Driven Far Off

The latest on the indie, alternative, and rock music scene including news, music, contest, interviews, and more. Best described as your favorite place to find new bands.

  • Home
  • Reviews
  • Interviews
  • Videos
  • Articles
  • About
  • Contact

Paramore – Riot

August 5, 2007 By Trevor Bivens 3 Comments

Paramore - Riot

Artist: Paramore
Album: Riot
Label: Fueled By Ramen/Atlantic
Purchase: Smart Punk
Release Date: June 12, 2007

Overall: 7.5
Music: 7.5
Lyrics: 7.0
Production: 8.5

During the space between their debut and new album, I’ve seen a bass player leave and an old one return as well as the departure of two guitarists. Paramore has been through more members in their short time than any band I can think of. I can’t help but wonder if their new switch to a four-piece lineup in the studio helped make “Riot” what it is.

The album is more of the same straightforward nu-emo rock backed by a powerful female vocal presence. Unfortunately, I was expecting so much more. That’s not to say the album is bad. As a matter of fact, the opener “For a Pessimist, I’m Pretty Optimistic” brings on the rock so much that I was pretty stoked to listen to this disc.

A new recording of “Hallelujah,” a song that’s been in the band’s repetoire for some time really knows how to tug at your emotions as well. The heartfelt “That’s What You Get” also makes my ears happy. Then there’s lead single “Misery Business.” I liked this song a lot at first. I even got over the fact that the video made me cringe, but I skip this song every time now. What I don’t get is how leading lady Hayley Williams gets so much crap for this song? I’m sorry that ten year olds(yeah, no joke) are listening to this band now, but they didn’t dumb the content down for them. I don’t get why she needs to apologize for the lyrical content of this song every time it’s brought up.

There are a few more songs (“When It Rains,” “Crushcrushcrush,” and “Born For This”) that I enjoy hearing when they come up on shuffle, the rest didn’t do anything for me. The album was really good at first listen, but the replay factor just wasn’t there for me this time. This was one of my most anticipated for the summer and it ended up mediocre. Maybe if there had been some input from a new guitarist, there could have been some variety to make the tracks stick out more. A solid effort, but it doesn’t stack up to their debut.

Track Listing
1. For A Pessimist, I’m Pretty Optimistic
2. That’s What You Get
3. Hallelujah
4. Misery Business
5. When It Rains
6. Let The Flames Begin
7. Miracle
8. crushcrushcrush
9. We Are Broken
10. Fences
11. Born For This

Filed Under: Reviews Tagged With: Fueled By Ramen, Paramore

Saosin Questions?

May 17, 2007 By Trevor Bivens Leave a Comment

Hey look! I’m not dead!

As a matter of fact, next week I’ll be interviewing Cove Reber of Saosin. Leave questions in the comments!

Filed Under: News Tagged With: Saosin

Staff Recommendations February 25th 2007

February 25, 2007 By Trevor Bivens 1 Comment

Trevor Bivens – Around the Carousel: This band messaged me on Myspace today, just asking me to check them out. They only have two demos up, but they’re good and full of potential. Head on over and give them a listen.

Bryce Jacobson – Check out Blinded Black who’s new album, Under The Sunrise, is in stores this week.

Tyler Hayes – Anberlin, The Secret Handshake, and shameless self promotion leads me to say my article on Virb.com which can be read here.

Filed Under: News, Recommendations Tagged With: Around-The-Carousel, Blinded-Black

Fox Chase Drive – EP

February 9, 2007 By Trevor Bivens 1 Comment

Fox Chase Drive

Artist: Fox Chase Drive
Album: EP
Label: Unsigned
Purchase: Myspace via Paypal
Release Date: 2007

Overall: 9.2
Music: 9.3
Lyrics: 8.9
Production: 9.4

Catching the attention of my friend and I in mid-2005, Mississippi’s Fox Chase Drive had some rough demos online that to this day remain two of the most played songs on my iPod. I automatically set out trying my best to promote them. They’re my favorite unsigned band. I was stoked when they got their new material done.

Hooking up with Class of 98’s Nick Baumhardt was a great choice, as his own band shows he knows a thing or two about crafting great songs. For being an unsigned self-release, the production here is solid. Everything sounds clean and crisp.

Blaring guitars open “24 to Nothing” and proceed to set the pace before the explosive chorus. A hearty synth line in the chorus is reminiscent of Motion City Soundtrack and The Reunion Show.

