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Cobra Starship Interview – June 4th, 2007

June 23, 2007 By Andrea Hubbell Leave a Comment

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On June 4th, 2007, when the Honda Civic Tour stopped for a show in Columbia, MD, I got the amazing opportunity to interview Ryland Blackinton and Alex Suarez, guitarist and bass guitarist of Cobra Starship and members of their own band, Ivy League. Gabe Saporta, frontman of Cobra, stepped in for a few words, also. I’ll be posting the unedited version of the interview as a podcast soon, so, once it’s posted, if you’d rather listen to that, be my guest, and tell me if you find any mistakes. Thanks to Christina and Tom for all of your help!

Tell us your names and a little about yourselves.

Ryland: My name’s Ryland Blackinton and I play guitar.

Alex: I’m Alex Suarez and I play the bass guitar.

I’m really sorry, but I have to ask this question. How did you come about with the name Cobra Starship?

Ryland: Actually, Gabe came up with the name. Alex, I don’t know, how did he come up with the name?

Alex: You know that whole story about Gabe going to the desert? Yeah, that’s the story. That’s how we got the name.

Ryland: Check out the video! That’s basically it.

Would you tell us a little bit about those two videos?

Alex: First we did “The Church of Hot Addiction”. They kind of tie in together, because, you know, Gabe went out to the desert for spiritual retreat and while he was out there I guess he found the Church of Hot Addiction and he got bit by a snake and got sent into outer space and this cobra from the future kind of told him he had to start this band Cobra Starship. That’s basically it.

How did it come about that Victoria, Nate, and you two were recruited to Cobra Starship?

Alex: When I moved to New York from Florida (Ryland and I already knew each other), we made another band together called Ivy League. I met the drummer from Midtown, Rob, who was my neighbor pretty much, and he introduced me to Gabe and we became friends, and he saw us play, and he asked us to start this band Cobra Starship. We met Nate when he was the drum tech for Armor for Sleep, and Gabe found Victoria on the Internet, and I actually already knew her through her ex-boyfriend.

So, you guys are still in Ivy League, aren’t you? How is it to be in two bands at once? Is it difficult?

Ryland: We’re focused on both but we’re a lot busier with one than the other, but we’re still recording.

Alex: We’re trying to keep up with both.

Ryland: You’ve got to water the plants, you know what I mean?

Cobra Starship has a unique sound, so what musical genre would you consider yourselves?

Ryland: That’s a tough question.

Alex: Gabe, what musical genre would we consider ourselves?

Gabe: Punk rock Justin Timberlake!

I like that! Where do you get the inspiration to write your music?

Alex: Gabe?

Gabe: I think that the idea for this band was kind of drawn from a lot of influences that we had growing up that weren’t necessarily punk rock but we were all punk rock fans until we started playing so, you know, we wanted to do something just reflecting about music and what it was about like when we were eight and we didn’t even know what it was. It’s just cool. It reminds me of Sound Machine.

What bands were you all in before Cobra Starship?

Alex: Gabe was in a band called Midtown. I played in a shitty screamo band called Kite Flying Society. It was awesome.

Ryland: I’ve been in so many bands, I don’t even know.

What has motivated each of you to be part of the music scene?

Alex: Love for music, I guess.

Ryland: The kids get really excited about shows, so that’s motivating.

Yeah, there are a lot of kids out there that wanted me to say hi to you.

Ryland: Yeah, that’s awesome! All of those little things are very motivating. It’s very self-contained in that way. It motivates you to keep doing it, which motivates you for it. It’s a great cycle.

Alex: Playing a show of any size is motivating, you know? Even when we were in other bands and we would play shows in tiny basements it was just as nerve-wracking just playing a show for seventy five people as it would be playing for six thousand people.

Not many people play the keytar. Do you know how Victoria got into playing the keytar?

Ryland: (jokes) She doesn’t actually play it.

Alex: I think the keytar kind of plays her.

Ryland: She doesn’t even play it. She’s all digital. She’s not even real. Victoria’s an idea. She’s not a person. Haha. No, I don’t know, it’s really just an inverted keyboard.

Alex: It’s not even a keyboard. There’s a whole different machine that runs the sound.

