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Hawk Nelson – Smile, It’s The End Of The World

May 6, 2006 By Bryce Jacobson Leave a Comment

Hawk Nelson

Artist: Hawk Nelson
Album: Smile, Its The End Of The World
Label: Tooth & Nail
Purchase: Smart Punk
Release Date: April 4, 2006

Overall: 7.6
Music: 7.6
Lyrics: 7.1
Production: 7.9

Hawk Nelson shouldn’t need an introduction at this point but if your unfamiliar with them they are a pop-punk band from Canada on Tooth & Nail Records. This is there second album on T&N and overall their sound has matured quite a bit on this album. Granted their style is still catchy pop-punk but lyrically the band has stepped it up a notch from their previous release Letters To The President.

Opening the album is “The One Thing I Have Left.” The song is filled with crunchy guitars and bright vocals. The improvement from their previous albums comes mostly in the guitar work. We hear some more licks and especially a more distorted sound that shows the band has been working long and hard on defining their sound. “Bring ‘Em Out” has got to be one of the most upbeat and catchy songs out there today. The band brings a good message throughout the album and most people probably wouldn’t even notice that they are a christian band just from their lyrics.

If your a previous fan of Hawk Nelson then this album should rock you even more. Their sound has improved and this is one of those perfect summer albums that can get you pumped up for almost anything.

Track Listing
1. The One Thing I Have Left
2. The Show
3. Bring ‘Em Out
4. Everything You Ever Wanted
5. Something On My Mind
6. Is Forever Enough
7. Zero
8. Nothing Left to Show
9. Head On Collision
10. Hello
11. It’s Over
12. Fourteen

Standout Tracks
“Bring ‘Em Out”, “Nothing Left To Show”, “Something On My Mind”

Filed Under: Album, Reviews Tagged With: Hawk Nelson, Tooth And Nail

Blane – This Is My Town

May 6, 2006 By Bryce Jacobson Leave a Comment

Blane

Artist: Blane
Album: This Is My Town
Label: Less Avenged
Purchase: Smart Punk
Release Date: April 18, 2006

Overall: 7.3
Music: 7.3
Lyrics: 7.0
Production: 7.8

Being from Seattle usually means you have a lot to live up to when it comes to music. Blane are on their way up in the Seattle scene and from there hopefully all over the states. This Is My Town is a 6 song indie filled EP that will make you tap your feet and drive your vocal chords to sing along.

Starting the EP is “Twenty Years” an upbeat track where we get to hear the bands moving guitars and sing along lyrics. “Casper City” starts out a heavier drum and bass part and then filled in with lyrics like “It’s my town, No, you can’t have it, My town.” My favorite song on the EP is “Two Legs.” This song is a perfect blend of indie guitars and great lyrics.

This Is My Town is a great EP and it shows the band is well on their way to making some great music in the future. I don’t think the band’s lyric and vocals are pushed to hard on this EP which could have made it better. Overall a great indie EP that you should check out if you like bands like This Providence and Day At The Fair.

Track Listing
1. Twenty Years
2. Casper City
3. Wake Up
4. Two Legs
5. West
6. Hamartia

Standout Tracks
“Two Legs”, “Casper City”, “Wake Up”

Filed Under: Album, Reviews Tagged With: Blane, Less Avenged

Forever Changed – Chapters

April 30, 2006 By Julie 1 Comment

Forever Changed

Artist: Forever Changed
Album: Chapters
Label: Floodgate
Purchase: Amazon
Release Date: May 23, 2006

Overall: 9.0
Music: 9.2
Lyrics: 8.6
Production: 8.8

It nearly killed me to write this review. Caught in a dichotomy between overwhelming hope and fathomless sadness, I thought Chapters would be the end of me. Even before hearing the first chords of the title track, I knew this would be the last Forever Changed album Iâ┚¬Ã¢”ž¢d ever review, and that knowledge had a profound effect on how I was listening to the songs. I didn’t think being objective was a possibility, until I realized it never could be, not with this band. As someone under the gun of years of Forever Changed affection, I was expecting Chapters to be the precedent farewell album–bittersweet ballads and a commemorative collection of all the good years. Instead, what I received was a heart attack of hope. In places where I was anticipating closure, I found more door openings, and that irony is the sort of paradox that has always personified my relationship with Forever Changed.

