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Amber Pacific Interview February 15th 2006

February 16, 2006 By Michael Schneider Leave a Comment

Amber Pacific

This is my interview with Greg, bassist of Hopeless Records’ band Amber Pacific. Make sure to head to takeactiontour.com and learn about this incredible tour the band is a part of!

Please introduce yourselves, what is your name and role in the band?

I’m Greg, I play bass and wiggle around on stage all wierd like.

Letï¿Â½s start from the beginning, you used to be called Follow Through, correct?

Yea, that was our original name, we had to change it cause some homeboy in NY would sue if we used it. He owned the rights to it, even though the band had broken up. I think they were a hardcore type band sorta like Bane, except it wasnt good haha.

You guys signed with Hopeless Records before doing any major touring, how has that played out since?

Well we have been touring pretty much non-stop since then. We learned fast and are still learning. We’ve definetly paid “dues” since we’ve started touring, maybe not as much as other bands but we have had our share.

Your first tour was the warped tour, I know you guys had a great experience with the tour, tell us a little bit about it.

HOT! haha it was a blast, it was tons of hard work, tons of fun, tons of hot, bright sun. Its something we will never forget, it was just an amazing experience. We were on it the year after that and will be on it again this year. Summer doesnt feel like summer anymore if we arent on warped, its like I’m missing part of me if we arent on it.

What was it like being fresh out of high school and touring the country?

Well we all did a couple quaters of college too, but its amazing. Its a dream come true for me, i know im truely blessed every night that i stop onto a stage and theres kids out there ready to have fun.

Your debut EP and Full-length were recorded with the same producer, what made you want to go back with him?

Yea we did both of them with Martin Feveyear at Jupiter studios in Ballard Wa. We went back with him cause hes the man, hes going to make anything we want sound the way we want it. He has a rad british accent and hes just an easy going guy and knows his stuff. His sound board is amazing too.

Your one of the rare Seattle bands to not record with Casey Bates, is there any reason why?

There’s no real reason. We found Martin when we were trying to record a demo/ep that wouldnt sound like it was recorded in a garbage can and he was able to do that in the 4 days that we had to do it. We knew he was easily capable of making stuff sound way better if he had more time so we went back. All of casey bates stuff sounds good, we just never really wanted to go with anyone other then our boy Martin.

How did you connect with your drummer, Dango?

One night we flew to Nashville and put a Big Mac under a net and waited for him to take the bait then we caught him and made him one of us.

Tell us about the recent departure of one of your founding members.

Jusin wasnt actully one of the founding members, Will is the only founding member in the band still. Justin just felt he was meant to go back to school and move on from the band. We all still love the guy, people just sometimes need to do what they want/need to do.

How is your relationship with Hopeless Records? How many more records will you be releasing with them?

We love em : )

You have an opportunity to be a part of the incredible Take Action Tour this year. How do you feel about the tour, the cause, and the other bands youï¿Â½ll be touring with?

We are so excited about it. Its an amazing cause, helping those in need when they need it the most. everyone should check out www.takeactiontour.com to see everything that its about. I think I’m most exctied about Paramore being on the tour cause we just did a tour with them and i love all of them, my brothas and sista from anotha motha, so it’ll be great to see them and go to dennys and all that good stuff. Im excited to hear the new stuff the early november and matchbook romance too. Im pumped to see the boys in Chiodos too, super rad guys and good tunes. Theres so many more awesome bands on this tour like silverstien too, everyone just needs to go to takeactiontour.com and see all the good stuff that is going on in and around this tour!

Tell me about the video you just shot, youï¿Â½re very discrete on the website, can you give out any more info on it?

Im not really sure why we are being so secretive about it… but i guess i should keep being hush hush so nothing bad will happen to me in my sleep haha. We are super happy with it though, we did with Morgan Phillips down in hollywood and it was so much fun and everyone that worked on the video was super nice and rad. All i can say is that the video is rad i guess haha… ohh and you should see it popping up on fuse and different places end of feb early march… thats all i can say for now…

Any last thoughts? Comments?

Please come out to any of the take action tour dates and support a good cause, we will be there hangin out like always so come say hi!!