Ryland: There’s more glamour than genius involved.

I’ve really rarely seen people playing keytars.

Ryland: Don’t be surprised if you start seeing them a lot more. I think that a trend has been set.

How did it come about that Cobra Starship did a song for the Teenage Mutant Ninja Turtles soundtrack?

Alex: Atlantic released the soundtrack for that, and we’re a subsidiary for Atlantic, so we got in for that one when they asked us to do a song. We’re all huge Teenage Mutant Ninja Turtle fans.

Can we expect any other videos from While the City Sleeps We Rule the Streets?

Alex: That’s a good question. We have a concept for the next video, which I can’t explain obviously.

I’m really interested in the storyline you have going on.

Alex: I think this one will be a little bit different, and I’m curious to see how it will actually turn out.

What do you plan to do as a band following your tour with the Academy Is… this summer?

Alex: Yeah, we’re going to Australia, and to Japan as well. It’s gonna be awesome, because we’re bros with them [The Academy Is…] to begin with. We’ve gotten much closer with them on this tour as well. It’s gonna be a good time.

Ryland: We’re working on writing demos for the next record.

I’m sure a lot of people will be excited about that! What song gets the best reaction when you play it live?

Ryland: Snakes on a Plane.

Are you guys going to be playing that tonight?

Alex/Ryland: Yes!

What do you do in the part of the song where Travie raps?

Ryland: You’ll be surprised. Someone else will be filling the shoes, and will be doing a very good job.

What do you think of having your own fan club, the Cobra Clan?

Ryland: Oh, it’s great! It’s awesome great. Great kids!

Alex: We have a really good fan club.

Ryland: Don’t forget about Cobra Clanada.

Alex: We have Cobra Clanada, and the original.

Ryland: OCC, the Original Cobra Crew.

Alex: There are some whole different branches of the fan club.

Ryland: There are some battles going on between them, some bloodshed.

Alex: Civil war, you know?

Ryland: We’re trying to explain to them, though, that they should all join one another and not fight one another. Unfortunately, though, that’s kind of what happens.

Alex: Sometimes it’s violent.

Can you explain your hand signal?

Alex: It’s a cobra. There’s fangs and then a hood, see?

Oh, is that what it is? That’s awesome!

Alex/Ryland: Thank you.

Bands don’t really have hand signals a lot.

Alex: I think we’re more like a gang.

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What would you say to your fans that you haven’t yet had a chance to meet?

Alex: We look forward to meeting you. We try to meet everyone as much as possible!

And all of those people out there that told me to say hi to you, what would you like me to tell them?

Awesome! They’ll be really excited about that. They’ve been yelling at everyone coming in and out of the venue.

Ryland: Oh, really? Awesome.

Alex: It’s kind of hard to hear in here because of the sound from all of the buses.

Thanks so much for taking the time for an interview! Good luck tonight!

[display_podcast]

Filed Under: Interviews Tagged With: Alex-Suarez, Cobra Starship, Gabe-Saporta, Ivy-League, Ryland-Blackinton

Honda Civic Tour – June 4th, 2007

June 21, 2007 By Andrea Hubbell 1 Comment

At the beginning of the month at the renowned venue Merriweather Post Pavilion one of the most highly anticipated musical events in the DC area so far this year occurred. On June 4th, 2007, the artists featured in this year’s Honda Civic Tour, an annual tour generally featuring rock-genre bands, performed in Columbia, Maryland. This year’s lineup featured The Academy Is…, Cobra Starship, +44, and Paul Wall, with the headlining act of the recently famed band Fall Out Boy: a diverse artist selection that certainly attracted a diverse, not to mention large, crowd.