If fans are expecting another polished, foot-tapper like The Need To Feel Alive, they are sorely mistaken. Chapters is as progressive and experimental as its title suggests. Consider how Forever Changed’s music has always built on its stability, and now progressive has a new meaning. Gone are the formulaic, homophonic approaches, and in its place a heightened level of musicianship that captures the raw atmosphere of a live performance and the understanding that instruments can stand alone even while playing together.

For the first time in a Forever Changed release an instrumental intro greets the listener in muted keyboard fashion. Soon, Nathan’s drumming kicks in like an army recruitment beat. Being a Christian band, Forever Changed waste no time in making this evident as “Never Look Down” is a ministry outreach if there ever was. Even with a gorgeous guitar solo and piano bridge catapulting the track into gear, listener may still wonder what happened to the slick production that once permeated the Forever Changed sound. I will remark on the non-James-Paul-Wisner-ness of this record. Produced by Moments In Graceâ┚¬Ã¢”ž¢s Jeremy Griffith, youâ┚¬Ã¢”ž¢ll key into his â┚¬Ã…”ambience is everythingâ┚¬? style by the third track. Where The Need To Feel Alive thrived on its cavity-inducing sugar coat, Chapters is like a much needed drink, comforting in an entirely different way.

Take for example “All I Need” with its sonic-pop introduction and laidback bass tags. I’ve never heard that kind of spacey feel to a Forever Changed song before. However, once it settles in, I find it fitting nicely, especially as a post-chorus transition. This leads me to what could easily be Forever Changed’s most singable song EVER. What can I say about “Runaway” that isn’t captured in the moment of me singing “You just runaway” at 9 o’clock on a Saturday morning while serving breakfast in my school’s cafeteria? At the risk of sounding completely absurd after that remark, I swear to you, “Runaway” is the kind of tune you walk away whistling. Your inner beatbox will play out the sizzling guitar riffs and choral harmonies on their own accord once you get started. And Iâ┚¬Ã¢”ž¢m speaking from experience here.

Contrary to its title, “The Disconnect,” is assembled solidly. With Nathan’s drumming striding in a tight, controlled rhythm, tempo changes are as seamless as Ben’s intricate guitar work. “It’s Too Late,” on the other hand, is Dan’s jam. Behind the keys, he administers his own flavor of poison, while vocally hitting notes that could melt the iceberg that sank the Titanic. That iceberg is massive, but it’s not at colossal as “No Way Out.” I have major beef with this song. I don’t understand how I’m supposed to say goodbye to a band when they write choruses as painfully heartening as “No way out, are you running out of dreams. No way out, are you learning how to need,” and then have what sounds like an entire church choir sing its strains as a closing melody. It sent chills down my spine.

“Cradle Eyes” is like a child’s lullaby–mellow, moving, and humble. Its unadorned piano melody and acoustic whispering really remind you of what it feels like to be human, to be part of a connection in a network of infinity. Dan’s voice is the perfect combination of primal emotion and jaded honesty, so as not to make this the proverbial ballad. Despite its quietness, its silences speak volumes. However, you won’t go away from this record feeling small because “Letting Go Of You” promises to unleash a monolith of hope. Slowing building into a tidal wave of ambient swirls, vocal color, and lyrical triumph, the listener is besieged with reasons to keep faith in the toughest of times.

Chapters is not an album that will immediately wrest your ears to attention like The Need To Feel Alive. But what it lacks in pop, it makes up in power. They say accessible is overrated, and I tend to waver in the opposition. However, if it is possible to tame the accessible without compromising the appeal, I’m all for the direction change. With multiple listens, the beauty in Chapters comes into fruition, and in the case of Forever Changed, beauty is never one thing. The lyrics, the inspiration, the passion, the melodies, and most importantly the soul are what radiate life into Chapters.

Go get this album. Go to a farewell show. Order it online. Whatever you do, don’t miss out on your chance to be Forever Changed.

Track Listing:
01 Chapters
02 Never Look Down
03 Starting To Sink
04 All I Need
05 Runaway
06 Time Will Change
07 The Disconnect
08 It’s Too Late
09 Refusal
10 No Way Out
11 Cradle Eyes
12 Letting Go Of You

Standout Tracks:
“Runaway,” “The Disconnect,” “No Way Out,” “Letting Go Of You”

Filed Under: Album, Reviews Tagged With: Floodgate-Records, Forever Changed

Rookie Of The Year – The Goodnight Moon

April 27, 2006 By Michael Schneider Leave a Comment

Rookie of the Year

Artist: Rookie Of The Year
Album: The Goodnight Moon
Label: One Eleven Records
Purchase: Smart Punk
Release Date: April 11, 2006

Overall: 8.3
Music: 8.2
Lyrics: 8.0
Production: 8.4

Rookie of the Year; it would be easy to write them off as just another acoustic band, put their cd at the bottom of the pile and forget about them…that is, if you don’t listen to it first. The band, originally started as a solo project, has now released its full band debut, ‘The Goodnight Moon.’ Currently touring with acts like Hit The Lights, Dave Melillo and many other notables, they are steadily building a substantial fanbase and it’s easy to figure out why.

