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Jack’s Mannequin Interview

September 26, 2006 By Michael Schneider 3 Comments

Jacks Mannequin

This interview was written in August and done through e-mail, completed Tuesday, September 26, 2006 by Andrew McMahon of Jack’s Mannequin.

1. Your record sports a Parental Advisory sticker, what does the use of profanities contribute or detract from your music?

I write what is in my heart. If a profanity surfaces in a lyric and I feel that it is the most honest illustration of what I’m trying to say at the time I use it. My concern is creating honest art not albums free of little black warning labels.

2. I have read your blog every chance I have gotten over the past year, and you posted about the one-year anniversary of your diagnosis with Leukemia. Looking back on that time in your life, what elements of your battle, if any, would you have approached differently? Would you have made any different decisions with Jack’s Mannequin?

I try and live a life free of regret. There are always things we would approach differently if we had the insight of their effects on the future, but as that is not a luxury any of us are granted I do my best to approach each day with passion, live it to the fullest and leave it behind me.

3. From Something Corporate to Jack’s Mannequin your appearance changed quite a bit, you went from curly blonde hair to short and dark, it also seemed like the topics of your songs changed to a bit darker of a tone, do these two things correlate at all?

Towards the end of Something Corporate’s run I was in a state of arrested development. I felt like a hamster on a wheel pandering to everyone else’s needs but my own. When I came home I was exhausted and the quickest way to establish my freedom was to ditch the hair and the glasses and start fresh. I was ready to grow and stop living within the boundaries that I felt had been erected around me. As far as the sound difference I find that assessment interesting, as I think the Jack’s record is considerably more upbeat and hopeful than “north”, the most recent soco effort.

4. You control the musical future of Jack’s Mannequin, obviously, when in Something Corporate there were 4-5 who controlled the direction of the band, is there anyone whose opinion of JM that you would trust more than your own? Or should I say, you might compromise your opinion for their opinion?

First of all something corporate has four governing members not five and as far as Jack’s is concerned it is important to me that I maintain a very pure and personal approach to the crafting of the songs. I of course listen to surrounding opinions as I don’t think anything great can be created in a vacuum, but I prefer to keep the input limited to a very close and select group of artists.

5. Last summer at the Warped Tour JM had a booth following the tour where fans could write you letters, how many of those did you read? What impact did they have on you?

The impact was huge. When you are that sick just having a friend show up and sit with you for the afternoon can brighten your whole day. When thousands of people are sending you amazing and heartfelt letters it is so powerful and so motivating. Reading them personally was hard as my sight was greatly affected by the drugs i was treated with, but my family and friends were constantly passing along the kind words from the tour and for those fans I am forever grateful.

6. I read that you paid for the first production of the JM album out of your own project, was starting JM like starting over new, or did your fame in SOCO play a role?

I did not have a label for the majority of the Jack’s recording, so yes I was forced to pay the expenses out of pocket. In some ways it was like starting over, but really it was more like therapy. I wrote the songs because I was moved to write….a lot. I had made enough money from my days with Something Corporate that I was willing to spend it to create something that was pure and that spoke so directly to my passion for what I do, which is write songs.

7. Sent in from one of our readers: Do you speak any other languages?

I used to be pretty good with spanish, but lack of study and fewer trips across the border have not helped me gain much ground. One day I’d love to live in a spanish speaking nation and become fluent.

8. The amount you tour has increased exponentially over the last few months, how close to 100% are you feeling these days?

For the most part I feel 100%. I would be lying to say doing the headlining shows have not made me aware of some of the effects of my treatments. My lung capacity took quite a hit from the radiation and my legs are a lot weaker than they used to be. I’m doing my best to condition myself to a point where I will no longer notice, but that kind of training will have to wait until I have a bit more time at home to focus.

9. Tell me about the Dear Jack Foundation.

Simply, it’s a foundation I started to help appropriate money to charities that are making an impact on the research and awareness of Leukemia, Lymphoma and other blood diseases.

