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Forgive Durden – Wonderland

May 24, 2006 By Trevor Bivens Leave a Comment

Forgive Durden

Artist: Forgive Durden
Album: Wonderland
Label: Fueled By Ramen
Purchase: Smart Punk
Release Date: May 9, 2006

Overall: 8.4
Music: 8.7
Lyrics: 8.2
Production: 8.5

Seattle’s Forgive Durden were one of two “mystery signings” by the ever growing Fueled By Ramen this past year. They are also one of the most unique bands on the label’s roster. “Wonderland” is a concept album touching on several different social issues that are problems in the world today. The result is an album that’s not your typical pop-punk that the label has been delivering as of late.

Mixing elements of pop and prog, the band’s songs are constructed more intricately than those of their labelmates, yet still retain their ability to hook you in. Songs like “Ear to Ear” and “Parable of the Sower” are perfect examples of this. Meanwhile a song like “Il Tango Della Signora Francesco Di Bartolommeo Di Zanobi Del Giocondo” shows how ambitious the band can be while sounding different from their contemporaries. Drawing influences from several different styles, Forgive Durden are an amaglam of flavor that should be able to please everyone from fans of Fall Out Boy to fans of Coheed and Cambria.

Tracklisting
1. Ants
2. Beware The Jubjub Bird And Shun The Frumious Bandersnatch
3. Ear To Ear
4. Parable Of The Sower
5. Il Tango Della Signora Francesco Di Bartolommeo Di Zanobi Del Giocondo
6. A Dead Person Breathed On Me!
7. The Great Affair Is To Move
8. Harry Frazee And No No Nanette
9. For A Dreamer, Night’s The Only Time Of Day
10. I’ve Got A Witch Mad At Me And You Might Get Into Trouble
11. Cue The Sun

Filed Under: Album, Reviews Tagged With: Forgive-Durden, Fueled By Ramen

Transition – Get There

May 24, 2006 By Trevor Bivens Leave a Comment

Transition

Artist: Transition
Album: Get There
Label: Floodgate Records
Purchase: Smart Punk
Release Date: September 12, 2006

Overall: 7.4
Music: 7.5
Lyrics: 7.3
Production: 8.0

This band’s singer, Daniel Smyers, sound just like Scott Sellers of Rufio. For the first few seconds of listening to this band, I thought I was listening to Rufio. Take the metal influences away from Rufio and you have Transition.

“Excusable” is another anthem for working class teenagers with dreams of living a more exciting life. It’s pretty catchy, too. For some reason though, I just can’t get into the rest of this album.

Transition are good. They play perfect poppunk, but it just isn’t enough to catch my attention. We all know I’m a sucker for that sugar coated stuff, but this is like eating a hollow gobstopper. This music will fit in perfectly with this day and age’s current “Warped Tour Crowd.” It may even be nice to listen to on a warm summer day, but it lacks the punch that recent releases from Punchline and Hit the Lights delivered. It’s almost like there’s no feeling to it.

The production by Mike Herrera from MXPX is solid.

All in all, this isn’t a bad release, it’s just not as ear grabbing as it should be. It’ll be interesting to see where these guys go, though.

Tracklisting
1. Excusable
2. Down At the Harbor
3. The Issue
4. Winter
5. Air We Breathe
6. Count Me Out
7. A Letter From Dallas
8. Carolina
9. Give and Take
10. Get There
11. Tune In

Filed Under: Album, Reviews Tagged With: Floodgate-Records, Transition

Halifax – The Inevitability of a Strange World

May 24, 2006 By Trevor Bivens Leave a Comment

Halifax

Artist: Halifax
Album: The Inevitability of a Strange World
Label: Drive-Thru Records
Purchase: Smart Punk
Release Date: May 23, 2006

Overall: 8.6
Music: 9.5
Lyrics: 7.9
Production: 8.9

It’s been a long time coming, and when I say a long time coming, I mean basically a year. “The Inevitability of a Strange World” is Halifax’s debut LP for Drive Thru Records. This album is great. It’s not awesome, it’s not bad, but it’s great. It’ll make for good summer-driving music..or party music, depending on how you look at it. It’s no surprise the content of this album is more concentrated on being a big time rock band as the groups penchant for partying has been made public by several appearances on MTV’s “The Real World.”

The opening riff of “Nightmare” gets your head moving automatically and before vocalist Mike Hunau can even finish the second line of the song, he’s already shown us how powerful his voice can be. This is one of the strongest and catchiest tracks on the album.

The Motley Crue influenced “Our Revolution”(the song blatantly rips off the melody of “Kickstart My Heart” with the blessing of Nikki Sixx himself) presents us with a band that obviously wants to have more fun than bands that take themselves too seriously in this scene. The song was road tested for the past year along with “Nightmare” and contains what is probably one of the cheesiest “shout-a-long” parts on any band’s current touring circuit. Replacing the Crue’s “Whoah, yeah!” to “Hell yeah!”, you can just taste the cheese, but when you’re seeing this band live, you can’t help but shout along. To top things off, there’s an over the top guitar solo. Halifax are as close to hair metal as you can be while still retaining your fans. Honestly, I like hair metal. Maybe that’s why I love this song so much. It’s a feel good track that’s a lot of fun.