Filed Under: Interviews Tagged With: Amber Pacific

October Fall – A Season In Hell

February 15, 2006 By Trevor Bivens Leave a Comment

October Fall

Artist: October Fall
Album: Albatross
Label: Decaydance / Fueled By Ramen
Purchase: Smart Punk
Release Date: February 21, 2006

Overall: 8.5
Lyrics: 8.0
Music: 8.9
Production: 9.4

It surely has been a season in Hell for October Fall. This Chicago band has had quite an amount of drama over the past few months. With the unexpected dismissal of their bass player and questionable tourmates, there’s been a backlash from their old fan base. However, their past few tours have been gaining them more and more fans, and with a stint on Fall Out Boy’s upcoming arena tour, the kids are gonna eat this up.

All situations aside, it’s easy for me to say that this is a well written pop album. That’s right. It’s a straight up pop album. If you try to classify this as anything else, you’re just trying to nitpick at it. Try to picture if you will, a harmony-heavy, adolescent Something Corporate and you’ll have a feel for October Fall’s sound.

“Second Chances” opens the album with a spacey synth part that is joined by the bands’ normal instruments of choice. The tame verse builds up into an explosive chorus and the song proceeds to burst through your speakers and grab your attention. Then out of nowhere, there’s a country part in the middle of the song. I don’t know what prompted the band to put it there, but it seems like it fits.

“Caught In the Rain” has a melody that makes me think of an older song that I can’t remember the name or lyrics for, but I know it sounds similar to something. The beat of this song actually kind of makes me want to dance. It’s not a dance song by any means, but it’s danceable. I know that sounds contradictory, but listen to the song and you’ll probably want to grab someone and start spinning around.

The third track, which happened to be the original title of this album, “Keep Dreaming Upside Down,” is my favorite track here. During the bridge, we can hear female vocals come out of nowhere. They’re from none other than Paramore’s Hayley Williams. We all know I’m a sucker for this girl’s voice. It mixes with Pat’s for an amazing harmony, and that helps this song stick out. The drums for this song pound away and are another point you’ll probably focus on when listening.

“Walking,” which was made available on Purevolume and Myspace last year, tones things down a bit and gets serious lyrically. It’s another strong track that if you didn’t hear it before, you’ll enjoy more and more with every listen.

“It Was Summer…(Baby Steps)” would be an ideal single if the chorus was as energetic as the previous songs’. This is radio-ready material right here. These guys can craft a damn good pop song. I really like this track and my only complaint is the lack of the explosive chorus it deserves.

A SoCo-song-worthy piano part leads off “Tounge Tied.” It’s slower than the other songs, but it’s not a skippable track. I absolutely love Pat’s voice on this song. He hits some great notes all throughout it. The chorus starts off whispered and builds up, and it’s a great display of Pat’s range.

For a long time, “Hey Hey” was the only song anyone had to listen to on Purevolume and Myspace. The album version has been slightly modified, but if you’re familiar with the song, you’ll notice some of the notes in the instrumentation have been changed. The lyrics and vocals are pretty much the same. The piano sticks out way more in this version than the demo.

“Here We Go From the Top” is more of the same. It’s another song with a strong vocal display.

“Keep It Comin’ ” hops around from traditional rock to electronic. It’s complete with the spiteful lyrics that the “Taking Shape” EP had.

The last two songs on the album were the only ones I didn’t enjoy listening to as much as the others.

Like them or hate them, October Fall have delivered a debut full of songs that showcase the band’s pop-sensibilities. Anyone can write a pop song. It’s hard to write ENJOYABLE pop-songs. That’s what these are. I enjoyed listening to this album. Couple the enjoyable melodies with the synth lines that are sprinkled throughout the songs, and the different instrumentation here and there, and you’ve got a nice departure from normal piano-rock. Pat has a knack for writing catchy, hook-filled songs. I’m a sucker for them. I’m a sucker for this album. It’s my new guilty pleasure. This band isn’t here for “scene cred.” They’re here to make something of themselves, and if marketed correctly, this album should get into the right hands to make these guys relatively big.