10. Can you tell us anything about the Dark Blue video?

Watch it! it’s cool. And if you have time vote for it on the video networks so more people will hear about the band.

11. Any last comments?

Thanks to my awesome fans for sticking with me for so many years. It’s been incredible being on tour and meeting kids who are in college now who have been seeing my shows since the were in middle school. What an honor. I am very lucky.

Filed Under: Interviews Tagged With: Andrew McMahon, Jacks Mannequin

This Providence – This Providence

September 24, 2006 By Michael Schneider 4 Comments

This Providence

Artist: This Providence
Album: This Providence
Label: Fueled By Ramen
Purchase: SmartPunk
Release Date: September 12, 2006

Overall: 7.1
Music: 7.0
Lyrics: 9.0
Production: 6.5

I wish I could judge a record based on its message because if I could, the second release by Seattle-natives ‘This Providence’ would be a perfect ten. In a music scene where negativity breeds popularity, This Providence has continually held strong to their faith-based lyrics and outstanding character even now being a part of a record company laden with immorality. Their first record ‘Our World’s Divorce’ was a perfect blend of pop-rock and off tempo indie-emo and held a flavor original to This Providence. While there signature sound is sometimes present, their Fueled By Ramen debut seems apt to follow the trends of popular music.

‘A Wolf In Sheep’s Clothing’ is the strongest song on this album not only musically but lyrically as well. A conversation with the devil, the lyrics command that God will prevail over the sin of the earth. ‘Card House Dreamer’ and ‘Secret Love and the Fastest Way to Loneliness’ are solid, but would’ve been filler tracks on their first album. ‘My Beautiful Rescue’ again defines why This Providence is in my opinion one of the best bands in music lyrically. Directly admitting sinful nature, they plead “I’m crying out, wash my hands, these bloody hands, Lord.” It could be the simple personal connection, but it isn’t often you find such honesty in music. While I had hoped this was just a taste of the greatness present already on this album, unfortunately this track is the peak of the record.

After the first four songs, it feels like the band wrote to please someone. The songs vary in production style and lack in heart. ‘The Pursuit of Happiness: 1st Movement’ and ‘Anything is Possible’ would have rounded out a very impressive EP, but the stretch for a full-length record involved songs that just don’t cut the standard This Providence has made for themselves. The potential for greatness is definitely there and I’m anxious to see what comes next for these young and talented guys. If any other band had released this record, I might have given a higher rating, however with a bigger budget and wider audience than ever before, I had very high hopes.

Track Listing
1. A Wolf In Sheep’s Clothing
2. Card House Dreamer
3. Secret Love And The Fastest Way To Loneliness
4. My Beautiful Rescue
5. Losing Control
6. ..But What Will They Say
7. Anything Is Possible
8. The Road To Jericho Is Lined With Starving People
9. Walking On Water
10. An Ocean Between
11. The Pursuit Of Happiness: 1st Movement
12. The Pursuit Of Happiness: 2nd Movement

Filed Under: Album, Reviews Tagged With: Fueled By Ramen, This Providence

Matt Wertz – Everything In Between

September 22, 2006 By Michael Schneider 1 Comment

Matt Wertz - Everything In Between Artwork

Artist: Matt Wertz
Album: Everything In Between
Label: Nettwerk Management
Purchase: Aware Store
Release Date: September 19, 2006

Overall: 9.1
Music: 9.1
Lyrics: 9.0
Production: 9.0

Since my introduction to Matt Wertz’s music earlier this year I have not ever stopped short in telling anyone and everyone about it. Matt’s first two releases capture all of his emotions but also those of the common listener. His new record, ‘Everything In Between’ was recently released digitally on Nettwerk.com as well as through a pre-order linked above.

Everything In Between begins with ‘The Way I Feel About You’- a track Matt debuted on his spring tours. From the first riff Matt has a new funk that’s not present on his past efforts. Featuring guest vocals that are reminiscent of Stevie Wonder, it’s evident that Matt didn’t hold anything back for this record. ‘Carolina’ brings in the feel of a country road, mandolin and bright toned guitars on top of the acoustic blend perfectly. ‘Heartbreaker’ includes the funk of ‘The Way I Feel’ and ‘Over You’ is faster paced and builds up the record before the slowing down of ‘5:19.’