Keeping the pace of the album up is “Under Fire.” Interesting rhythm parts and a catchy chorus keep you jamming along for another three minutes.

“Anthem For Tonight”, “Hey Italy”, and “Snow In Hollywood” are more of the same driving rock that’s been playing for the past three tracks. The trio are all solid tracks, but aren’t as compelling as the previous.

“Such a Terrible Trend” will most likely end up on the next incarnation of “Power Ballads.” It’s not that bad of a song, it just brings the album’s fast and furious pace down a few notches.

Luckily, the opening “Ahs” of “Better Than Sex” make up for the slowed-down tempo of “Such a Terrible…” and the song fully kicks in, picking things back up. With Mike’s voice really shining throughout this song, the lyrics of the bridge stick out. “Still why do we breathe sex like lovers, but live like enemies?” The song even has a light breakdown that oddly enough fits in perfectly.

Unfortuately, we’re slowed down again by “Giant in the Ring” which is easily skippable.

What happened to the flow of this album? “Promise Me Tragedy,” “A Tint of Rain,” and “I Told You So” continue the pattern of fast, slow, fast. This band should just stick to writing pounding rock music instead of slow songs that will put you to sleep in thirty seconds.

“Murder I Wrote” closes the album mixing some of the best and worst elements of the band.

Musically, the band has expanded upon what made their EP “A Writer’s Reference” so wonderful. The guitar parts are metal tinged while still retaining their “punky” roots, and let’s not forget that solo in “Our Revolution.” The drumming is solid, and the bass helps keep the rhythm in check.

Lyrically, the band can improve. The “fun” tracks are great for what they are, but aside from “Better Than Sex” the “relationship” tracks need some work.

Dual production from Lou Giordano and Machine took a polished album and gave it a gritty live feel. The result was perfect for all of the faster songs. The band shines live and the “live sound” of the album is close to what you’ll hear when they take the stage.

The only thing strange about this world is that Drive-Thru’s release schedule is back on track. If they keep bringing us solid releases like this, they can easily reclaim their crown as favorite independent label of kids everywhere. As for Halifax, if the band keeps growing and gets the promotion they deserve, they will easily topple the crap passing for rock on the radio right now and will bring the fun back into a corporate market.

Tracklisting
1. Nightmare
2. Our Revolution
3. Under Fire
4. Anthem For Tonight
5. Hey Italy
6. Snow In Hollywood
7. Such a Terrible Trend
8. Better Than Sex
9. Giant In the Ring
10. Promise Me Tragedy
11. A Tint of Rain
12. I Told You So
13. Murder I Wrote

Filed Under: Album, Reviews Tagged With: Drive Thru Records, Halifax

Angels & Airwaves – We Don’t Need To Whisper

May 23, 2006 By Bryce Jacobson Leave a Comment

Angels & Airwaves

Artist: Angels & Airwaves
Album: We Don’t Need To Whisper
Label: Maverick
Purchase: Smart Punk
Release Date: May 23, 2006

Overall: 9.4
Music: 9.6
Lyrics: 8.9
Production: 9.5

When Blink 182 went on a hiatus it didn’t come as a shock to me, but it was still a surprise. The band had been on tour for months after taking well over a year to create their masterpiece self-titled album so it was time for a break. Weather Blink 182 get back together or not is another whole story in itself. The overall fact for Blink 182 going on a hiatus wasn’t to get away from the music but rather a break from their normal music and touring lives. It wasn’t until months later that we found out that Tom was working on a new project. Hyping up everything he was doing, Tom told us about his new project but left us hanging until months later to hear anything. I first heard a clip of their music on the movie trailer that showed up on the bands website. To say the least, I was mesmerized by the emotion and power that was in that short clip and instantly couldn’t wait to hear the rest of the album. Tom made up Angels & Airwaves with Box Car Racer member David Kennedy, Rocket From the Crypt & Offspring former member Atom Willard, and the Distillers former member Ryan Sinn.