As would be expected, an incredible amount of fans and concert attendees arrived early, greatly anticipating that evening’s show. This excitement was somewhat forgotten when the tour buses pulled up, and gaggles of fans also predictably rushed to the gates to screech at those exiting the vans. Mark Hoppus of +44 attracted a lot of screaming and swooning as he appeared from the highly noticeable, cartoon-covered +44 tour bus, although he seemed not to notice, and ignored the excited fans. Paul Wall, however, chose not to ignore the fans as he, a few hours before the show, left the venue, being driven in a car presumably to the hotel the bands were staying at. As fans (mainly girls) surrounded his ride, he waved and, of course, flashed his “grillz” at those squealing to him. To the fans that were waiting expectantly at the gates where the tour buses were in view, it was a disappointment that no members of Fall Out Boy appeared, although Victoria Asher from Cobra Starship was spotted briefly. Others remained at their places in line, clearly hoping to, when the gates were to open at five, manage to snag the places with the best view. Many a fan was not only sporting band merch, but also maybe a sign or a homemade T-shirt conveying individual messages to Pete Wentz: a tribute to his birthday the following day.

Although perhaps an hour before the show, heavy rain began to soak those waiting for the show who hadn’t brought umbrellas and jackets, and Cobra Starship, who were going to see the fans before the show weren’t able to appear, no one’s spirits were dampened. Maybe that was because around this time, wristbands for the pit and seating were being handed out, and excitement was definitely building.

Finally, at approximately five (the show started early presumably because of the amount of opening artists), the gates opened, and, ignoring the mud and heavy rain, concert attendees streamed inside, racing each other for the most elite spaces. Members of Fall Out Boy’s fan club were allowed in five minutes early, so many front row spaces in the large, maximum-packed pit were already consumed when the majority of the crowd rushed in. Pushing and shoving, after the first few minutes when everyone got settled in the crowd, was not at all a problem; mostly everyone seemed to be practicing concert courtesy, and few moshed throughout the performances (those who caused a fuss being lifted out by concert security). However, crowd surfing, once the performances began, was a definite trend, and few were dropped until they reached the barrier.

It took some time, however, for the first performers to begin, due to the rainwater streaming off the canvas shielding the pit down into the pit and in front of the barrier. Cords and equipment had to be relocated, obviously so the water wouldn’t damage anything or electrocute anyone. Soon enough the rain settled, as did those located on the lawn, and the show began, each artist or band throughout the show being well received.

Opening the show was Cobra Starship, the up and coming band whose musical style has been described by frontman Gabe Saporta as “punk-rock Justin Timberlake”. Whatever their genre was, the performance of the unique-sounding Cobra Starship was incredibly well liked by the crowd, many of who had never heard the band prior to that evening. Gabe Saporta had great stage presence. His gift for singing and lyric-writing meshes with the unique sound of the very talented instrumentalists (Alex Suarez on bass, Victoria Asher on keytar, Ryland Blackinton on guitar, and Nate Novarro on drums) to create music that, when performed, if this show was any example, triggers a lot of excitement and an equal amount of dancing and singing. The best received and most well known song that Cobra Starship performed was “(Bring It) Snakes on a Plane”. Something that may have and probably contributed to this was the fact that, during this song, both frontman of The Academy IS… William Beckett (who does vocals for the chorus in this song) and Paul Wall (who filled in for Travie of Gym Class Heroes, who typically does the rapping in “(Bring It) Snakes on a Plane”) made appearances.

Next in the lineup was rapper Paul Wall, accompanied by another rapper and keyboarder. His performance was probably the least well-received, but that is not in any manner a strike against him, since he was performing in front of an audience with, based on the styles of the majority of the artists they chose to see this evening, more of a rock-genre taste in music. He, like Gabe Saporta, had good stage presence. Members of the audience were certainly pleased when he distributed a number of free grillz.

Paul Wall’s grillz were not the only free merchandise to be distributed. Between performances, various activities occurred onstage, including free clothing and other merchandise being shot at the audience through a large gun-like contraption.

Following Paul Wall was an uprising band from Chicago known as The Academy Is… . William Beckett followed his first brief performance with an equally crowd-satisfying one, his one of a kind voice as pleasing as the sound of the generally mellow instrumentals produced by his equally talented fellow band members. The crowd was especially interested in TAI’s performance of “Slow Down”, “We’ve Got A Big Mess on Our Hands”, and “The Phrase that Pays”—three popular singles of theirs.