My favorite song on the record, 5:19 is softer than the first half of the CD. The lyrics, ‘We both know I could think myself dizzy, right now I’m spinnin around,’ show the simple yet clever song-writing Matt uses in his music. The toned down second half contains potential radio single ‘Like The Last Time’ and climaxes at the end with the ballad ‘Capitol City’.

Matt Wertz has taken what has proven to be quite difficult and written a solid follow up album. The hype surrounding now only has support in why he has quickly become one of the most popular singer-songwriters producing music today. On the verge of a major US tour with Christian music icons Jars Of Clay, take advantage of the opportunity and check out his third full-length record, ‘Everything In Between.’

Filed Under: Album, News, Reviews Tagged With: Matt-Wertz

The Early November – The Mother, The Mechanic, The Path

September 22, 2006 By Michael Schneider 3 Comments

The Early November

Artist: The Early November
Album: The Mother, The Mechanic, The Path
Label: Drive-Thru
Purchase: Smart Punk
Release Date: July 11, 2006

Overall: 7.2
Music: 7.0
Lyrics: 8.0
Production: 7.5

This is my concise review of the multi-disc release by The Early November.
Over three years have passed since The Early November released their only full-length album, The Room’s Too Cold. Since then, song-writer and front man Ace Enders has embarked on multiple ventures including a solo full-length under pseudonym ‘I Can Make A Mess Like Nobody’s Business.’ However, even for such an aim-high thinker, nothing he has ever tried comes close to the magnitude of the release of triple-disc “The Mother, The Mechanic, The Path.” While the potential is there, rarely does this 30+ song adventure achieve what I expected out of one of my all-time favorite bands.

The Mechanic
Disc one starts off quickly with the pop rock tune ‘Money in His Hand.’ While solid musically, despite the opportunity of auto-tuner it just never feels like Ace’s voice is completely on. After a mostly boring introduction also containing ‘The Rest Of My Life’ we finally arrive at the first breath of fresh air, ‘Decoration.’ Live, it is one of the most energetic and passionate in their discography. I felt it would be quite difficult to capture in a recording but as it stands it is just as aesthetically pleasing. Skipping past the next filler tracks, ‘The One You Hated’ is vocally the most outstanding song on all three of the discs. ‘Long Talks’ is catchy and belongs on Top 40 radio. Other than those few songs, the rest of the album belongs at the bottom of the pile.

The Mother
Personally, I find this disc to be the best of the three. Starting off a bit slowly, it contains definite standout tracks. ‘Hair’ is one of the more upbeat of this disc and will be stuck in your head for days following a single listen. ‘Driving South’ & ‘From Here To LA’ are both simple and probably took as long to write as to listen to, but lyrically match the depth and confusion I’ve grown to love in Ace’s song-writing. ‘The Truth Is’ a perfect ending to the softer side of The Early November we are exposed to on this disc. Again, some great tracks, and some that shouldn’t have ever gone past the demo stage.

The Path
All I can say about this disc is that it’s a mess. With 24 tracks, this disc has a 49:28 total running time. With tracks as short as twenty seconds and the final going past six minutes, I feel like I’m listening to a whole bunch of random out-takes. Besides the orchestrated acoustic version of Decoration, there’s not much worth listening to on the entire disc.

Like I stated earlier, my expectations for this record(s) were high, maybe a bit too high, but regardless I don’t think the band came close to their reputation. Reminding myself that it sells for $10 completely redeems the record, because you can find an album worth of tracks worthy enough of your money. I believe this record would’ve scored above a 9 for me overall if they had done just that and stuck to 12-13 tracks. Triple disc, bad idea, sorry guys.