Opening this album is a two and half minuet long passionate intro on the song “Valkyrie Missile.” You can instantly hear a lot of emotion with the guitars moving back and forth with a number of sound loops before the recognizable voice of Tom Delong comes in with the line “Everyone, everyone will listen, even if it hurts sometimes.” Is this line directly from all of the hype Tom was putting into the album or was it in the song way before these thoughts occurred to him? “Distraction” starts with a nice soft piano intro before we hear it build up with with a catchy guitar lick and then finally into a full blown line “I’ll be your distraction.” This is more of a laid back song with a pretty simple beat but it rings of Blink 182 style with more of a mature sound. “It Hurts” stars out with a very catchy guitar part and follows with a slower melody of moving guitars and a very catchy chorus. “Do It For Me Now” also starts out with a catchy guitar intro. This song uses a lot more guitar effects for more of an echoey sound. Tom’s voice and overall desire for music has matured and you can really tell he wanted to create something new with Angels & Airwaves. The songs are a step up from Blink 182 in terms of lyrics and more of a different approach when it comes to the music. The bands first single “The Adventure” sets in with another long intro before moving into a waterfall of guitars and a foot tapping drum part. This sing along song should catch a lot of listeners ears as it’s a bit different then the music that has recently been impacting radio. Tom wanted to go back to his influences for this release and you can hear them throughout all the songs in various ways. When I first heard “The War” I was instantly brought back to the harder songs that Blink 182 would trow into the mix now and then on their albums. I love the guitar work on this song, it’s got some power behind it yet a lot of melody at the same time. “A Little’s Enough” can be considered the slow song on the album but I happen to love the vocals, and especially the break down half way through the song. Tom has always been good at making a song interesting with little guitar parts here and there, nothing really technical but something always interesting. “The Gift” has an intro that could of come straight off a U2 album, but Tom said he was going to incorporate his influences into his music so what better way then a similar guitar lick. “Good Day” was the second song I heard from Angels & Airwaves. At first I wasn’t very pleased and thought that the whole album would be a bit to slow for my liking. “Good Day” mixes a lot of simple yet catchy guitar parts as well as the “da da da da” lyrics like we use to hear in Blink 182’s songs now and then. The song grew on me with a few listens but it’s not one that I will play over and over like some of the others. Wrapping up this 50 minute 10 song album is “Start The Machine” that starts with a music box like intro before adding a deep bass electronic beat. The song is pretty laid back until about half way where a cleaner sounding guitar part comes in and then wraps up with slowly eliminating the instruments back to just the music box.

Tom’s voice is back and for the most part I couldn’t be happier. The music is more mature, the songs in general have a lot of emotion and feeling behind them. I was hoping for a few harder tracks as well as a few tracks with a little more edge to them but overall I can’t complain. I don’t think it’s quite up to all the hype of changing music forever like Tom was suggesting but I could see where he was coming from. If you were a Blink 182 fan I’m sure you’ll find some love in this album, and if you didn’t like Blink 182 be sure to still give this album a try because it’s something new.

Track Listing
1. Valkyrie Missile
2. Distraction
3. It Hurts
4. Do It For Me Now
5. The Adventure
6. The War
7. A Little’s Enough
8. The Gift
9. Good Day
10. Start The Machine

Standout Tracks
“Valkyrie Missile”, “Do It For Me Now”, “The War”, “A Little’s Enough”

Filed Under: Album, Reviews Tagged With: Angels & Airwaves

Sherwood – The Summer EP

May 17, 2006 By Bryce Jacobson Leave a Comment

Sherwood

Artist: Sherwood
Album: The Summer EP
Label: Maverick
Purchase: Flipside
Release Date: September 12, 2006

Overall: 8.9
Music: 9.0
Lyrics: 8.8
Production: 8.6

Sherwood have come quite a ways since their self released, self-tited EP which they put out in January of 2004. The guys came through on tour and I caught up with them in the summer of 04′ where they were eating peanut butter and crackers for supper and playing for crowds of 20-100 people night after night. I knew instantly that the guys were very hard working and deserved every little bit of exposure they could get. You can check out the interview I conducted with Dan from June 30th 2004 here. Since then Sherwood signed a one record deal with SideCho and Released Sing, But Keep Going about a year ago on May 31st 2005. The Summer EP is a continuation of Sherwood’s fun energetic music which is filled with catchy guitars, organ backgrounds, and sing along lyrics.

Starting out the EP is the catchiest song on the EP titled “The Only Song.” Back and forth guitar parts are filled in with an upbeat bass and drum part as well as being covered with that nice organ sound I’ve come to love from Sherwood. “This Airplane Is A Ribbon” starts out with Nate singing “This Airplane Is A Ribbon, with the bird at either end, and it’s feather light floating in the wind ” while we hear a light acoustic guitar part. I love when the song picks up with a nice drum and bass line, as well as the background vocals which add so much to the songs dynamics. “I’m Asking Her To Stay” reminds me of Sherwood’s early days when they sang about California, life, love, and girls. Wrapping up the EP is “The Simple Life” which is a slower acoustic song with great melody and lyrics.

Like I said before, Sherwood have come a long way in their time and things are only looking better from here. The bands sound has been perfected with their last few releases and I definitely love their sound. Pick up this EP while it’s still free. The band will have it on sale on their shows in the future and you can also pre-order it from Flipside Industires for a June 1st release.

Track Listing
1. The Only Song
2. Middle of the Night
3. The Airplane is a Ribbon
4. I’m Asking Her to Stay
5. Simple Life

Standout Tracks
The Whole EP

Filed Under: Album, Reviews Tagged With: Sherwood

Spitfire Interview May 5th 2006

May 16, 2006 By Manuel Enrique Garcia Leave a Comment

Spitfire

I had the honor to sit with Matt Beck from Spitfire and conduct an interview on Underoath’s tour bus on May 05, 2006.

– State your name and position in the band.

My name is Matt Beck and I play guitar in the band Spitfire.

– Give a brief history of the band and the origin of the name.

