Leave a Comment

Angels & Airwaves will premiere their new video for “Breathe” today exclusively on ModLife .

Filed Under: News Tagged With: AVA, tom-delonge

The Republic Tigers – “Buildings & Mountains” Video

April 27, 2008 By Trace Cowen Leave a Comment

The Republic Tigers have released their video for “Buildings & Mountains.” View the video, directed by Brian Savelson, below.

Filed Under: News, Videos Tagged With: Republic Tigers

Pete Wentz, Diamonds, and a Conscience

April 25, 2008 By Trace Cowen Leave a Comment

Photobucket

Photo courtesy WireImage.com

Pete Wentz, lyricist/bassist for Fall Out Boy, has confirmed to People magazine that the engagement ring used to seal the deal with Ashlee Simpson is “not a conflict diamond.”

Filed Under: News Tagged With: Ashlee Simpson, Fall Out Boy, Pete Wentz

Yellowcard Indefinite Hiatus

April 24, 2008 By Trace Cowen 3 Comments

In a new interview, singer Ryan Key announces that Yellowcard will be going on an indefinite hiatus following their current string of shows.

Filed Under: News Tagged With: Ryan Key, yellowcard

  • 1
  • 2
  • Next Page »

Recent Posts

Motion City Soundtrack To Release Video Documentary

Secrets Stream “Maybe Next May” Video

Emery to Launch Crowdfunding Campaign for New Album

I Am The Avalanche Stream New Album “Wolverines”

The Weeks @ The Ryman Auditorium

Copyright © 2025, Driven Far Off. All Rights Reserved.