Track Listing:
Disc 1
1. Money In His Hand
2. The Rest Of My Life
3. Decoration
4. No Good At Saying Sorry (One More Chance)
5. This Wasn’t In Our Plan
6. The One That You Hated
7. Long Talks
8. Outside
9. Make A Decision
10. The Car In 20
11. Figure It Out

Disc 2
1. My Lack Of Skill
2. A Little More Time
3. Little Black Heart
4. Hair
5. Driving South
6. Scared To Lose
7. From Here To L.A.
8. Is It My Fault
9. I Don’t Know How To Say This
10. The Truth Is
11. 1000 Times A Day

Disc 3
1. Intro
2. We Grew Up The Same
3. Runaway (Part 1)
4. Session 1
5. This Is Love
6. Session 2
7. We’re Finding Something Out
8. Session 3
9. Decoration
10. Session 4
11. Uncle
12. Session 5
13. Never Coming Back
14. Guess What
15. Session 6
16. You Don’t Know What It’s Like
17. Session 7
18. Look At Me
19. Session 8 (Part 1)
20. Session 8 (Part 2)
21. Runaway (Part 2)
22. Session 9
23. I Think This Is Love
24. A Bigger Meaning

Filed Under: Album, Reviews Tagged With: Drive Thru Records, The Early November

Brightwood on Ernie Ball Unsigned Bands Comp.

August 27, 2006 By Michael Schneider Leave a Comment

Brightwood, as well as Hometown Anthem, Karate High School, Meriwether and nine other bands, will be featured on Ernie Ball’s upcoming compilation featuring the 13 best unsigned bands in North America. The band is currently in the studio working on their follow-up to their incredibly successful debut, ‘The Love Antidote EP.’

Filed Under: News

Cue The Doves Demos

August 21, 2006 By Michael Schneider Leave a Comment

I was recently able to hear some of Cue The Doves‘ demos for their new EP. I’m really impressed as I always am and strongly suggest checking out their music on myspace.

Filed Under: News

Matt Wertz Interview June 5th, 2006

June 11, 2006 By Michael Schneider 1 Comment

Matt Wertz

This is the interview I did with Matt Wertz in Seattle on June 5, 2006. Later that evening, I was fortunate enough to see Dave Barnes and Matt Wertz play a capacity crowd at the Crocodile Cafe in one the most memorable concert experiences of my life. Do yourself a favor and check out Matt and Dave’s music, as well as the organization they are involved in:

The Mocha Club

Thanks to Emily & Nettwerk Management!

I am in bold type and Matt is in the normal type.
Introduce yourself in whatever way you please.

my name is Matt…Wertz. I’m originally from Kansas City, MO but I’ve been living in Nashville, TN for about the past for years and it’s really where I consider home, now. It’s where my friends are and I really don’t have any plans on leaving. Half the year my home is in my van and that’s where I’m at home right now. In my van. Seattle, WA. Are you in Seattle?

I am, and I will be at the show tonight!

Awesome, I was checking out the website (drivenfaroff.com) and the other bands on the site are really like Indie-rock and that sort of thing, how did you hear about my music?

Actually, I went to school down in Los Angeles and a friend of mine who’s from Missouri, his name is Addison, he brought my attention to Dave Barnes. I got Dave’s CD from Dryve Management, and then when I checked out Dave’s myspace I saw a link to your page. Not long after I got connected with Nettwerk management and received your CD Twenty-Three Places and the Today & Tomorrow EP.

Well, it’s a great site and it’s killer music on it, it’s quality, so I was just wondering how I fit into it all.

What is your current label situation? Are you still considered independent?

I’m independent and what I’ve decided to do is start a label that will house my records. I’d love to expand that in the future but it’s going to be put out through my management company, Nettwerk.

Same thing as The Format?

Yes, and they have distribution through Sony so Nettwerk will act as my label without me having to sign anything over. They’re staffing my label, is how it works. They have a lot of vision and I like that, they are not content with status quo. It’s really fun to be working with people where anything is a possibility and I love it!

What did the sneakers you designed look like?