Origin on the name; we were in high school starting out when we were 15 years old. Somehow we were getting ready to play our first show, actually it was a party with this band and we needed a name for the flyer for this party. So Chris said names we had mentioned, what do you think of that. He had called me and was like “We have to do it now. That’s it, we’re called Spitfire.” What else did you say?

– Give a brief history of the band.

Yeah, we had been doing this through high school and college, then we played in different bands. I played in Mae, Jon and Dan were in Scarlet, and we kind of just lived all over the place at the time. So we weren’t really able to be functional at the time at all. We’re back together now and it’s me and Chris who originally played, our original bass player, Jimmy Reeves, he moved to New York for a job up there. So we got Dan from Scarlet to play. And Ian, he was in some awesome bands from Virginia Beach, he was in the band, End of the Universe. That’s pretty much it.

– After four years of the band not being active, what made you decide to bring it back?

We were all back in town and we weren’t in bands, we had to have a band so we were like “Dude, let’s do Spitfire again.” So we just started writing songs. We just working on our record and we’re like “Let’s just put it out”. We didn’t have a label, our last EP was with Goodfellow. And we just decided, if anything, let’s do a good recording and put it out on whatever label. So we’re with Goodfellow and it’s amazing. We’re doing really well. We’re on this tour with Underoath, Poisen The Well, and As Cities Burn and we feel so privileged.

(Underoath’s tour manager, Russ, opens the door to the tour bus.)
Matt: What’s up G?
Russ: What’s up, what’s up. Doing an interview or something?
Matt: Yeah.
Russ: Oh my bad.

That guy has the most amazing tattoo of world knows what on his leg.

-What are some things you are looking forward to the most about this tour?

Just playing every single night and meeting new kids, that’s how you and I met. It’s a 100% fun the whole time.

– How did you feel when playing your first show and how have the shows improved over the years?

Well we have three guitars now, our other guitar player, Scottie Henry, he’s recording for the new Norma Jean record so obviously he can’t play these shows. When we have three guitars going, it sounds really good. It’s just fun for us to all be together and hanging out. But we’ve grown together a bit and switching to three guitar players.

– What has been the most memorable show throughout the years and why?

One that I’ll never forget, this is so scary. We played a show with As Cities Burn.

– Yeah, is this the one with the broken glass?

Yeah, it was our first show back. It was the Dead Poetic show. Cody from As Cities Burn was heckling Jon through the glass in front of the stage facing Atlantic Avenue in Virginia Beach. And Jon just went up to the window and kind of just hit it like that. It was untempered glass and so it came out in this big shard and it totally hit Cody right in the face. It cut his face and he had to go out in an ambulance. He was in shock, he was in and out of consciousness. Last night was one of the best shows we’ve had. The way everything was so good. The crowed was so good and good response. So just a fun night. Every night is a fun night just hanging out.

– What are your feelings with the final result of the record?

We love it. We did it with our friend Andreas Magnusson and it came out great. He’s so easy to work with and just gets really good sound. He obviously is one of the top guys to record right now unless you want to pay $100,000. But he’s just very very gifted so it flowed really well.

– In your opinion what does the title “Self-Help” mean?

We’ve all gone through different problems by learning life with hard knots and all that kind of stuff and getting it down, in a life kind of way and unhealthy behaviors at times and what not. Jon, our singer, it’s almost like he did the Scarlet record, he did the lyrics for that and the lyrics are completely opposite, the flipside to that. I didn’t write the lyrics, that was Jon. That’s my understand, I don’t know if that’s exactly what it’s saying. We just love Jon’s lyrics.

(Spencer from Underoath enters the tour bus, Matt places the recorder in his face.)
Matt: Say something.
Spencer: Hey buddy! What’s that from? Freaking South Park, hey buddy!
Matt: Haha, hey buddy.

– If you were to choose one song that clearly defines the band, which one would it be and why?

Um, I would say “Dear John” and “Meat Market”. Those are my two favorites.

– What are some common themes seen throughout the lyrics on the record?

I did not write these lyrics, but I feel them and gather them for my own interruption of them. Just like, obsession and wanting to…

(Door opens once again and Grant from Underoath steps on the bus.)
Grant: Whoa whoa, sorry.
Matt: You’re cool dude.

Just learning to, you have to get passed things and grow. I turn 27 on this tour, so it’s like, I want to do this band, I want to have a nice life but I have to just work hard, you know what I mean? I don’t know, kind of personal. You can scratch that part out.

– What are some rumors you have heard regarding the band (or band members)?

Um, what are some you’ve heard, let me ask you that.

– I talked to Dan about this when we met up at my job.

Print this one question. I’d love to see that.

– Apparently, I heard Jon does coke.

No he does not, haha. Nobody does coke in the band.

– I heard he’s gay, I’ve heard that.

He’s not gay, he has a very beautiful girlfriend, haha.

– I don’t really know, I’ve just heard that Jon is apparently a psycho.

No, he’s not a psycho, but we are all man. Don’t you feel like that sometimes?

– Definitely.

I definitely do.

– If a movie was going to be made about the band, which events would you make sure would appear in the film?