A new version of former demo “Close the Door” is much better than its predecessor and should have fans of sold pop/rock drooling for more.

“Promise Me So” closes the disc with enough sugary goodness to give you a cavity or two.

The only drawback to this EP is the super-short track listing. I would’ve enjoyed having the song “So California” re-recorded and tacked on to the end. Actually, I would’ve enjoyed anything else they could cook up. This band will be going places soon enough as some of our brothers-in-media are finally picking up on how good these dudes are. It’s only a matter of time before labels come knocking.

Track Listing:
1. 24 to Nothing
2. Close the Door
3. Promise Me So

Filed Under: Reviews Tagged With: Fox-Chase-Drive

Cities Apart – Anniversary

February 9, 2007 By Trevor Bivens Leave a Comment

City Apart

Artist: Cities Apart
Album: Anniversary
Label: Unsigned
Purchase: Cities Apart Store
Release Date: November 15, 2006

Overall: 7.4
Music: 7.4
Lyrics: 7.3
Production: 7.0

South Carolina’s unsigned Cities Apart are looking to state their claim on today’s ever-growing rock scene. Channeling Taking Back Sunday and other popular artists, they have produced a debut EP worthy of playing through your speakers.

There’s nothing overly groundbreaking on “Anniversary,” but proficient songwriting and musicianship is present. There’s some especially sick bass lines sprinkled throughout the disc.

“Lost and Found” opens the album on a high note. “Softly Spoken” opens strong with and has a great bridge, but the first part of the chorus falters a bit. “Agree to Disagree” has one of those bouncing bass lines I mentioned earlier that I thoroughly enjoy. “1,000 Miles Off Course(We Want to Survive) starts off rocky, but picks up about halfway through. Had the whole song been consistent, this would have been the best track on the album. The powerful “Muddy Water” would be the perfect backing track to a commercial for this band. Finally, “Honesty Kills” forgetfully closes the disc as the weakest song present.

I’d like to hear what the band could do with a larger production budget. There’s plenty of potential here, and with time, I’m sure they will take the next step and come into their own. If their new demos are any indication, the next album will be leaps and bounds above how good this EP already is.

Track Listing:
1. Lost and Found
2. Softly Spoken
3. Agree to Disagree
4. 1,000 Miles Off Course(We Want to Survive)
5. Muddy Water
6. Honesty Kills

Filed Under: Album, Reviews Tagged With: cities-apart

Secondhand Serenade – Awake (re-release)

February 9, 2007 By Trevor Bivens 3 Comments

Secondhand Serenade

Artist: Secondhand Serenade
Album: Awake
Label: Glassnote
Purchase: Smart Punk
Release Date: February 6, 2007

Overall: 8.3
Music: 8.4
Lyrics: 8.2
Production: 8.5

Nowadays, a guy and a guitar equal a Dashboard Confessional rip-off. It’s never been more blatant than Secondhand Serenade. However, it’s never been done this well.

Fans of Chris Carrabba longing for new acoustic tracks to tug on their heartstrings absolutely need this album. “Awake” is a re-release, celebrating John Vesely’s joining of the East/West family.

John’s voice is able to hover barely above a whisper and then take off soaring into a melting pot of harmonies. It’s much more accessible than D/C.

The songs themselves are nothing original, but are crafted so well that you don’t care. You will sing along all the same.

Sprinkle several songs from “Awake” on a mixtape or purchase the album as a Valentine’s Day present for your sweetie. You’re sure to get the “sap of the year” award, but a smile is guaranteed on their face.

Track Listing:
1. Half Alive
2. Broken
3. Vulnerable
4. Your Call
5. Maybe
6. It’s Not Over
7. I Hate This Song
8. Awake
9. Take Me With You
10. Let It Roll
11. The Last Song Ever
12. End

Filed Under: Reviews Tagged With: Secondhand Serenade

Fall Out Boy – Infinity On High

February 9, 2007 By Trevor Bivens 4 Comments

falloutboy.jpg

Artist: Fall Out Boy
Album: Infinity On High
Label: Island Def Jam
Purchase: Smart Punk
Release Date: February 6, 2007

Overall: 9.2
Music: 9.2
Lyrics: 8.7
Production: 9.4

Fall Out Boy are either the world’s most loved band, or the most hated. For those of us that “get it,” they have delivered a fantastic new album with “Infinity On High.”