(Matt laughs) They actually look a lot like variations of Nike from the early 90’s. When I was doing that I was in middle school and I had a fascination with all the shoes that I couldn’t afford to buy. I would get these brochures and catalogs and would draw them, it’s pitiful actually, I’m kind of letting you into a very vulnerable place in my life right now. Then we kind of came up with some ideas for some laceless shoes with velcro straps which I have ended up seeing on other shoes. I’ll just go ahead and take credit. We were the first to come up with the Nike air pocket that goes all the way around on the shoe…that wasn’t Nike’s idea, that was mine.

You sold it to Nike, right?

…and they stole it from me. I’m sure they’ve had the idea forever and were just trying to figure out how to make it work but I’ve got drawings of that stuff.

well, my opinion is that you should post those on myspace for everyone to see.
That’d be hysterical and awesome. Good idea.

In your journal, er blog, er…You talked about your experience at the Moore Theatre here in Seattle, what’s it like playing a venue of that size and now coming back two months later on your own and being at the much smaller crocodile cafe?

Ya know, we’ll find out tonight. I don’t really know, the Moore was just awesome. I am kind of anxious to see if that show helped at all with earning fans. I’m curious to see if anyone stuck after that show. It is kind of a bitter-sweet thing playing in those big places when they’re sold out and you’re playing before someone else. You get spoiled a little bit getting to play those rooms and just saying ‘Gosh, I don’t know when I’ll get to play this room again.’ It may be years before I’m back here.’ It quickly puts you back in reality when you play a club again, you just think, ‘OK, this is where I’m at.’ It’s cool though, I know the fans that will be there tonight are going to be my fans and we’ll just throw a little party!

The Nashville singer-songwriter scene is huge, it seems like that place is infested with talent, what makes an artist stand out from any of the others?

I think what makes an artist like me stand out, I think I know the limits of my abilities. I think I have a pretty good grasp on reality. With that, I also have a strong work ethic. Definitely, my friends have strong work ethics too, I feel like my friends in that scene are all successful and we all have pretty bright futures. In Nashville, in general, a lot of the really talented people just kind of sit around and expect things to happen for them because they know how good they are. They just figure, ‘I shouldn’t have to work cause I’m really good.’

I never really expected anyone to do anything for me. I felt like if it was going to happen I had to do it myself. Musically, I think I write really accessible songs. I think people can really relate to what I am talking about. Not only what I’m talking about but I think the music is pretty contagious. It kind of gets in your head. Even if you don’t like my particular style of music, I don’t know that you can deny that it’s catchy. I’ve always been a fan of catchy music and pop music in general.

You guys all help each other out, whether it be through myspace or touring together, it’s almost like you’re a team, what is that like?

I think that’s a very good observation. I’m thankful that that comes across. We really pull for each other and we’re all friends. That’s the thing that I love about the community there. It kills ‘competition.’ When you befriend someone you feel like you’re not in competition anymore. I feel like in my group of friends we’re all kind of doing the same thing. It’s just like in any other job. When you care about someone though as a friend you really support and like what they’re doing. I love that I’ve been able to do that, support other people.

You have had Dave Barnes as a friend, producer, and tour-mate for a long time, what’s that relationship like?
Our relationship is really (lots of background noise) I’m in Starbucks right now, if you can’t tell.

Really? Starbucks in Seattle, surprising.

I’m at the one in downtown Seattle, do you know where I am?
(laughs)

Our friendship is one that has really gone through the fire. We learned through doing it how to be friends, we just got shoved out there like, ‘figure out how to do this thing.’ Early on, it was hard. It was hard to see Dave be successful. It was hard for me to be excited about it when he played a great show. I hated that I couldn’t be excited about it. I think anyone who is honest with themselves can say that when something great happens to your friend there’s a still little bit of the feeling that ‘I wished that happened to me.’

It still happens sometimes, like when Barnes put out his new record, I was jealous because the record is amazing and he was getting great press and it was hard for me. It’s good because iron sharpens iron and we’ve made each other better. Not only better musicians but better people through learning how to be friends to one another.