Track Listing
1. Second Chances
2. Caught in the Rain
3. Keep Dreaming Upside Down
4. Walking
5. It Was Summer…(Baby Steps)
6. Tounge Tied
7. Hey Hey
8. Here We Go From the Top
9. Keep It Comin’
10. A Part of Me
11. If We’re All Alone, Aren’t We In This Together

Filed Under: Album, Reviews Tagged With: Decaydance, Fueled By Ramen, October-Fall

Brightwood – The Love Antidote EP

February 14, 2006 By Michael Schneider Leave a Comment

Brightwood

Artist: Brightwood
Album: The Love Antidote EP
Label: Independent
Purchase: Smart Punk
Release Date: February 18, 2006

Overall: 9.5
Lyrics: 9.2
Music: 9.5
Production: 9.7

Brightwood seemed to catch my attention almost out of nowhere. I checked out their myspace page on a link from a friend and was immediately attracted to their sound. When their debut EP â┚¬Ã‹Å“The Love Antidoteâ┚¬Ã¢”ž¢ finally made its way into my hands, I had only had one listen before I was ready for the full-length.
Self-described â┚¬Ã‹Å“Brightwood is a four-piece aggressive melodic rock group based in the Portland areaâ┚¬Ã‚¦a modern blend of raw, yet intelligent, melodic rock laced with soaring guitars, passionate vocals and intermittent tasteful screamsâ┚¬Ã‚¦Ãƒ¢Ã¢”š¬? I will boldly state that no band has made an impact on me this much since my first listen of Copelandâ┚¬Ã¢”ž¢s â┚¬Ã‹Å“Beneath Medicine Tree.â┚¬Ã¢”ž¢

Brightwood takes the tone of artists like the Goo Goo Dolls, and Rookie of the Year and puts their own spin on it. The EP begins with incredibly produced programming that doesnâ┚¬Ã¢”ž¢t overrun the bright toned guitars and vocal melodies. Vocalists Andrew and Stephen complement each other, and until reading the liner notes of the cd, I couldnâ┚¬Ã¢”ž¢t discover why until last names were mentioned. Drummer and Guitarist, this combination of brothers are bringing a vocal combination rarely found in todayâ┚¬Ã¢”ž¢s music. Adding Benjamin Hawkins on guitars and Matt Fosket on bass, this four-piece has collectively stumbled upon a formidable sound.

The third track â┚¬Ã‹Å“In Memoryâ┚¬Ã¢”ž¢ reaches the peak of acoustic splendor that I would expect from a band who denotes their concentration on it. This track establishes their range as a group. From entering with acoustic guitar, following with piano and blending in distorted guitars and booming drums, this epic ballad sings â┚¬Ã‹Å“you carried my heart in the midst of this battle, in your hands, And Iâ┚¬Ã¢”ž¢ll wait for you.â┚¬Ã¢”ž¢ As I stated earlier, I am waiting for a full length and to see the incredible things this group can achieve.

Brightwood has written, recorded, produced and mixed an EP that will remain a staple on my playlist for as far as I can see. These six songs sound as though they were done with an endless budget, yet this independent band, about to embark on a west coast tour is seemingly â┚¬Ã‹Å“do-it-yourself.â┚¬Ã¢”ž¢ Expect great things from these guys and BUY THIS EP!

Track Listing
1. My Reply
2. Sit Still
3. In Memory
4. The Futile
5. Superfire
6. Unspoken

Standout Tracks
The Entire EP, literally

Filed Under: Album, Reviews Tagged With: Brightwood

Pistolita – Oliver Under the Moon

February 12, 2006 By Michael Schneider Leave a Comment

Pistolita

Artist: Pistolita
Album: Oliver Under the Moon
Label: Montalban Hotel
Purchase: Smart Punk
Release Date: February 7, 2006

Overall: 7
Lyrics: 6.5
Music: 7
Production: 7.5

In March, Pistolita will embark on a lengthy tour with scene veterans Saves The Day, Canadian rockers Moneen, and Circa Survive. Before my knowledge of this tour I had never heard of Pistolita, nor their music. In thinking of other piano-rock type bands, Pistolita is in the same vein as Something Corporate and Melee, unfortunately, theyâ┚¬Ã¢”ž¢re just not quite there yet.