The high school days were the best, now these are becoming the best. So it’s like, I don’t know, the sequel of like In the Summer.

– In your opinion, what is the biggest problem regarding society and how can we improve it?

I believe the way that we coexist with our fellow man. I mean that with like, the same with laws and just freedom, you know what I mean?

– How everyone is kind of like, looking out for themselves. And how everyone is kind of like, if it has nothing to do with themselves, then they don’t really care about them.

There’s some other countries that seem like they would be great to live in and you wonder why.

Yeah, I went to Europe last summer and I could tell that the atmosphere and the people were completely different.

Yeah, but just that, you have it from within you, you know what I mean, to get along. You know, it’s just people and having leadership over people for what kind of reasons. I don’t know, it’s just about that. You can’t change the world but you can change the way the world is to you.

– If you could choose one quote to be written on your tombstone, what would it be?

Um, “Faithful servant”.

– What makes you feel that being in this band is what you are meant to do in this period of your life?

It’s the one thing that, just like everybody, you look forward to doing it, you know what I mean? And hanging out with you. And being able to go out and kind of live what you love to do. Instead of just seeing bands, you can go out and play and just meet cool people. And being able to hang out with different fans, stuff like that.

– If you could choose a writer, dead or alive to write the lyrics for the next record, who would you choose?

Jim Morrison, or actually Jim Morrison/Kurt Cobain. But someone with a good vibe. Actually, our singer, we don’t need anybody else.

– Anything else you want the readers to know?

We’re playing a lot of shows, we’re going to be playing a lot so try to find us.

Alright, sounds good.

Thanks a lot man.

Filed Under: Interviews Tagged With: Spitfire

Podcast Episode #15

May 15, 2006 By Bryce Jacobson Leave a Comment

Podcast #15 is now up for your listening pleasure. Hear a new song from Forever Changed before it is heard anywhere else!

Subscribe to our podcast in iTunes here or listen below.

Music by:
Forever Changed – “All I Need”
Sherwood – “This Airplane Is A Ribbon”

Filed Under: Podcast Tagged With: Driven Far Off, Forever Changed, Podcast, Sherwood

May 12, 2006 By Trevor Bivens Leave a Comment

Taking Back Sunday

Artist: Taking Back Sunday
Album: Louder Now
Label: Warner Bros.
Purchase: Smart Punk
Release Date: April 25, 2006

Overall: 9.4
Music: 9.5
Lyrics: 9.3
Production: 9.0

They’ve got us right where they want us, and that’s hanging onto every word uttered from Adam Lazzara and Fred Mascherino’s lips. The new millenium brought with it, a new-wave of “punk” and “emo” groups, defying the odds and rising to mainstream success. Taking Back Sunday were one such band, with their debut LP “Tell All Your Friends” capturing the ears and hearts of people everywhere. As touring off the album progressed, and the band got more and more attention, lyricist/guitarist John Nolan and bassist Shaun Cooper parted ways with the band, causing an uproar among fans. Finding the missing pieces of their lineup, Taking Back Sunday enlisted the services of Breaking Pangaea guitarist/vocalist Fred Mascherino and new bassist Matt Rubano. The result was 2004’s “Where You Want to Be”, which released to mixed opinions. The album did better than expected and Warner Brothers snatched TBS from Victory’s clutches(thank God), helping to propel them to even greater success. With the release of “Louder Now” the band are on the verge of being the next big thing all over again.

It’s been said that Adam Lazzara is a horrible singer. Yeah, well Bob Nanna wasn’t that hot either, but using his range(or lack thereof), he brought out emotion in the lyrics that helped make Braid one of the best “emo” bands of their time. The same can be said for Adam. He may not have the “American Idol” voice, but what he does works with this band and their lyrics. His vocal style on this album brings all the emotion of TAYF and mixes it with the style of WYWTB. Fred has proven himself yet again as a suitable replacement for John Nolan.

Take “Make Damn Sure” for instance. The dual vocals from Adam and Fred help make the song one of the strongest tracks on the album. You can feel them putting everything into this song.

Every track on here is worth listening to, even the re-worked version of “Error Operator.” To be honest, I like that song a lot.

Eric Valentine(Good Charlotte, Lostprophets) has done TBS justice, helping craft a blend of the previous two albums.

Taking Back Sunday has become a band fans of this genre should be proud to have fronting the scene and representing it in the mainstream.

Track Listing
1. What It Feels Like To Be A Ghost
2. Liar (It Takes One To Know One)
3. MakeDamnSure
4. Up Against (Blackout)
5. My Blue Heaven
6. Twenty-Twenty Surgery
7. Spin
8. Divine Intervention
9. Miami
10. Error Operator
11. I’ll Let You Live

http://www.drivenfaroff.com/2006/05/12/313/

Filed Under: Album, Reviews Tagged With: Taking Back Sunday

Run Kid Run – This Is Who We Are

May 10, 2006 By Bryce Jacobson 1 Comment

Run Kid Run

Artist: Run Kid Run
Album: This Is Who We Are
Label: Tooth & Nail
Purchase: Smart Punk
Release Date: May 16, 2006

Overall: 8.2
Music: 8.1
Lyrics: 8.5
Production: 8.6

Run Kid Run are one of Tooth & Nail’s newest bands, or are they? Previously known as Side Walk Slam, Run Kid Run is a re-branding effort by Tooth & Nail to gain some more fans. Previous fans will only notice a bit of a change in the bands sound from their previous albums like …And We Drive which they put out in 2003. A forth member on guitar allows the band to offer more of a precise sound with more second guitar parts and hooks. Also a major change in song lengths is also accomplished while moving up from a mir 2 minute average to well over a 3 minuet average per song. The album also has more of a polished sound and the songs come off being quite upbeat and poppy.