By the time +44 got onstage, the crowd, perhaps growing weary of standing, was beginning to get antsy in anticipation of Fall Out Boy’s performance. However, +44 successfully recaptured the audience’s attention for the time in which they were onstage, playing a number of songs that the crowd both knew and enjoyed. Some numbers that were particularly crowd-pleasing including “Your Heart Stops Beating”, “Baby Come On”, and “Dammit”. That particular song was not in fact by +44, but by Blink 182, the renowned former band including two of +44’s band members, drummer Travis Barker and frontman Mark Hoppus. Victoria Asher of Cobra Starship made a surprise appearance for the song “Make You Smile”, a popular +44 song including female vocalist Carol Heller, which Asher carried out fantastically.

Although all of the acts prior to the headlining act were very much so enjoyed, many in the audience were in huge anticipation of the appearance and performance of Fall Out Boy. Fans grew impatient at the long stretch of time between +44 and Fall Out Boy’s performances, during which a large structure was being assembled. This mystery structure detailed a tall platform on which Andy Hurley’s drum set was located, and plenty of room for the other band members to stand at different points in the show, with a ramp-like addition stretching down from the platform to the stage (used most often by frontman Patrick Stump). On either side of the construction were two opaque capsule-like structures comprised of what appeared to be a glass-like material. Audience members looked for any visible sign of the band with no luck, and when they finally did appear, their entrance was to everyone’s surprise—as, instead of simply walking onstage as one might think they would, Joe Trohman and Pete Wentz literally popped onstage. Patrick Stump and Andy Hurley appeared suddenly as well, although not with as big of a bang as Trohman and Wentz—who burst out of the two capsules and onto the platform, Trohman on the left side of the stage and Wentz on the right.

It is probably needless to say that Fall Out Boy’s performance was a huge hit with the audience, as it can be assumed that a lot of those comprising the audience came to Merriweather Post Pavilion mainly for their performance. Stump’s voice matched the sound conveyed on their three full-length albums—a unique voice that, while it rarely enunciates words clearly, is nonpareil in tone quality. Surprisingly, Fall Out Boy’s lead singer was not the band member that spoke and encouraged the audience, as seems to be the norm, but instead Pete Wentz tackled this role, to the enjoyment of some huge Pete Wentz fans in the crowd. If this weren’t enough to please the audience, Joe Trohman certainly contributed to captivating the audience by never failing to jump, spin, or a combination of the two, something that would be, as one might think, difficult to do while playing a guitar. Not only this, but the screen behind the stage, which, up until Fall Out Boy’s performance, had remained blank, was constantly filled, whether by FOB music videos or other clever visuals.

Fall Out Boy played a refreshing variety of all of their biggest hits and best sounding songs from all three of their albums, even their first and least well-known album, “Take this to Your Grave”. Their performance was very unpredictable, as they proved throughout their encore, during which Joe Trohman and Pete Wentz left the main stage (through those mysterious capsules) and reappeared at the back of the audience, by the lawn (to the happiness of those further back). Andy Hurley was also relocated, but only to the front of the stage, where he continued playing the drums. In addition to these surprise relocations, pyrotechnics was part of Fall Out Boy’s show, and the appearance of fire made their encore’s quality superb.

All in all, each of the artists performed incredibly well, and each of the performances were a pleasure to watch. Those who share my opinion of the quality of those on the Honda Civic Tour will be pleased to know about some upcoming tours announced that evening. In August, The Academy Is… and Cobra Starship will be touring together in Australia and Japan, for those of you willing to travel! The Academy Is… will be following their Australian/Japanese tour with a fall tour with Armor for Sleep. And finally, Fall Out Boy has announced their own fall tour with Gym Class Heroes. I recommend that if given the chance, you attend one (or all) of these shows!

Filed Under: Reviews, Show Tagged With: +44, Cobra Starship, Fall Out Boy, Honda Civic Tour, Paul-Wall, The Academy Is...