Upon my first few listens to this debut full-length, what sticks out to me as a major weakness is the vocalist. While Connor Meads is a solid pianist, his voice does not hold the passion that the music demands. At times it seems he is right on the verge of a brilliant melody, he drowns off with moans expected of a high school screamo band. I can only imagine how much my opinion of this record would change with Jason Gleason behind the microphone. Disregarding voices for the time being, this is quite a catchy and solid record. With hooks that contain the intensity of much heavier groups like Moneen, and piano lines that saturate with harmony, this band has the potential of any piano fronted group I have ever heard.

The final track, â┚¬Ã‹Å“Panicâ┚¬Ã¢”ž¢ which clocks in at an epic 7 minutes, 25 seconds, is easily my favorite song on the whole album. I feel like they finally achieve the dynamic theyâ┚¬Ã¢”ž¢ve been striving for with the swelling bridge, the tension is breathtaking, and makes me wonder how the live show ends. â┚¬Ã‹Å“China Dolls,â┚¬Ã¢”ž¢ a beautiful mid-album piano-rock ballad, chimes in at only two minutes, definitely a creative decision as it is the only real break from the aggression filling the rest of the record. Without track tags, I might believe that â┚¬Ã‹Å“Killjoyâ┚¬Ã¢”ž¢ was just a Moneen song left off of â┚¬Ã‹Å“Are We Really Happyâ┚¬Ã‚¦Ãƒ¢Ã¢”š¬Ã¢”ž¢ Regardless of the music and production the same problem taints this whole record. The vocals, just do not reach the height of the music. An instrumental record would better suit my tastes with this band.

Although I might come off as a little harsh with the vocals of this record, the truth is itâ┚¬Ã¢”ž¢s quite well-written. The recording is transparent, the instruments connect and complement each other, and the lyrics are excellent; this is just not the record for me. If you are a fan of piano-driven music, give this record a shot but donâ┚¬Ã¢”ž¢t keep the bar as high as past artists have set it.

Tracklist:
1. Age
2. Big Shot
3. China Dolls
4. Cupid
5. Fadawhite
6. Killjoy
7. Metronome
8. Oliver Under The Moon
9. Panic
10. Papercut
11. Pity Refrain
12. Voicebox

Standout Tracks
“Killjoy”, “Panic”, “Cupid”

Filed Under: Album, Reviews Tagged With: Pistolita

Fivespeed – Morning Over Midnight

February 8, 2006 By Bryce Jacobson Leave a Comment

Fivespeed

Artist: Fivespeed
Album: Morning Over Midnight
Label: Virgin Records
Purchase: Amazon
Release Date: January 24, 2006

Overall: 7.7
Lyrics: 7.5
Music: 8.0
Production: 8.0

After reviewing Fivespeed’s Bella EP this past summer I was actually looking forward to their full-length. Overall I was pulled in by Jared’s voice as it’s nothing short of spectacular. On Morning Over Midnight Fivespeed unleash a flurry of new songs that pick up where their EP left us hanging. “Fair Trade” opens the CD to a powerful and vocally ear pleasing song. Jared’s voice is not something you can ignore on this track leg alone this CD. The band bring along their powerful style and sugar sweeten it with lots of melody throughout this whole album. On the title track “Morning Over Midnight” the band slows things down just a notch to more of a radio friendly track. The band has overall polished their sound since their EP but have they done it a little bit to much? Both “The Mess” and “Vegas” have been carried over from the bands EP to this full-lenght. These songs have more of an old prog or grudge feel to them compared to their new tracks. Besides the emotion that “Touch Of One” gives off the rest of the tracks are rather disappointing. They slow things down way to much for what I was expecting this album to be. You can rule out this as being a great hard rock album and throw it in the not what you expected pile.

I think the band was either pushed or thought for themeless that they should streamline their sound to be radio friendly. Their EP showed a lot of originality where as now they are floating down the mainstream rock river. I hope the band takes things up a notch on their future releases and doesn’t follow the radio friendly major label way.