The bands first single “We’ve Only Just Begun” also opens the album with a catchy guitar rhythm. The vocals are clear and very catchy to sing along with. Songs like “Sing To Me” have a lot of good things behind them are catchy enough for even radio play. Finishing up this shot 10 song album is “I’ll Forever Sing” which is filled with a lot of good hooks great lyrics.

The band has matured from their previous albums that they put out under the name Side Walk Slam. They will also hopefully get the backing they deserve this time around. Old fans may be a little let down by their change of sound but the band still backs a good message and catchy music, it’s what they’re good at.

Track Listing
1. We’ve Only Just Begun
2. Move On
3. Wake Up, Get Up
4. Sing To Me
5. The Modern March
6. The Call Out
7. This Day Of Change
8. Outline of a Love
9. Miles and States
10. I’ll Forever Sing

Standout Tracks
“We’ve Only Just Begun”, “Move On”, “I’ll Forever Sing”

Filed Under: Album, Reviews Tagged With: Run Kid Run, Tooth And Nail

Underoath Interview May 4th 2006

May 7, 2006 By Manuel Enrique Garcia 5 Comments

Underoath

I had the pleasure of sitting down with Chris Dudley of Underoath on May 4th, 2006 on the third floor of Alley Katz, in Richmond, VA.

– State your name and position in the band.

My name is Chris and I play keyboards and do electronic things for Underoath.

– Give a brief history of the band and the meaning behind on the name.

Um, the history wouldn’t be very brief. We started, you know, a long time ago, we were all just in high school and hanging out. To pretty much make a long story short, you know, a bunch of high school kids wanted to get together and start a metal band. 6 or 7 years later, here we are. And Underoath actually came from someone who has never actually been on an Underoath record. This guy named Luke Morton, he was one of the guys, you know, started in the band. Just like a friend from high school and stuff. He got it from somewhere in the Bible, but I really have no idea where, honestly, I haven’t talked to him in years.

– How does it feel to be back on tour again since your break?

Amazing, so good. Last night was pretty rough because like, we just flew back from Europe. We’re trying to get over jetlag, getting used to being on tour, and playing a show at the same time. So at the end of the night we were all, like we crashed really hard. Today we feel really good.

– What is the one thing from home you are going to miss the most?

My wife and my dogs. But if it’s only one then my wife. That’s pretty much the only thing that…

You can bring everything else but you can’t really bring her, well you can but..

You can, but it just doesn’t really work out like that. But missing her is pretty much the only thing that makes me miss home. Like everything else, if she wasn’t there, I could be on tour 12 months a year and I wouldn’t care, you know.

– What aspect of being on tour makes it worthwhile to be away from home?

All of it, every bit of it. I don’t see there being any real downside to being on tour. That’s kind of the way I see it.

– How was your experience in Sweden & how do you think the videos came out?

The experience in Sweden was honestly one of the best things I’ve ever done. Just seeing the way life is there, the way people are is so different than the way it is in America. It was amazing, like I, I think it was one of my most memorable things we’ve done since I’ve been in the band. The videos, we haven’t actually seen any sort of an edit of them yet. But even from what we saw on the playback while we were shooting it, I think it’s going to turn out awesome. We’re really excited.

– In your opinion, what is one show that has stood out throughout the
years? Why?

One show…probably for me, it’s really hard to narrow it down.

So many shows…

Yeah, so many shows but one show that was really memorable was, a few months ago we played with Jimmy Eat World in Tallahassee. It was a free show at a college campus, it was just us and them. Jimmy Eat World has been one of my favorite bands, well, pretty much my favorite band for a really long time. They requested us to be on the show, so like it was pretty surreal playing and them getting up right after us.

Playing with one of the bands you idolize.

Yeah, exactly. And having them thank us for playing and we’re just like “Dude, no way dude, thanks for asking us.” That was one show that was really memorable for me.

– What is the most out of the ordinary thing you have seen at one of your
shows?

Wow, a lot of stuff.

If you could pick one, the craziest thing you have seen at show.

We played a show in Atlanta once, the Warped Tour in Atlanta two years ago. They had us like on this really small stage and it was a wood barricade, it wasn’t metal, so the kids broke the barricade down and they all started coming up on stage and it was awesome. We were just playing and everyone was having fun. Then the security showed up and they were telling us to stop playing but there was really no reason to stop playing, just cause kids were on the stage, we didn’t really care. And then the police showed up and they were threatening to arrest us for inciting a riot and we almost got kicked off the tour and it was crazy. I mean, nothing really happened it was just like…

How people handled it.