Amber Pacific – Truth In Sincerity

May 22, 2007 By Andrea Hubbell 1 Comment

Amber Pacific

Artist: Amber Pacific
Album: Truth In Sincerity
Label: Hopeless Records
Purchase: Smart Punk
Release Date: May 22nd, 2007

Overall: 8.5
Music: 8.0
Lyrics: 9.0
Production: 9.5

For those of you anticipating Amber Pacific’s new album “Truth in Sincerity” to be a complete evolution from their first full-length album, “The Possibility in the Promise”, you will be disappointed. However, for those of you that are fans of Amber Pacific’s original style, you will be thrilled with their latest album. Amber Pacific, consisting of Matt Young, Greg Strong, “Dango”, and Will Nutter, can be described as one of those bands that is distinguished in great part by the sound of their vocalist’s voice. Matt Young has a deep, sorrowful voice that can easily convey the emotions that their music typically expresses: love, heartbreak, and anguish. The quality and sound of his vocals hasn’t changed within the new album. The band’s generally romance-related song messages are also disclosed through their creative, sentimental lyrics; the topics their music touches on have also not changed very much throughout this album.

Nor has the general sound of their music changed too much. It is heavily guitar-incorporated and has a hopeful sound that appeals to many. The main change that Amber Pacific has made in their music within the new album is the speed of their songs. Many songs in the new album have a quicker pace. I personally enjoyed the sound of the new album, but was somewhat disappointed to not see many changes in their music, although I am a fan of “The Possibility and the Promise”. Being a fan of their previous full-length album, I was excited to see that the CD’s bonus tracks were, in fact, acoustic versions of two songs from “The Possibility and the Promise”-“Always You (Good Times)” and “For What It’s Worth”. Throughout these numbers, Matt Young’s voice sounds very raw and natural-suggesting that he is a naturally talented vocalist.

So, all in all, I recommend Amber Pacific’s latest album to fans that wouldn’t mind and might in fact enjoy hearing something very similar to their last album. For those of you that haven’t had the pleasure of listening to Amber Pacific prior to now, I also recommend the albums to those of you interested in a rock band with a somewhat mellow sound.

Track List
1. Rule #76
2. Summer (In B)
3. Temporary
4. Youre Only Young Once
5. Living Proof
6. Follow Your Dreams
7. Take Me From This
8. Fall Back Into My Life
9. We Think Were Hardcore, Cause, Well, We Are
10. Runaway (Featuring Mike Herrera Of Mxpx)
11. Watching Over Me
12. Dear ____, This Has Always Been About Standing Up For Yourself

Filed Under: Album, Reviews Tagged With: Amber Pacific, Hopeless Records

The Used – Lies for the Liars

May 21, 2007 By Andrea Hubbell 2 Comments

The Used

Artist: The Used
Album: Lies for the Liars
Label: Reprise Records
Purchase: Smart Punk
Release Date: May 22, 2007

Overall: 9.0
Music: 8.5
Lyrics: 9.5
Production: 9.5

The Used haven’t, within highly anticipated “Lies for the Liars”, made a complete transformation from their musical style seen in their 2004 album “In Love In Death”. This isn’t to say, however, that they haven’t made significant (and, in my own opinion, positive) changes to their music. Depending on the song, various features are present in their new music that were absent from their old. Jazz-like intros and tunes, piano incorporation, heavy guitar riffs, well-meshing lead and backup vocals, and softer-toned vocals are some of the alterations that have been made to The Used’s music. However, for those of you fond of their old music, frontman Bert McCracken’s voice has the same sweet-sounding quality, the lyrics are just as groundbreaking and raw, and screaming, bitter songs are still around for this Utah-based group. Some songs have a better tune and overall musical appeal than others, but all songs are of good quality. The lyrics, as stated before, continue throughout this album to be truthful and raw, and yet they have a poetic, deep quality to them at some points as well. The album overall is of fantastic quality, and will be appreciated by new and old fans alike of the four man band consisting of Bert McCracken, Jeph Howard, Quinn Allman, and Dan Whiteside. I highly recommend this album to anyone generally interested in alternative music. Here are some descriptions detailing the musical and lyrical quality of specific tracks. Enjoy!

Track One: “The Ripper”
The opening to the first number of “Lies for the Liars” is intense and most definitely guitar-incorporated. The screeching guitar riff that introduces the album may even be described as metal-esque. Throughout this song, McCracken extends from his typically sweet-toned vocals, and his voice meshes well with that of backup vocalist/ bass guitarist Jeph (Jepha) Howard. The heavy guitar continues throughout the song, and some screaming ensues as well.