The album expands on the style of “From Under the Cork Tree.” With that album, the band introduced a safe, mainstream sound to new and old fans alike. Now they’re able to take creative liberties and spin off into new directions that keeps the music evolving.

Despite what some may think, with Jay-Z introducing this disc, you know it’s is going to be huge. “Thriller” shows hints of Fall Out Boy’s hardcore roots with Andrew Hurley on double bass pedals and Joe Trohman’s chugging guitars. If Jay-Z on the same track as double bass isn’t enough to excite you, the album has barely even started.

“The Take Over, the Break’s Over” has grooving verses that transit into a pumping bridge that melts into a delicious chorus.

Polarizing first single “This Ain’t A Scene, It’s An Arms Race” grew on me after I could actually sit down with it. It was a gamble for the band to experiment with an R&B sound, but the charts say it was a smart move.

“I’m Like A Lawyer With the Way I’m Always Trying to Get You Off (Me and You)” draws upon Maroon 5 and will probably give the media more reason to bastardize the word emo.

“Hum Hallelujah” is sure to be a new fan favorite. Then it’s followed up with what’s sure to be known as “the worst FOB song ever.” “Golden” shows that the band are trying new things, but this song was poorly executed.

The album hammers through eight more tracks ranging from good to great. The b-sides that have been released, depending on where you buy your disc are also welcome additions to the band’s catalog.

While I doubt we’ll ever get another “Take This To Your Grave,” “Infinity” is a worthy follow-up that’s sure to keep Fall Out Boy on top for at least another year.

Track Listing:
1. Thriller
2. The Take Over, The Break’s Over
3. This Ain’t a Scene, It’s an Arms Race
4. I’m Like a Lawyer With the Way I’m Always Trying to Get You Off (Me&You)
5. Hum Hallelujah
6. Golden
7. Thnks Fr Th Mmrs
8. Don’t You Know Who I Think I Am?
9. The (After) Life of the Party
10. The Carpal Tunnel of Love
11. Bang the Doldrums
12. Fame < Infamy 13. You're Crashing, But You're No Wave 14. I've Got All This Ringing In My Ears and None On My Fingers

Filed Under: Album, Reviews Tagged With: Fall Out Boy

Obama in ’08?

January 16, 2007 By Trevor Bivens 4 Comments

It’s said that Barack ObamaԚ will be running for President in 2008.

Filed Under: News

Spitalfield Interview (2) November 11, 2006

November 12, 2006 By Trevor Bivens Leave a Comment

Spitalfield

After a high speed chase through the ladies room, the venue, and the parking lot, I finally cornered Spitalfield singer/guitarist Mark Rose before the band played an amazing set in Atlanta, GA. Always a pleasure, Mark is a wonderful person and a great entertainer. His band is severely underrated, and if you haven’t picked up their new album “Better Than Knowing Where You Are”, go do it right now. Even if you’re reading this after midnight, go to Wal-Mart. They have it. I’m serious. Go buy it. Now.

Trevor: To get this going, are you guys pleased with the outcome of the new album?

Mark: Yeah. I’d say we’re very happy with it, mainly because we kind of took the elements of the previous two records that we thought worked best and put them towards the new record. Both production-wise and music-wise, I think we put together…I don’t know..kind of what would be like our definitive record. Anyone that’s been following us would hopefully hear all our favorite traits about us together on one record.

Trevor: How has the fan-reaction to the album been?

Mark: The response has been very good. The numbers have kind of started off slower than we were hoping, but for the most part, it’s been received very well. It’s always a unique experience for us because Remember Right Now came out and was a very slow, slow build. Then Stop Doing Bad Things came out and had a really big start, but the fans were kind of split on whether they liked the darker, more mature sound we had on that record. Now on this one, it seems like it’s being received very well. Probably better than the last one, but at the same time, the numbers aren’t even as high as the second one was for the first couple of weeks. We’re keeping our shoulder to the wheel on it, and we know that. We know we need to get some support tours going in the new year to kind of get back in the faces of kids that may or may not have checked out the new record yet.

Trevor: Do any of the new songs stick out as new favorites for you guys to play?