Releasing single tracks up until the release date as well as a full preview of the album built my excitement for this record from the first time I heard the demos. After an intro track, ROTY chose the perfect lead off song in ‘Poison Like Your Own.’ Brightly toned electric guitars hover above a slightly produced acoustic, Ryan and Mike’s vocals complement each other with impeccable precision.

‘Silhouettes’ follows with a slower but balancing pace, but If I had one complaint about this record it is evident in this track. I am a big fan of drums, I feel like the drums fade into the background of this record and never effectively push the music. Putting that aside, let’s fast forward to track six, ‘Pop Destroyed The Scene.’

I told the band this myself, this track sounds exactly like it belongs on the Backstreet Boys most recent album. Response? ‘Great! I love the Backstreet Boys.’ Well, I won’t lie, I do too just as I do this song! It is perfectly produced as a straightforward soundtrack to summer pop song. The chorus sticks in my head, the bridge borders LFO-style rap, and the melodies you’ll sing out loud for days. This song epitomizes my opinion of this record.

While there is always room for improvement, Rookie Of The Year has constructed a CD that will stay in my car all summer long. They have all the assets to be one of the next big bands in the pop-rock scene. The wait for this record was well worth it, pick it up as soon as you can.

Track Listing
1. The Goodnight Moon
2. Poison Like Your Own
3. Silhouettes (All Eyes Above)
4. Sign of Her Glory
5. Liars and Battlelines
6. Pop Destroyed the Scene
7. The Blue Roses
8. Life, Fall Fast Now
9. Set The Sails, Red Beret
10. The Weekend
11. Enjoy This Drive
12. Having To Let Go

Filed Under: Album, Reviews Tagged With: One-Eleven-Records, Rookie of the Year

Moneen Interview April 9th 2006

April 24, 2006 By Jennifer Beverly Leave a Comment

Moneen
DFO: Hello, state your name, position in the band, and name of the band.

Kenny: My name is Kenny bridges, also known as k plus, also known as, crazy k the human protractor, I play guitar and sign for moneen.

DFO: How long as moneen been together?

Kenny: I keep wanting to say six years, because I think thatâ┚¬Ã¢”ž¢s what it is. But I sometimes wonder its longer than that, and if it is longer than that I realized were not that young anymore, but I wont tell anyone that because people just probably think we are.

DFO: From your first c.d, smaller chairs from the 1900â┚¬Ã¢”ž¢s how do you think you have advanced?

Kenny: See this is why we like you, because you know. Most people are just like, so from your first c.d, are we really happy, no thereâ┚¬Ã¢”ž¢s one before that, oh yeah theory, no thereâ┚¬Ã¢”ž¢s one before that.

DFO: How has your music changed from the first c.d?

Kenny: Ha-ha itâ┚¬Ã¢”ž¢s actually good now. I thought the e.p was really good, (smaller Chairs) because that was supposed to be a demo, but it turned out really good, so we actually made it a c.d, and it kick started the band. Theory was really good also it was really ambitious record, for us to do as our first full length. We had ten days to do and I listen to the songs today and some of them really blow me away, I donâ┚¬Ã¢”ž¢t even know how at that moment we came up with the songs we did. And then really happy was also really good, but imp not as like, I donâ┚¬Ã¢”ž¢t listen to that record and it doesnâ┚¬Ã¢”ž¢t blow me away as much as theory does for the time when we did it, really happy was about us taking a step up in doing the kind of music we wanted to do, and there wasnâ┚¬Ã¢”ž¢t any set goal, there was a whole bunch of songs and we put out that record and they represent what we were doing at that time. But now if we take those steps and then come to where we are right now with the new record everything we did in the past all makes sense up to this point now, because it kind of feels like everything weâ┚¬Ã¢”ž¢ve been doing all lead up to this next record. Because I really think this next record is way better than anything we have ever done before because we got to do everything we tried to do but, we executed it a lot better. And then did a lot of more things that we always wanted to do, but were always afraid to try. So as moneens song writing goes, itâ┚¬Ã¢”ž¢s a million times better. Not that anything we have done is bad, but we are a lot more proud of this. Cause the really happy record is good, but there is going to be at least four songs that we will never play again.