Track Two: “Pretty Handsome Awkward”
The second track contains another guitar-incorporated opening. McCracken’s vocals are intense, and the lyrics he sings are bitter and angry. The tune to this raging number is less likeable than that of the first track.

Track Three: “The Bird and The Worm”
Instead of opening with a guitar riff, the Bird and the Worm has an unusual overall, and not just for The Used, beginning, with violin and piano meshing to create an appealing old-fashioned sound. In this number, McCracken’s vocals sound more similar to those throughout “In Love and Death”. Something that seems to be a trend is Howard’s backup vocals mixing well with McCracken’s lead vocals. The lyrics that Howard and McCracken sing contain very effective metaphors and imagery, comparing a man fearful of society to a worm (“He crawls like a worm from a bird”).

Track Four: “Earthquake”
The vocals are softened within this song, as are the sometimes bitter and consistently raw lyrics. The lyrics detail difficulties within a relationship, as illustrated by the line “Have I murdered our love?”, and the instrumentals and vocals sound sad and lonely as the lyrics beg the narrator’s partner to return.

Track Five: “Hospital”
The song “Hospital” has a very unique beat, as is enhanced by the remarkable drumming within this number. The sound and lyrics are very angst-filled throughout this song, a transition from “Earthquake”. The name of the album can be found within the lyrics of this nicely tuned song (“Save the lies for the liars”), and the lyrics also seem to be regarding the plight of a sick man, as would be expected in a song titled, “Hospital”.

Track Six: “Paralyzed”
Another old-fashioned, piano-incorporated sound fills the listeners ears in the beginning of this song. A unique jazz-like sound continues throughout the track as well. The vocals throughout “Paralyzed” mesh well with the sound of the instruments. Also, the guitar riff within the middle of the song is notably well-placed and well-written.

Track Seven: “With Me Tonight”
In this song, the vocals are strong and most noticeable. The lyrics and heartbroken and unique within the chorus. “With Me Tonight” is one of my favorite songs in the entirety of the album.

Track Eight: “Wake the Dead”
A mechanical-like beginning is followed by purposefully inconsistent and intriguing vocals. The guitar within this number is very noticeable, and the number is notable in that it is the angriest sounding song on the album. As for notable details, the song features female vocals.

Track Nine: “Find a Way”
“Find a Way” starts off spewing out random sounds at the listener and slowly transitioning into soft guitar and equally soft and sweet lyrics from McCracken. There is little instrumental throughout the song, and the number is a calm one for the usually hyper-active, angst-filled lyrics of The Used. This number is very emotionally intriguing.

Track Ten: “Liar Liar Burn in Hell”
The Used’s latest album seems to contain distinctive song-openings, and “Liar Liar Burn in Hell” is no exception to this observation, as it begins with the sound of ambulance sirens and another intense guitar riff. Vocalists throughout the chorus take on a shouting tone-probably to further express the rage conveyed by the issue-tackling lyrics. The lyrics in this number are also the most explicit ones throughout all of the songs on the highly-anticipated album. The ending of this song is also very unique. The song concludes with a line from a song most commonly sung by children, and which I am sure you will recognize-“Liar, liar, pants on fire, sitting on a telephone wire”.

Track Eleven: “Smother Me”
Another piano-incorporated beginning commences this song, which is similar to “Find A Way” in that the vocals an lyrics are soft and romantic, and the vocals are softer-toned. The ending song for the Used’s new album contrasts the ending song for their second album, which concluded with a song that could be lightly described as angry. The actual conclusion of the album and “Smother Me” is very different than any song the used has ever created, however-a rap-styled song that seems to be present just for laughs, as the only lyric in the song is “quesadilla”.

Be sure to purchase “Lies for the Liars” from The Used on May 22nd, 2007!

Track Listing
1. The Ripper
2. Pretty Handsome Awkward
3. The Bird And The Worm
4. Earthquake
5. Hospital
6. Paralyzed
7. With Me Tonight
8. Wake The Dead
9. Find A Way
10. Liar Liar (Burn In Hell)
11. Smother Me

Filed Under: Album, Reviews Tagged With: The Used

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