Yeah but even the kids, everyone was just having fun but the security guys were freaking out. It was just this whole big mess, but it ended up being fine. Yeah, that was a pretty crazy day.

– What made you decide to stay with Tooth and Nail and not sign with any
major record label?

Um, a lot of things, pretty much the jest of it being the way that most major labels do business is not really right for us. I don’t think a lot of major record labels get what we do and what bands like in our “scene” do. Like they, I actually got asked this question the other day and I said, like major records can get Madonna and get how 50 Cent can sell however many records he sells but they don’t understand a heavy band that sells hundreds, two, three, four hundred thousand records and that’s like all that they want to do. With “They’re Only Chasing Safety”, our goal for that record for the year was 50,000 and we never thought we were even going to sell that. But you can’t do that being on a major record label if you don’t sell half a million records, you’re a failure. And a lot of times even if you do sell half a million records they’re like “Why is it doing so bad?” And the people that work at Tooth and Nail are, they’re awesome.

I’ve heard a lot of really great things about them.

Yeah, yeah. They’re great people and they’re friends before they’re label people, which is pretty much unheard of from what I know. We’ve never been on another label, but that’s the way it is for us and yeah, just good dudes. There is no reason for us to go anywhere.

– How would you compare and contrast the new record with the rest?

Wow, um.

Yeah, they are really different from each other.

Yeah, I guess in that way I can say it’s as much as a change as we have ever had from record to record, I can say that. I don’t know how much of our stuff you’re familiar with but every record we’ve put out is way different than the one before it and in that way it’s the same. It’s way different than the last record. It’s nothing like super intentional, that’s what came out when we went to write and that’s the way its always has been for us. To compare and contrast, I could sit here for an hour and talk about stuff. In a nutshell, it’s a lot different. It’s a lot heavier, it’s a lot, more technical. It’s way better written than anything we’ve ever done. Has more energy than anything we’ve ever done, by far. Just more fun.

– What is the meaning behind the title of the record?

Um, honestly I wouldn’t be the right one to ask that because Spencer, he deals with all the vocal stuff. But in a nutshell, it’s like defining that line for yourself because you are wanting to become the man or the woman that you want to be and the man or the woman God wants you to be and the man or the woman other people want you to be. But you can’t like fall off one way or the other, you just have to find that line and that way to live your life and for some people it takes their whole lives. In a nutshell, it’s about that.

– What are your feelings with the record being leaked through the internet?

It sucks. Yeah, it’s not as bad because it wasn’t the finished product at all, its missing parts, its not mixed, its not mastered, its very not done. Actually I was just talking to a friend of mine about this the other day and he was like, he compared it to somebody but not finishing their sentences. You don’t want to hear a sentence that is only half done or watch a movie before it’s done being edited because you don’t get what is going on. It sucks but the reaction that we’ve gotten from it, is awesome. You know, even though its not a finished product, people are saying that they love it. So that’s cool and I hope that they’ll actually go and get the real record.

I’m going to be honest, I got it from the owner of the magazine, he sent it over.

Oh, the finished thing?

I’m not sure but he got it somehow and he told me not to send it to anyone and I haven’t. I mean, I listened to it and it was amazing.

Yeah, that probably wasn’t done. That’s probably what got taken from the studio.

Yeah, when I first found out that so many people were getting it, I was upset. I know you guys worked so hard on it and just waiting for June 20th and it just sucks. But honestly, every person that I know that has it, has said amazing things about it.

Yeah but the thing that sucks is its not so much we’re waiting for June 20th for it to come out, but it sucks because it’s not ready. We’ve been writing it for 2 and a half years and putting just everything we have to it and it just got taken when its not done, when its not what we’ve been working towards for the last past 2 and half years.

Yeah, its not as it’s greatest.

Yeah, yeah. It’s not like no one is going to hear the finished product but for the past 2, 2 and half years, we’ve been working towards what’s going to be on the CD, like the artwork, the way that it sounds and everything. What people are hearing is like a premature thing of that. We just want to be like ” No, no! That’s not it, don’t listen to it, wait till we give it to you done.”

– When you first entered the band, what expectations and goals did you have set out? How have they changed throughout the years?

It’s changed a lot in that when I first joined, the only thing we wanted to was, which is still true, we just wanted to write music and play it, you know? If we could play a show every now and then, that was cool. That hasn’t changed so much but we still just love doing this, we love writing music, we love, you know playing and we’re a Christian band so that’s the main thing for us. We just wanted to glorify God through our music and that’s all we cared about and but now it’s like, all this stuff that we honestly we don’t want to deal with, like with tour contracts and radio clauses and merch sales and contracts with record labels and tour expenses and all this stuff. And like honestly, we just try to stay out of it as much as possible because it doesn’t really interest us, we don’t really care about all that stuff, we’re just like “We want to go on the road and we want to play, you know?” It’s cool cause we’re now to the point where we can just hire people to deal with all that stuff so we don’t really have to. It’s stuff that we really don’t care about. But when we first started, we never thought that any of this would happen. I know you hear people say like “We never thought this would happen” but like, we never even aspired to do anything close to what we’re doing now because it’s like, “That’s never going to happen, so we won’t think about that. But dude, if we could play a show at Will’s Pub down the street, that would be awesome.” You know, in all honesty, all this stuff is such a blessing. God has really done a whole a lot within the last past few years and it’s really cool.