Track Listing
1. Fair Trade
2. The Mess
3. Morning Over Midnight
4. Blame It On You
5. Vegas
6. Lights
7. Touch Of One Listen
8. Drive (Field Guide)
9. Wait Forever Listen
10. Misery Loves Company

Standout Tracks
“Fair Trade”, “Touch Of One”, “The Mess”

Filed Under: Album, Reviews Tagged With: Fivespeed

Blood On The Tracks – Blood On The Tracks

February 8, 2006 By Bryce Jacobson Leave a Comment

Blood On The Tracks

Artist: Blood On The Tracks
Album: Blood On The Tracks
Label: Em Dash
Purchase: Smart Punk
Release Date: November 10, 2005

Overall: 6.8
Lyrics: 6.6
Music: 7.2
Production: 7.0

Hailing from Santa Clara, CA, Blood On The Tracks is an up-and-coming three piece rock outfit who have plenty to show for their existence of less than a year. The bands influences come from bands like Muse, The Mars Volta, Jimmy Eat World and U2 and their sound comes from a mix of those bands as well as a sound like that of The Strokes and even Green Day.

On the bands debut 6 song EP they define their sound with mild to up beat songs. On the track “Tonight” the mix of indie guitars and a soft bass line flow through the speakers along with soft vocals. “Love Is Dead” is a catchy track with a nice chorus and some guitar effects to add depth to the song. On the track “Perfect” they mix in some piano and a stronger bass line for a song that differs from the others on this EP.

Blood On The Tracks are paving the road to a bright future. Their sound doesn’t compare to their influences as of yet but with some time on the road and more writing they can accomplish this task rather quickly. Check out this EP for a great indie band that isn’t following trends but rather making a new one.

Track Listing
1. Here Today, Gone Tomorrow
2. In Flames
3. Tonight
4. Love Is Dead
5. Perfect
6. Without You

Standout Tracks
“Love Is Dead”, “Perfect”, “In Flames”

Filed Under: Album, Reviews Tagged With: Blood-On-The-Tracks

Rocky Votolato – Makers

February 8, 2006 By Michael Schneider Leave a Comment

Rocky Votolato

Artist: Rocky Votolato
Album: Makers
Label: Barsuk
Purchase: Barsuk
Release Date: January 24, 2006

Overall: 8.9
Lyrics: 8.8
Music: 9
Production: 9

As quoted from Rocky Votolatoâ┚¬Ã¢”ž¢s onesheet, â┚¬Ã…”Rocky Votolato is a soft-spoken, hard-working 28-year-old father of twoâ┚¬Ã‚¦Ãƒ¢Ã¢”š¬Ã¢”ž¢My dad was in a motorcycle gang based out of Dallas, TX called the Scorpionsâ┚¬Ã‚¦I remember the family trip to the state fair and my dad being handcuffed and taken away because of the pistol he always carried in his beltâ┚¬Ã‚¦Ãƒ¢Ã¢”š¬?â┚¬Ã¢”ž¢

To say the least, Rocky Votolato has had his share of life experiences, most of which occur in his music. After my first time seeing him play in the now re-invented Paradox Theatre in Seattle, I have not stopped supporting and listening to his projects. Touring with bands like The Get Up Kids, Rocky has made his way around the country, â┚¬Ã‹Å“Makersâ┚¬Ã¢”ž¢ is his third album; The first two released on Second Nature Recordings, and â┚¬Ã‹Å“Makersâ┚¬Ã¢”ž¢ under license to Barsuk Records.

The first track, â┚¬Ã‹Å“White Daisy Passingâ┚¬Ã¢”ž¢ is a beautiful and mellow introduction to a very well crafted record. His falsetto background vocals sing â┚¬Ã‹Å“passing white daisies taking turns, all those evenings on the back deck on our first apartment, they mean everything but the wind just carried them off.â┚¬Ã¢”ž¢ Rockyâ┚¬Ã¢”ž¢s metaphors are so well put I wouldnâ┚¬Ã¢”ž¢t dare tried to reword them. His voice is soothing, and full; White Daisy Passing is a perfect introduction into his best release yet.

Next is the other single, â┚¬Ã‹Å“Portland Is Leaving.â┚¬Ã¢”ž¢ This track reminds me of why I could listen to Mr. Votolato sing for the rest of my life. Harmonica melody and minor chords blend with his insightful lyrics, and often leave me contemplating his messages.