Mark: (laughing) Yeah, I think we love playing the new stuff live, because with the lineup of people we’ve got playing out there..TJ on the bass, you know had been playing someone else’s music. He was in the band, but he wasn’t a part of those albums recording-wise, so it’s got to feel good for him. I think that this type of music, this style, really carries over well live. We try to have energy, but try to keep it composed enough to sound as good as it can. I’d say “The Only Thing That Matters,” which we’ve been opening up with on this tour, really, if I had to pick one track off of the new record to sum up the album, it would be that one. We’re playing a good number of songs off of it. I really like playing “Won’t Back Down” live, like a whole lot. It’s a little more mid-tempo rock. It’s definitely not slow, but mid. I really like playing that one. I think it will change every week(laughing) until the album is a year old, because then I can look back on it and really say what my favorites were.

Trevor: How has Dan leaving affected you guys as a unit?

Mark: Well, in multiple ways. First and foremost, he was just a really good friend that we had spent the last five years touring with. We had always associated touring with touring with Dan. We had never not had Dan. The biggest thing was of course, he’s just not here. We all miss him. We miss him as a person. We were good friends, and we still are. That’s what makes it okay. He didn’t really leave on hard terms. It wasn’t like he got mad and quit the band. It’s just where he was at with his personal life and various things that were going on. The fact is he had been with us for five years and he gave us the heads up a couple of months before that he was going to be leaving. He didn’t just pull out last minute. That being said, we had Jeff just filling in for a while and now he’s with us full time. I couldn’t be happier with the change. I’m not going to say it’s a change that I’m glad happened, but I’m going to say that taking a negative, such as Dan leaving, turning it positive would be Jeff joining. He’s been great. He’s been singing back-ups and playing the riffs as good as anybody. He’s a really cool guy. We press forward, you know? The future’s a big question mark, but we’re not throwing in the towel.

Trevor: Yeah. Speaking of former members, have you spoken with “old TJ” lately? If so, how is he doing?

Mark: You know, I haven’t talked to him too much. We spend a lot of time on tour and busy with the band. We e-mail back and forth here and there. I wouldn’t be the guy to ask how he’s doing. I know he has a job and has done various musical things in different directions since he’s been home. I don’t have much room, ’cause I’d be making it up. (Laughing)

Trevor: What influenced the decision to use “Secrets In Mirrors” as the first single?

Mark: A lot of things. We kind of left it up to the people who work with us and for us, because sometimes what you think would be the best single is not necessarily the case. From a band’s perspective, you want to pick your favorite song on the record. You don’t want to pick the song that’s commercially the most appealing. I think “Secrets In Mirrors” was a good middleground because it’s under three minutes long and has a chorus that’s memorable. It’s a little bit different, a little more dancey, a little more going on than most of our previous rock songs. I think it was a good decision, because it changed it up a little. From the singles that people would be expecting from us, this one’s a little bit different. People could debate all day long, is it their favorite song or their least favorite song? I don’t know. The whole point of a single is to reach out to the people who don’t already like your band. It’s good to get out a single for those kids that want to hear it, but the whole point of a single, of radio play in general, is to reach out to people who aren’t coming out to your shows and who aren’t already a fan of your band. So that being said, I think “Secrets” was a good choice. The label took a vote and they came with that one. We just kind of went with it and there you have it.

Trevor: How did the video shoot feel for you guys?

Mark: It was cool. It was different for us, because we’ve never done a serious video and it was the first time we didn’t have the reigns. We didn’t say how it was going to go. We didn’t choose it all. We helped to set up and make a decision on the location. Kind of the concepts, but even that kind of got taken from us and worked on. I guess I’m both ways about it. On one level, I think it looks very pro and I think it gets across a different message which is cool. On the flipside, me, myself being really into making videos when I was younger..not music videos, but just movies and whatever, I always want to feel like I have a grasp with what’s going on and I want to have fun with it. I usually end up trying to be too whacky and funny, so maybe it was in the best interest of the band to do a serious video. So there you have it. This next video, I think we’ll get more of our own personalities back into it. We worked with Darren Doane who recently retired, but he was behind “I Love the Way She Said L.A.” as well so it was cool working with him again. I’m definitely happy with it and I’m excited to see what we end up doing next.

Trevor: What was your Warped Tour experience like this summer?