I recently reviewed your Today & Tomorrow EP- tell me a little more of you talked about in the liner notes of the cd.
We were thinking that it was going to be a while before the record was going to come out. It had been awhile since my previous record and there were some songs that I wanted to record. I didn’t know if there would be a place on the full-length record for some of these songs.

We limited the vocal takes to three per song, so we had to find what worked in those three takes. It was really cool, it was a liberating thing to do that. We only had one day to do the record so we just went in and attacked it. We had this guy named Byron House to play the upright bass and he’s the best upright bass player in Nashville. My friend Josh Robinson played drums, he’s a really creative, solid drummer. Ben Shive was playing the Wurlitzer and he’s just a phenomenally talented piano player. It was just cool to have it stripped down and have some limitations on instruments.

I was really pleased with how it turned out and it holds a really nice place in my discography.

What’s the story on this new record? when can we hear some of it?

The story on the new record is that it is done. It’s done being recorded, we’re still trying to figure out what we are going to do with the mixing of it. We’re going to try somebody out and see if we want them to do the whole record or not.

There are ten songs and it’s called Everything In Between; it’s a lot of relationship songs. Also, there are a lot of really fun songs. I’m really proud of it and I think it will be worth the wait. It’s scheduled to come out Sept 12 or 19.

Anything else you’d like to add?

No, just to say thank you for your interest in the stuff and I hope you enjoy the show tonight!

Thank you for taking the time out of your schedule for the interview and take care!

Filed Under: Interviews Tagged With: Matt-Wertz

The Format – Dog Problems

June 1, 2006 By Michael Schneider 1 Comment

The Format

Artist: The Format
Album: Dog Problems
Label: Independent / Nettwerk Music
Purchase: Amazon
Release Date: July 11, 2006

Overall: 9.5
Music: 9.5
Lyrics: 9.7
Production: 9.4

It’s hard to believe that this is the same band that two years ago released ‘Interventions and Lullabies.’ The Format, Nate and Sam, their story is like a prime-time soap opera that I won’t dive into, you can read it in their online community The Living Room.

Dog Problems is the product of countless personal problems and problems between The Format and the recording industry. As I wrote in my review of their Pomona, CA show, this album is not due to be released until July. However, due to the record leaking digitally, the band and their management company Nettwerk made the decision to put it online. For $.79 a song or all 12 for $7.99, you can download DRM-free high quality mp3 versions of the album.

My first impression when I downloaded it was that I cannot wait to see the artwork, because this is not just another recording of songs, this is art. The vocals, remeniscent of Queen, fill any place that you may have once not found sound. The music explores lands reached by bands like The Flaming Lips and The Appleseed Cast, while continuing to include their signature pop hooks and melodies.

Vocally, Nate has reached a new level with his performance on this album. Layer upon layer of background vocals are produced eloquently to complement the sometimes poignant lyrics. Choruses that hang on the mind indefinitely are no longer just ‘clap your hands’ rally cries. The Format have sent a message to the industry with this record, while also capturing the energy of the band’s dynamic live show. Every single song contributes a different aspect to this epic album; There is no doubt in my mind that Atlantic Records will seriously regret the loss of this group of ridiculously talented musicians.

Tracklisting
1. Matches
2. I’m Actual
3. Time Bomb
4. She Doesn’t Get It
5. Pick Me Up
6. Dog Problems
7. Oceans
8. Dead End
9. Snails
10. The Compromise
11. Inches And Failing
12. If Work Permits

Filed Under: Album, Reviews Tagged With: The Format

Matt Wertz – Today & Tomorrow

May 30, 2006 By Michael Schneider Leave a Comment

Matt Wertz

Artist: Matt Wertz
Album: Today & Tomorrow EP
Label: None
Purchase: Aware Store
Release Date: 2005

Overall: 9.6
Music: 9.5
Lyrics: 9.7
Production: 9.6

Matt Wertz is very much a native of the solo-songwriter scene. Touring the nation countless times with friend and producer Dave Barnes, recording two previous full-lengths, and about working on his third record, Matt took five songs written over the last five years and recorded them, in one day. The recording process was lightly explained in the liner notes of the record. Very relaxed and sometimes multiple musicians ‘crowded around one mic’, a very back-to-the-basics approach was taken. I read these notes before listening to the record, and expected a something less in quality than his last two CDs. Fortunately, I was completely off with my predisposition.