DFO: Which songs?

Kenny: Weâ┚¬Ã¢”ž¢ll always play are we really happy, start angry, the last song I ever want to sing, we will never stop playing that one, we really donâ┚¬Ã¢”ž¢t get to play that one in the states very much because we do supporting sets all the time, but when we headline we always play it. Whenever there is a chance when people what us to play more songs we always play that one (the last song I ever want to sing). Itâ┚¬Ã¢”ž¢s a really special song. There are some timeless songs as far as moneen goes but there are a bunch of songs we will never play again.

DFO: Ok moving on.

Kenny: Whatâ┚¬Ã¢”ž¢s that, I talk way too much, alright fine.

DFO: Since you think chairs is better than are we really happy why donâ┚¬Ã¢”ž¢t you play more songs off of it?

Kenny: Because no one knows them, and I donâ┚¬Ã¢”ž¢t really think its better, I just look back at it and itâ┚¬Ã¢”ž¢s very creative, and I canâ┚¬Ã¢”ž¢t believe we were doing some of the things we were doing. There were some pretty ass shitty songs on it, as far as I listen to it and go, what are we doing, but we will play a lot of stuff off of it in Canada but just in the states no one knows it. So it would almost be like playing songs off of that record would almost be like playing new songs, so if we were going to do that we would rather play new songs. Like tonight (Chicago, metro), tonight was the longest set weâ┚¬Ã¢”ž¢ve got to play on this whole tour, not like time wise but amount of songs. We only played 5 songs.

DFO: You played 5 in St. Pete and North Carolina.

Kenny: Four? Wow that sucks. We were playing 5 song sets and six song sets were the max, but somehow tonight we played seven, but we were like two minutes over but I said to kumy, saves the days tour manager. Iâ┚¬Ã¢”ž¢m so sorry we went a couple minutes over today. And he does like no donâ┚¬Ã¢”ž¢t be sorry this is what itâ┚¬Ã¢”ž¢s about, that was great tonight. Tonight was the best night on the whole tour.

DFO: Good!

Kenny: And I would have, honestly, no offence, to Chicago, but I would have never guessed that Chicago would have been such a high point on the tour for us. Like Rochester was really good because itâ┚¬Ã¢”ž¢s close to Canada. Detroit was really good because it is close to Canada. But Chicago itâ┚¬Ã¢”ž¢s not close to Canada, not at all. It was really good tonight. We started play are we really happy and I was like who are those people right there freaking out. Who is that guy over there singing? It was crazy. It wasnâ┚¬Ã¢”ž¢t like everyone was singing along, but for us in the states it was really good tonight, I was really impressed.

DFO: A few years ago Haris told me there is a secret song that you guys only play in Canada is that true?

Kenny: What kind of lies are they feeding you?

DFO: They said there was a special song they only play in Canada, and all the Canadian people know it.

Kenny: You know what; you know what it probably would have been? This was a while back right. Was that even before really happy came out?

DFO: I donâ┚¬Ã¢”ž¢t know, it was with senses fail.

Kenny: Oh ok no it wasnâ┚¬Ã¢”ž¢t. Dudes heâ┚¬Ã¢”ž¢s just lying to your face, I have no idea what he was talking about. Haris? He was completely, ohhh, no he was lying, I donâ┚¬Ã¢”ž¢t know what it was at all. He was probably hitting on you or something. I was saying maybe it was one of the cover songs or something. But no itâ┚¬Ã¢”ž¢s wasnâ┚¬Ã¢”ž¢t even that he was just lying to your face.

DFO: Thereâ┚¬Ã¢”ž¢s a lyric for it on the back of smaller chairs, and itâ┚¬Ã¢”ž¢s a song you only play in Canada.

Kenny: It may be the last song on smaller chairs, but its not secret its Cleary marked on the c.d as being a song on the cd

DFO: but you only play it in Canada?

Kenny: We donâ┚¬Ã¢”ž¢t even play it there anymore; Haris is great, last time he was at the metro with the get up kids, because he was teaching for them. He brought their guitar on stage to give to matt to switch them he drops the guitar drops off the guitar strap, falls the ground, makes this huge noise, the whole audience laughs at him, I wish I could have seen that Haris, and it was the first show of the tour. And he drops a guitar in the middle of the stage, and the whole audience laughs at him.