Mark: It was hot. (laughing) Honestly, Warped Tour is like a double edged sword. On one level it’s great because it’s huge promotion and you’re out in front of what could be a few hundered kids, could be practically nobody, could be a few thousand. You never know. It depends on who you’re up against and what stage you’re on that day. Personally, I could take it or leave it. I like the performing part, and I like meeting a lot of people and hanging out with bands. It sounds like there’s a lot of pros, and on that level, there are. But on the flipside, as far as playing music is concerned, I’d rather be in a club. I just really would. I don’t like the fact that weather can make or break your performance or that the sound could be horrible outside. It’s not even the sound engineer’s fault. It’s just the acoustics of where you’re at. I’m sure we’ll do it again. This was our first time on it, and we gained a lot from it and learned a lot. Next time, we’ll be twice as smart about the way we handle things.

Trevor: Lots of sunscreen, huh?

Mark: (Laughing) Sunscreen..everything from learning the tricks of when to go get food and when not to, to learning how to preserve your own energy and splitting up the jobs that have to be done throughout the day, because it’s a mad house.

Trevor: You guys recently did a small in-store tour. How’d that work out?

Mark: It was definitely..different. That’s the best word I can use. On one level, it’s purely retail. It wasn’t at clubs, there weren’t promoters, there weren’t tickets; it’s free. It was free, and it was at record stores that were selling our cd. They’re all independent record stores, the exception being we did one Borders. The whole point of it was to get kids to come to those shows and get the new record. I think on some levels that happened, but in some cases, I think the stores may or may not promote it the way you want them to. We were also promoting this headlining tour at the same time. Some of which were very similar markets or nearby, so we had to pick and choose our battles with what we’re promoting, because you can’t overload people with what you’re doing. There were some nights that were jam-packed with kids that were singing every word, and there were some nights that were very, very scarce. It was cool, because almost 95% of it was acoustic, and that is a side of the band that a lot of people have never seen, including the band itself. That was fun, and I really did like doing that. There’s a lot of videos of it up YouTube and I was watching them thinking, “Man, maybe that was really cool?” It was intimate no matter what. Whether there was a couple of hundered kids or practically nobody in the store, it was always intimate because it was us sitting there playing music. I liked it. It was different, but it’s over though. I’m glad to back in a full-on rock atmosphere. It was cool, though, and hopefully those who saw it walked away thinking it was different and a cool way to see us play. Because, you know we tour full time every year, so if you’re going to see us play time and time again it’d be cool to see it done differently.

Trevor: Would you maybe consider doing a couple of acoustic songs to release online?

Mark: Yeah. I actually recorded “What Were You Thinking” acoustically, not too long ago, just because I wanted to. It came out really cool, but we hadn’t really thought about taking the time to put together anything acoustically until we had done it. Everyone was very supportive and excited about the way it sounded.

Trevor: Do you think that the ongoing Hawthorne Heights lawsuit against Victory will affect any of the other bands on the roster? Are you worried about anything happening to the label?

Mark: To answer the first question, yes 100% because Victory very much so treats their label like a family. That being said, it’s publicity and publicity is good, whether it’s good or bad because it’s getting people to talk about your bands, your roster, or whatever. It’s really..we’re caught between a rock and hard place with this lawsuit, because we’ve toured with Hawthorne Heights multiple times. We’re friends with them and we’re very excited for how much success they’ve gotten. At the same time we see that and it keeps us going, and it keeps the drive alive to want to achieve that level of success and to play to that many kids on a daily basis. It’s kind of flipping a coin really, because on one side it’s people who are behind us and behind our music and who make it possible for us to do what we do vs. people that we tour with and are our peers. It’s like we can’t really pick a side, because we don’t really know what’s going to happen and each way has a different outcome for how it’s going to affect every band on that label. There’s some pros and some cons to each side of it, too. We’re just going to have to wait it out. We’re not going to make any public statements about what we think should or should not happen. We’re just going to let those two fight it out.

Trevor: Do you think you’ll ever re-press or maybe do an online release for your old material, maybe remastered?

Mark: Yeah, there’s been talk of it. Since we signed to Victory, there had been talk of them getting the rights to that material, and the label that put stuff out was definitely interested, but wanted to hold onto it for a while and really see how the band does and what kind of demand for it there would be. I would love more than anything else for our next release to be a b-sides and rarities record that would have the old material plus un-released stuff from over the years; some demos that didn’t make the albums, some covers, some acoustic stuff, and some live stuff. I’d really like to do that before we do another full length, because I feel like this era of our band, for the past four or five years, has a lot to say outside of just the records themselves. I think it’d be to mostly cater to just the fans. I wouldn’t push the record to someone who had never listened to us before or tell them to pick it up, because if they’re going to have a starting point, I’d want it to be one of our actual releases. I think it’d be cool, and looking back on that stuff, we’ve been a band for eight years now; we’ve got everything from our very first demos in 1998 through like I said, outtakes and b-sides from the past three records and our independent releases before Victory. We could pick and choose through all of that stuff and put together a really cool disc, I think.