– What is the biggest misconception fans make regarding the band?

Um, that we’re cooler than we are. I think people tend to like, people have this thing of like “Oh they’re in Underoath,” and they think we’re really cool, but we’re totally not. It’s really weird to me when someone comes up and they’re like freaking out and asking for autographs and all this stuff. Well you know, 2 or 3 years ago if you would of met me walking down the street, you really wouldn’t have cared. Nothing has changed since then except we’ve put out records and gone on tour. Yeah but that’s probably the biggest misconception, that we’re something a lot cooler and better than we are.

– In your opinion, what has been the greatest accomplishment?

Oh, wow. That’s a big one. Right now I would probably have to say finishing this record. But there’s been so much stuff that has happened and that is happening at the moment. I’ll say the record right now is probably the biggest thing.

– Who or what, outside of the music industry, has influenced you the most?

– Everything has. You know, obviously God is the reason we do it, we’re an Christian band and stuff. But you get inspired by everyday things, just meeting random people on tour, you know, just living life and being a dude. That influences you. Obviously you get inspired by music and other people’s music. More so, we get inspired by living life and just being a dude.

– What are some things that make you upset more than anything else (inside
and outside the music industry)?

Oh wow. I try not to focus on too much on what makes me upset. Wow, that’s a big question. I think , I don’t know if this is my answer, it’s just something that I’ve been thinking a lot about lately. But I think ungratefulness as a whole in people, especially in this country is a big thing for me. Like seeing things that I’ve seen and meeting people that I’ve met, like I think that people are extremely ungrateful for having the things that they have. People, especially in America and society, they find things that they can complain about that are just ridiculous. You know as cliché and stupid as it sounds, there are people overseas that just dying and have things going on in their lives and the dude down the street is complaining because he has a flat tire on his Lexus. That’s something to me that upsets me a lot, people not realizing how well they have it. Even if you are someone in America that is living at the poverty line, you are still living better than 60% of the people on the planet. You know, I don’t know if that’s again, my answer, but it is, but it’s just something that I’ve been thinking a lot about lately.

– If you were forced to change the name of the band, what would you change
it to? Why?

Meatbeard. I’m doing a solo project right now and that, not a solo project, a side project, sorry. I’m doing a side project right now and that is one of the names we were thinking about being and I just thought it was really funny. So Meatbeard.

– If there was book being written about Underoath, how would it begin,
what would be the climax, and how would it end?

It would begin…wow, that’s a big question too. (thinks for a while) I have no idea because the beginning of it could be in any number of places. The climax of it, I don’t even know if its happened yet, and I don’t know what the end of it would be. So pretty much I have no idea. But when the band is done and we’re broke up, then I can tell you.

– Is there anything else you want the readers to know?

Come and hang out at our shows. If you want to, you can buy our record, it comes out June 20th. And if you don’t, you don’t have to, you can download it. But then if you like it, you can buy it. And if you don’t, then you won’t waste your $15 bucks.

I missed a question, is it cool if I ask it?

Yeah, yeah. No problem man.

– In your opinion, what is the biggest issue and problem facing the
current state of society? You kind of already touched up on this.

I would say that’s probably it. I was also talking to our guitar player the other day about just big things in general and we got on the topic of the planet and pollution and things like that. Al Gore actually just put out a movie, sounds kind of funny to say, but I don’t remember the name of it but I saw a couple clips of it. It’s really interesting talking about how for the past 20 years or 30 years, you know, scientists all over the world have been screaming and being like, the planet is dying, global warning, pollution, etc. And it seems like everyone has kind of like, not paid attention.

Like no one really cares about it.

Yeah, like it doesn’t, “I’m not dying when I walk outside so I’m not going to worry about it.” I think that that is a really big thing because our kids’ kids are going to be living in a world that..

Even if it doesn’t effect us, it’s going to effect them.

Yeah, it’s going to be our doing. It’s totally off the subject, well not really but actually on Warped Tour this year, all of the production buses and all of the semi trucks and everything are going to be running on bio-diesel fuel. So like every vehicle that is in Warped Tour is not going to create a bit of pollution which is pretty cool. It takes things like that, like people taking steps to be able to change the way things are.

If someone does it then someone else is going to and then someone else.

Yeah, you can’t wait for someone else to do it, someone else isn’t always going to do it.

If someone says they aren’t going to do it because someone else is, then someone might say the same thing and it will never get done.

Yeah, yeah. And that’s why scientist have been talking about global warming for the past 20 years and now it’s still happening but still nothing is happening. I sound really cheesy and green and like a tree hugger but whatever.

Filed Under: Interviews Tagged With: Underoath

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