Rocky has taken a good step forward in his song-writing. On Suicide Medicine, some of the songs grabbed you quickly, and pulled you in to listen to the rest of the album. It seems as though he has abandoned the plan of writing the radio single, and stuck to his best formula; Rocky writes songs that require a few plays to understand. His sometimes-depressing topics, speak so honestly that I would think his age would be far past his late twenties. The title track â┚¬Ã‹Å“makersâ┚¬Ã¢”ž¢ describes the loss of a loved one, or so said metaphorically, and if you remember his last release, the topic is identical to Suicide Medicine. â┚¬Ã‹Å“Wait Out the Daysâ┚¬Ã¢”ž¢ talks about waiting for death to come. Apparently the human fate is a constant on his mind.

Rocky Votolato has created an album that in my mind should speak for itself. Well I donâ┚¬Ã¢”ž¢t doubt it make take you a few listens to come to the level of appreciation I have, he has again proven to me why he is one of the best solo artists in the music scene today. If you are a fan of angst-filled emo songs about losing your girlfriend, this album is not for you. If you are a fan of heart-felt, honest, and wise folk-rock, you have found your new favorite artist.

Track Listing
1. White Daisy Passing
2. Portland Is Leaving
3. The Night’s Disguise
4. She Was Only In It For The Rain
5. Uppers Aren’t Necessary
6. Wait Out The Days
7. Streetlights
8. Tennessee Train Tracks
9. Goldfield
10. Tin Foil Hats
11. Where We Left Off
12. Makers

Filed Under: Album, Reviews Tagged With: rocky-votolato

Podcast Episode #10

February 7, 2006 By Bryce Jacobson Leave a Comment

Our 10th Podcast is now up for your listening pleasure.

Subscribe to our podcast in iTunes here or listen below.

Music by:
Asia Minor – “Showdown In Tokyo 3”
The Starrs – “Whatever It Takes”
The Morning Of – “A Barrel Tapped At Both Ends”

Filed Under: Podcast Tagged With: Asia-Minor, Driven Far Off, Podcast, The Morning Of, The-Starrs

The Radio Fix – Of Hyacinth and Jasmine

February 7, 2006 By Trevor Bivens Leave a Comment

Radio FIx

Artist: The Radio Fix
Album: Of Hyacinth and Jasmine
Label: None
Purchase: Interpunk
Released: December 10, 2005

Overall: 9.0
Lyrics: 8.5
Music: 8.9
Production: 9.2

The Radio Fix are a five piece rock outfit from Dayton, TN. You’d never know it. I love finding bands that break the Tennessee stereotype. You know..country artists? Not that there’s anything wrong with that, but I love hearing good rock music from Tennessee. It goes to show that we’re all not a bunch of hicks obsessed with our tractors, how sexy they are, and a sunny day on the farm ending with a dip in the mudhole. With that being said, let’s hop to it.

The Radio Fix play emo tinged rock much in the vein of Anberlin. It’s got “that sound” but isn’t cliche “oh baby baby, you broke my heart, I want you back” stuff. The opening track on this EP, “Curse Me When You Leave” is a pretty good way to start things off. The song showcases vocalist Craig Biddy’s varied range. I would love to hear this guy live and will probably make the effort to do so within the next month.

“Put You Out to Sea” sounds like a radio ready song that should be kicking crap like Crossfade off the airwaves.

“Sun and Sea Become An End” is an upbeat tune that again capitalizes on the superb vocals. The drums will keep your head bobbing around, and once you learn the words to this song, you will be singing along.

I didn’t like “Save Yourself” until I heard the “whoahs” during the chorus. I like pretty much any song with “whoahs” in it, and the ones here are awesome. Plus, the song picked up a bit after the first chorus.

“The Sweetest Air” closes the EP with a strong song that makes you want more. This is probably my favorite track on here. I hate to repeat myself, but the vocals here are just beautiful. To be cliche, they’re soaring.

Overall, this is an impressive debut from former members of Rifles at Recess and Across Five Aprils. Keep an eye on this band, because they should have labels chasing after them soon enough.

Track Listing
1. Curse Me When You Leave
2. Put You Out To Sea
3. The Sun and Sea Become An End
4. Save Yourself
5. The Sweetest Air

Filed Under: Album, Reviews Tagged With: The Radio Fix

Armor For Sleep Interview February 2nd 2006

February 3, 2006 By Trevor Bivens 1 Comment

Armor For Sleep

I got to sit down with Ben Jorgensen from Armor For Sleep in Nashville, TN.

Trevor: What’s the tour been like so far?