Trevor: If you were to release that collection, do you have any footage you’d want to include as a DVD?

Mark: Very possibly. We’ll see what happens. Victory, you know, we kind of have to sit down with them and go over whether or not this is going to happen, and time-wise, when it would happen. We’d probably want to get some current footage as well as collections of old stuff. We have a lot of old stuff, some really cool stuff that’s handheld camera in a basement, but it really shows you where we were and where we are.

Trevor: Finally, what do you guys have planned after this tour?

Mark: This tour runs right through mid-December, then we get home for the holidays. After the new year, we’re actually going to Australia in January, which will be our first time down under, so that’s cool. Then we plan to be supporting the U.S. throughout the entire spring through summer. Possibly be back out on the festival circuit, possibly not, depending on what’s going on. I mean, this record is brand new, so we have a baby to raise.

Trevor: Well sir, thank you for your time. It’s always fun talking to you.

Mark: No problem. No problem.

Website | MySpace

Filed Under: Interviews Tagged With: Spitalfield, Victory Records

New Found Glory – Coming Home

October 31, 2006 By Trevor Bivens 1 Comment

Coming Home

Artist: New Found Glory
Album: Coming Home
Label: Geffen Records
Purchase: Amazon
Release Date: September 19, 2006

Overall: 9.3
Music: 9.5
Lyrics: 9.2
Production: 9.3

As part of the old Drive-Thru roster, New Found Glory were kings among their peers. Hell, even traditional punk bands enjoyed their company as opposed to other acts of the same nature. It all seems like so long ago. Times have changed and somehow, New Found Glory, despite all their previous success, still haven’t seemed to catch on to the younger generation.With their constantly maturing sound, chances of that happening are slimming, but if we can keep getting records as good as this one, I don’t care. People still tend to write them off, though. New Found Glory are ready to prove they’re beyond “just a pop-punk” band on their newest full length, “Coming Home.”

The first and most notable change is vocalist Jordan Pundik’s vocals. Long have complaints about his voice being too nasally come from critics and fans alike, but no more. Jordan’s new style has him singing in a lower octave and taking full advantage of his new found range. To help him along, the band are playing in lower keys and it’s only helping the songs more and more.

The album plays through like a nostalgia trip while still managing to sound fresh at the same time. The mid-tempo “Oxygen” opens it all, already signaling a change in the music itself, but when “Hold My Hand” starts, shades of New Found Glory’s traditional pop-punk shine through. First single “It’s Not Your Fault” helps showcase the new maturity in the band’s songwriting abilities and even tugs at the heartstrings. Title track “Coming Home” is definitely classic New Found Glory with it’s bounce-along verses and huge chorus. The rest of the disc keeps combining everything there was to love about the band before and all of the new elements that help raise them above the crowd.

“Coming Home” is an album that I can see people over thirty listening to with no problem. It has enough to offer younger and older generations and still be able to please them. Usually, New Found Glory albums are perfect summer soundtracks, but I’m really enjoying spinning this one with the fall weather that’s rolled in. For some reason, I think this album is going to be underappreciated, so I urge everyone to take a listen and then spread the word about how awesome this record is.

Track Listing
1. Oxygen
2. Hold My Hand
3. It’s Not Your Fault
4. On My Mind
5. Coming Home
6. Make Your Move
7. Taken Back By You
8. Too Good To Be
9. Love and Pain
10. Familiar Landscapes
11. When I Die
12. Connected
13. Boulders

Filed Under: Album, Reviews Tagged With: coming-home, New Found Glory

  • 1
  • 2
  • 3
  • …
  • 5
  • Next Page »

Recent Posts

Motion City Soundtrack To Release Video Documentary

Secrets Stream “Maybe Next May” Video

Emery to Launch Crowdfunding Campaign for New Album

I Am The Avalanche Stream New Album “Wolverines”

The Weeks @ The Ryman Auditorium

Copyright © 2023, Driven Far Off. All Rights Reserved.