The Today & Tomorrow EP quickly became a staple in my car stereo. The five songs were not b-sides, or recorded like they were. The first track Like The Last Time is available on Matt’s myspace page, and begins with Matt’s spoken introduction, ‘we’re rolling this…(beatbox)’. Matt explores the acoustic rap-singing world that Jason Mraz has brought to mainstream. While I don’t like to compare artists so directly, Jason and Matt would make a very well-paired tour. Both artists have the voice to battle the pop icons and the guitar skills equal to their voices. This EP highlights Matt Wertz’s vocal talents. His balance between the powerful side and soft side is perfect.

Most bands that put out an EP in between records to ‘tie fans over’ do it hastily or without much effort. While Matt did this in a short amount of time, the songs have been in the works for years and the musical collaborations were delightfully arranged. Available for $4.99 on iTunes, and also on his site, don’t overlook this release. This CD is for anyone who likes singer-songwriters and acoustic guitars.

Track Listing
1. Like The Last Time
2. Wanderin Eyes
3. Red Meets Blue
4. Honest Man
5. I’m Sorry Mary

Filed Under: Album, Reviews Tagged With: Matt-Wertz

Quietdrive – When All That’s Left Is You

May 30, 2006 By Michael Schneider Leave a Comment

Quietdrive

Artist: Quietdrive
Album: When All That’s Left Is You
Label: Epic Records
Purchase: Smart Punk
Release Date: May 30, 2006

Overall: 9.2
Music: 9.5
Lyrics: 8.5
Production: 9.5

Every now and then a CD will come along that turns in to the soundtrack to a significant part of your life. To the summer of 2006, you have found your soundtrack. Quietdrive is a band I was first turned on to by catching my friends Daphne Loves Derby in concert. As the opening band, their catchy pop-driven melodic rock caught my attention with the first song, and held it now a month after the last song. My mailbox greeted me on the first day of my summer with the debut full length, When All Thatâ┚¬Ã¢”ž¢s Left Is You.

I purchased their iTunes EP From The Ceiling after the concert and it contains the lead track from the new full length, Rise From The Ashes. This song is a perfect entrance to one of the best-produced records of the year. Straightforward chord progressions are layered with the guitars of Brandon Lanier & Matt Kirby. and the violin of lead singer Kevin Truckenmiller. I know what youâ┚¬Ã¢”ž¢re thinking, violin? Is this a wanna-be Yellowcard? Not even close, while Yellowcard uses the violin as the defining part of the sound, Quietdrive uses it hone their sound even further ahead of the tasteful pop symphony found on When All Thatâ┚¬Ã¢”ž¢s Left Is You.

This album is drowning in potential singles, Get Up, Let Me Go In, Take A Drink With Me, where the list stops the album ends. Some of the vocal melodies I have heard before, but not delivered with the clarity and emotion of this band. These songs are perfect to roll the windows down and blast on a summer drive. In a time period where modern radio is being infected with Fall Out Boy replicas, Quitedrive has a refreshing pop sound that will please fans from groups the Backstreet Boys to Cartel to Anberlin. While that mix of bands is quite variable, there is no doubt in my mind that any pop-rock fan will find a new guilty pleasure in this band.

Track Listing
1. Rise From the Ashes
2. Get Up
3. Take A Drink
4. Let Me Go In
5. Rush Together
6. Maybe Misery
7. I Lie Awake
8. The Season
9. Time After Time
10. Both Ways

Filed Under: Album, Reviews Tagged With: Quietdrive

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