DFO: So since you tour a lot do you think you have come together as a band and improved in your music?

Kenny: I think that the pure hatred we have for each other from being in this small van constantly, hours on end brought out our ability to fake liking each other. So without that, if we werenâ┚¬Ã¢”ž¢t able to fake it so well we would probably fight each other constantly. I like the Hippy but those other guys, they always try to make out with me all the time, they are always like, but we really like the lead singer, you guys are in the band, I donâ┚¬Ã¢”ž¢t care man can I totally be your friend. And they are always asking to bum money off of me. And I just say I donâ┚¬Ã¢”ž¢t have any money, and I ask to barrow money from Hippy. And then the other guys are like what Hippy has money. And Hippiesâ┚¬Ã¢”ž¢ like no I donâ┚¬Ã¢”ž¢t have any money. Then we put Hippy out on the corner, with a little sign that says homeless please feed me. So he gets money so I can barrow it off of him to give to the other guys. So we can play arcade games. Erik is really good at street fighter two and beats me all the time. We play double dragon but itâ┚¬Ã¢”ž¢s so short so it goes by real quick, but if you find a machine that you can just keep pressing the buttons, you know the like tick tick tick where the quarters hit it, and I just donâ┚¬Ã¢”ž¢t understand why a dime wouldnâ┚¬Ã¢”ž¢t work. We finish double dragon and we fight each other in the end, and both fall off the cliff, so none of us got the girl. Why there is a cliff in an alley street fight scene doesnâ┚¬Ã¢”ž¢t make any sense to me. Its just like the end of the world is right there, itâ┚¬Ã¢”ž¢s obviously where the end of the world is. If we didnâ┚¬Ã¢”ž¢t tour together we wouldnâ┚¬Ã¢”ž¢t have all of these experiences.

DFO: How do you think the music has improved?

Kenny: Oh it hasnâ┚¬Ã¢”ž¢t

DFO: (laughs) ok

Kenny: But Iâ┚¬Ã¢”ž¢m damn good at jumping.

DFO: You are, but you didnâ┚¬Ã¢”ž¢t do the jump today.

Kenny: What jump?

DFO: At the end of start angry.

Kenny: I have an end of song jump?

DFO: Where you climb up on something.

Kenny: Ohhh there was nothing to jump off of today. I should have just made it happen though. Can I be honest? There hasnâ┚¬Ã¢”ž¢t been as much crazy jumping things on this tour because I busted my shoulder up real bad at the beginning. Actually I think after I saw you, it was really soon after that actually. What show where you at?

DFO: St. Pete.