Ben: It’s been awesome, man. Every show has been sold out so far, so we can’t complain. It’s been really good.

Trevor: Are all the kids reacting well to every band on the tour?

Ben: Yeah, it’s like a package tour. We call it “The Invisible Sideshow” and not the “Armor For Sleep Headlining Tour” for a reason. We knew it’s about all the bands. Every band has their own thing going on and it’s more about the power of all the bands together than it is the power of just us.

Trevor: Are there any crazy stories from this tour yet? Has anything really random happened yet?

Ben: We played a show in New York City. It was the biggest show we ever headlined in New York before, and our management got us a stretch limo. We had an afterparty at this super hipster place. It’s strange. We got out of the limo at the club and everyone like, moved away and there was a red carpet for us to go on. I was like, “What the fuck?”

(Laughter)

Trevor: Speaking of crazy stories, there are plenty of them on the DVD that just came out. Now, why did you guys go ahead and decide to release a DVD?

Ben: Because, we’re kind of sick of bands being bands and there’s always a barrier between them and their fans. The fans think they know them based on their songs, but every band is full of five or six real people. We just wanted to show everyone who we really are. We’re just four normal dudes from New Jersey who just happen to be in a band that plays music. We wanted all our fans to know we’re real people, and we wanted to film ourselves being idiots.

Trevor: Do you prefer to play the old songs or the newer songs? Do you even have a preference?

Ben: There’s gratification in playing both. On this tour, we’re bringing back a couple of old songs that we haven’t really gotten to play, and that’s cool because I know people might want to hear those songs. At the same time, we’re playing a couple of new songs that we never got to play from this album that I know people are going to be stoked about. I’m excited for both. We’re never going to be one of those bands that justs forgets about our old songs.

Trevor: Why did you decide to do a more developed concept album this time around.

Ben: I think that’s just the way we write. I think an album, the albums that I like, kind of tell a story or a piece of history. They’re more than just a collection of songs. They’re a state of mind. I don’t think it was any different than the way we did “Dream to Make Believe.” Maybe it’s a little more story-oriented, but it just has common threads running through it. I think at the time, that’s the kind of album we wanted to make. I’m not saying we’re always going to make concept albums, but that’s what felt right.

Trevor: Even though it’s been out for almost a year, do you think the new album is still gaining momentum?

Ben: Yeah, I mean if anything, I know we’re selling more records now than we ever have on this record cycle. Shit’s kind of picking up for us on the more mainstream front, so it’s not dead by any means. Things kind of take a while for an album sometimes.

Trevor: Are you writing any new material yet?

Ben: We actually have our whole next album written. We’re going to go record it as soon as this tour is over.

Trevor: Well that takes care of the next question. (Laughter) Is there anything that you have to bring on tour. Is there anything that you HAVE to have while you’re on the road?

Ben: My iPod. Now that we have a bus, my X-Box. It’s my second life. We brought our recording studio out here with us. This is where we’re going to be making demos of our whole album. We’re a pretty high tech band. We all have Sidekicks and iPods. We keep up with the times and we try and utilize 2006 for whatever it can bring us. We all have laptops, and we update our Myspace pages. You know what I mean? Everything that a normal person has nowadays, we have.

Trevor: If you could set up a dream tour with any bands you could play with, who would it be?

Ben: Probably Nirvana and Radiohead..Say Anything.

Trevor: Oh man, yeah. If they ever get back on the road..

Ben: They will. Max is a good friend of mine. They’re going to kick ass this year.

Trevor: Yeah, they’ve got the re-release of the album coming out and with the right push, they could be huge.

Ben: They will be, man. They’re one of the few bands that we get to tour with that I think really change the landscape of music. Max is one of my good friends, and it’s really weird, because when I talk to him I’m a really huge fan of his songs; but at the same time I’m still his good friend, so it’s cool.

Trevor: Finally, what are your plans for the summer?

Ben: Warped Tour. Full Warped Tour.

Trevor: Are you guys playing Main Stage?

Ben: A little bit. We’ll dabble in the main stage and see how it feels.

(Laughter)

Trevor: All right. Thank you for sitting down with me.

Ben: Oh, no problem man.

Filed Under: Interviews Tagged With: Armor-For-Sleep

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