Kenny: It was a couple shows after that. Haris and I were trying to jump and kick the ceiling in one of the back stage rooms, we did it fine. So were like letâ┚¬Ã¢”ž¢s see if we can jump and dropkick the ceiling with both feet and we set up these pillows on the ground, so he did it. Heâ┚¬Ã¢”ž¢s a lot taller than me, so it wasnâ┚¬Ã¢”ž¢t as hard, he did it hit it and turned and landed on the pillows. Iâ┚¬Ã¢”ž¢m like a lot shorter than him so I had to try real hard. There will be somethingâ┚¬Ã¢”ž¢s that I do that I know deep down that I canâ┚¬Ã¢”ž¢t do so you donâ┚¬Ã¢”ž¢t try as hard as you could. I tried with 110 percent, bodies in the air flying hit one foot, swing the other foot up to get it, just missed, but with all the force I am totally upside down, and I landed right next to the pillows. I landed on my shoulder, and I hear a crunch and a crack. And i’m laying on the ground and everyoneâ┚¬Ã¢”ž¢s laughing, iâ┚¬Ã¢”ž¢m like what does it sound like when you dislocate your should and everyoneâ┚¬Ã¢”ž¢s like what? Haris even after I say it, he grabs me, starts shaking me. Iâ┚¬Ã¢”ž¢m like dude, at first I think I was just in shock because it didnâ┚¬Ã¢”ž¢t hurt that bad it just felt real weird. I get up, and you know when you get up and you shake it off, but this is different, but iâ┚¬Ã¢”ž¢m trying to pretend that nothings wrong. All the other bands are all around. And we had to play in 5 minutes. My shoulder seized up I was playing like gimpy man for the whole show like couldnâ┚¬Ã¢”ž¢t move, it hurt so much, I had to punch myself to get myself going to get me through it. I couldnâ┚¬Ã¢”ž¢t move my arm for like a week after that. It went completely green, I think I caused some serious damage, its better now, but I canâ┚¬Ã¢”ž¢t use it properly. It still really hurts, so i’ve had to adapt my game a little bit, so there are certain Kenny moves that I would normally do that I just canâ┚¬Ã¢”ž¢t do, and I forget sometimes and do them anyways, and thereâ┚¬Ã¢”ž¢s so much pain, but I have to pretend everythingâ┚¬Ã¢”ž¢s fine. But really, ill be smiling Iâ┚¬Ã¢”ž¢m having so much fun but there will be one tear coming down. So I canâ┚¬Ã¢”ž¢t really do the stupid things I would normally do. Like I have this one move that I like a lot, ill roll on the ground and do this army shoulder roll thing, with my guitar, I like that one a lot its really stupid, like most things I do are for the sheer pleasure of me laughing at myself, because I know how ridiculous it is. Hereâ┚¬Ã¢”ž¢s another story. The other day, for the first time I passed out while we were playing, because I started screaming this really high note, it was really funny to that I was hitting this extremely high note that I just kept doing it for a real long time, and it was right at the end of the song, we were playing passing of America last, so it was right at the end. It was like full voice really loud (shows me how high it was) as loud as I could for so long, that I started going dizzy, next thing I know Iâ┚¬Ã¢”ž¢m on the ground with Hippy looking at me, everything silent, though, I just look up at Hippy and iâ┚¬Ã¢”ž¢m like oh where am I, I look over iâ┚¬Ã¢”ž¢m on the ground still have my guitar, I see my pedals, and think are we still playing a show? I look over see the audience all staring at me, and then when all the sound comes back and I hear my guitar feeding back as iâ┚¬Ã¢”ž¢m laying on the ground, so randomly without knowing what iâ┚¬Ã¢”ž¢m doing I start turning on every pedal I have, so now everything is going crazy and the guys are still playing the song because they thought I was just being weird rolling on the ground or something, but Hippy and the guys are watching me fall to the ground and like fall, hit and roll over and just lay there. And I just remember trying to get up but I couldnâ┚¬Ã¢”ž¢t because I was laughing so hard that I couldnâ┚¬Ã¢”ž¢t so the whole audience is watching me falling over. So I finally get up, and all the guys thought we were going to play one more song, but iâ┚¬Ã¢”ž¢m just like, alight thanks so much circa survive is up next. And I stumbled off the stage and I was just laughing for so long. Hippy said what the hell is going on and I told him, you know that high pitched note I was singing I blacked out and had a dream about hanging out at the merch table. It was so weird but I just remember waking up thinking where am I? and then not realizing how long I was out not even know why iâ┚¬Ã¢”ž¢m on stage right now. It was crazy. All because I thought it was funny to hold this really high pitched note for a really long time. Ill never do that again.

DFO: What would you say your favorite tour was that you have been on and why?

Kenny: We have been really lucky that we have been able to do some really good tours. I think you have seen us on all of them.

DFO: Uhh I donâ┚¬Ã¢”ž¢t know.

Kenny: But I would say my favorite tours was the tour with saves the day and taking back Sunday, just because that was like a dream tour, and we were with the best people we could be with. Save the day guys are so nice and so down to earth, same with the taking back Sunday guys. Those guys will never change, they could be as big as U2 and they would never change those guys are such good down to earth dudes, and the shows were all real crazy, it was such a good learning experience to because saves the day was like (guys outside talking) so good every night and they are so good at what they do it was a big learning experience for us. If we are going to be on this tour every night to a bunch of people who have no idea who we are no one know who we were then at all. We thought we had to play much better, and we canâ┚¬Ã¢”ž¢t just be jumping around like stupid hyperactive losers. We like to play well. So we learned a lot, and we continue to just keep on learning. I donâ┚¬Ã¢”ž¢t think we will ever be where I hope we will get to, you know iâ┚¬Ã¢”ž¢m not a great singer at all but iâ┚¬Ã¢”ž¢m just to learn to maintain and sing my parts the way I want to sing them, without dying all the time, because I get sick all the time. There was this stomach flu going around the tour for a while that pretty much got to everyone on this whole tour. I have the sickness of it afterwards of your body still broke down and still having to play shows. I am just really run down now, but I have learned (people outside talking) Canadian jokes I tell you. We just basically learned to be as good as we can be without destroying our lives in the process.

DFO: How did you get on the saves the day tour, since you have already been on one?

Kenny: Thatâ┚¬Ã¢”ž¢s the crazy thing we donâ┚¬Ã¢”ž¢t know exactly, and we are afraid to ask incase they realize oh wait, you guys were on that tour, we just got along real well with the saves the day guys and we were really happy they asked us on again.

DFO: Is there any tour that you guys felt like you didnâ┚¬Ã¢”ž¢t fit into?

Kenny: We have never been booed, there hasnâ┚¬Ã¢”ž¢t been any tours that we have fit in on, we just make the best of everything. YO (to peter) do you think there are any tours that we donâ┚¬Ã¢”ž¢t fit in on?

Peter (drummer of moneen): This one. No I donâ┚¬Ã¢”ž¢t think so.

Kenny: I remember when we jumped on that vagrant tour we did the last week when no motiv had to drop off of it. And I remember all the bands saying that no motiv got booed every night.

Peter: I donâ┚¬Ã¢”ž¢t think we fit on the Vagrant Europe tour musically.

DFO: Who played on that tour?

Kenny: It was still good Emmanuel played and from autumn to ashes, and senses fail.

Peter: maybeâ┚¬Ã‚¦ I donâ┚¬Ã¢”ž¢t think we fit in musically on that tour.

Kenny: I never felt that we didnâ┚¬Ã¢”ž¢t fit it.

DFO: You toured with from autumn to ashes?

Peter: They are like roar

Kenny: And we are like lalala

DFO: What would your dream tour to—

Kenny: Muse

DFO: Ok muse.

Kenny: To play with muse everyday, thatâ┚¬Ã¢”ž¢s my dream tour, I donâ┚¬Ã¢”ž¢t even know if thatâ┚¬Ã¢”ž¢s your question.

DFO: Not including museâ┚¬Ã¢â‚¬

Kenny: What!

DFO: Who would your dream tour to be to watch?

Kenny: Ohh, muse

DFO: Like three bands.

Kenny: Jimmy eat world, opening up for muse, with radio head headlining. Why canâ┚¬Ã¢”ž¢t I pick muse! I like that band a lot.

DFO: What a question you hate getting asked on an interview?

Kenny: Well I am very happy that our next album title isnâ┚¬Ã¢”ž¢t a question. Because then people canâ┚¬Ã¢”ž¢t ask us anymore. Are you really happy with who you are right now?

DFO: How did you get the title for the new c.d?

Kenny: Its hard to explain but it really makes sense when you hear the record.

DFO: How are doing without Lisa on this tour?

Kenny: Real unorganized and I walk around like a mess.

DFO: Sheâ┚¬Ã¢”ž¢s the backbone of the tour.

Kenny: Yeah, sheâ┚¬Ã¢”ž¢s the backbone of my life; I walk around like a mindless moron.

DFO: Are there going to be any tours after the album comes out?

Kenny: Yes. We finish this tour, and then we are going to be on warped tour, before that we go over to Europe, with alexisonfire. And then we are doing our own headlining tour after warped tour, because we donâ┚¬Ã¢”ž¢t want to play half hour sets anymore.

DFO: How did you get to do a split with alexisonfire?

Kenny: We have just been friends with them for so long thatâ┚¬Ã¢”ž¢s we have always made jokes about covering each others songs, and we are so different. We didnâ┚¬Ã¢”ž¢t actually think it was going to happen, but we both had time in our schedule so we just did it. That was really fun, there were no rules and we could do whatever we wanted. That was probably the most fun we have ever had recording. A different kind of fun that we have from the full length, but it was real fun, and it turned out good I think. I really like the version of Sharks in Danger song we did, accidents was just funny because our whole goal was to form a small voice choir so thereâ┚¬Ã¢”ž¢s over 100 voices at the end of that song, its amazing. Sharks in Danger I think is a really good version.

DFO: (random side conversation about poker)

Kenny: At one point I was going to go to some crazy underground place in Santa Cruz. There was this weird little poker shop and the people inside werenâ┚¬Ã¢”ž¢t as scary as the people outside so I kind of thought if I do, do well I am going to get mugged leaving this place. But I am not at all poker man. We started playing with Saves the Day now. Except I donâ┚¬Ã¢”ž¢t like taking other peoples money but sometimes I do.

DFO: I play poker at work with pretzels.

Kenny: Forget that crap then other people donâ┚¬Ã¢”ž¢t play with the same intensity, I can play a free game or a money game, and ill play exactly the same, I just want to win, other people donâ┚¬Ã¢”ž¢t take it seriously if its not for money and go all in, its stupid. I wanted to punch Lisa in the face when I played poker with her one time.

DFO: Why?

Kenny: Because it got down to us and the other two guys played like morons, and gave her all their chips, so she had a huge chip lead on me. So she would play like a stupid bitch and anytime that I would have a bitch, she would bet everything and I was getting smacked around like a little loser, I hated her so much for ruining my poker game.

DFO: Any last words

Kenny: I like macaroni and cheese.

Tim: Easy Mac or regular?

Kenny: Regular.

DFO: alright that was Kenny from moneen. www.moneen.com

Filed Under: Interviews Tagged With: Moneen

David Melillo – Talk Is Cheap

April 19, 2006 By Trevor Bivens Leave a Comment

David Melillo

Artist: David Melillo
Album: Talk Is Cheap EP
Label: Drive-Thru Records
Purchase: Smart Punk
Release Date: April 18, 2006

Overall: 8.8
Music: 8.5
Lyrics: 8.9
Production: 8.6

The long awaited debut from Florida’s David Melillo is finally out via an online relase through Drive Thru Records and mtvU. “Talk Is Cheap” is a completely free, downloadable EP(the hard-copy store release will have an extra song.) Drive Thru did this twice before with hit(Hellogoodbye) and miss(Jenoah) results. I’ll just say that if you do not download this EP, you’re going to be missing out.

“Sam’s Song” opens the album. This tune has been available on purevolume and myspace for a while, and is my favorite song on here. It’s Dave and a guitar. That’s really all you need. Seeing this song performed live is an experience. This kid’s voice is spectaular.

“Vatican Roulette” starts off with a funky drum beat to be followed up by a full band onslaught of guitar and synth. The lyrics stand out here with a coming of age tale and a chorus so catchy that Fall Out Boy would be jealous. The song is reminiscent of old Starting Line without the pop-punkiness.

I’m putting “Knights of the Island Counter” up there with “It Was a Summer…(Baby Steps)” by October Fall in the category of songs I’ll be listening to this summer with my windows down. It’s nice to hear a song about drinking that’s not totally depressing(Don’t get me wrong. Some lyrics here are completely honest and full of regret.), even if the singer is still underage.

“This Is 2005” slows things down a lot, and while it’s still a great song, it’s the only one I don’t thoroughly enjoy listening to. It just drags the momentum of the EP down. Dave’s voice still sticks out here, and like I said, it’s still a great song.

“Morris County Blues” picks things back up and closes the album out with an insanely fast chorus that totally shows off Dave’s lyrical abilities. The song is explosive and everything you could want from a release like this.

David Melillo may only be 17, but most songwriters that are double his age wish they could write songs this good. I can’t wait for a full length. It’s no wonder Drive-Thru signed him. If this is a shape of more solid releases to come from Drive-Thru this year, I think Fueled By Ramen might have some competition.

Track Listing
1. Sam’s Song
2. Vatican Roulette
3. Knights of the Island Counter
4. This Is 2005
5. Morris County Blues
6. For the Sake of Remembering

Filed Under: Album, Reviews Tagged With: David-Melillo, Drive Thru Records

Anti-Flag – For Blood And Emprie

April 18, 2006 By Bryce Jacobson Leave a Comment

Anti-Flag

Artist: Anti-Flag
Album: For Blood And Empire
Label: RCA / A-F Records
Purchase: Smart Punk
Release Date: March 21, 2006

Overall: 7.6
Music: 7.4
Lyrics: 7.8
Production: 7.8

For a band to sing about the government, war, politics and all that ho-ha, you would think it would be hard to capture the ears of most people. Anti-Flag have been making anti-goverment music for years and are now finally releasing their first major label record. So how has this changed there sound if at all? Well for one thing you can tell this is a major label release with its somewhat cleaned up polished sound. However this is still Anti-Flag and they are still singing about the topics they care about, and it’s not like they don’t have anything to sing about with all of the events that have happened in the past few years with the war in Iraq and George W. Bush.

Opening the album is “I’d Tell You But…” where we hear that nice punk rock beat filled with shout along lyrics like “Your bullets cut into my flesh. Your cluster bombs ripped me to shreds.” As far as the bands sound goes, they stick to their punk rock roots but they covered some of these songs with a sugar coating (possibly to help them go mainstream?). Something like this I don’t think would ever really fly for being played on the radio or MTV. I do agree that there message is intended to only inform people of their thoughts on the government, war, and other political thoughts. On “This Is The End (For You My Friend)” the band moves more towards a song about American life. I particularly like the line “On and on – we sing our sons – On and on – your wars wage on and On and on – we’ll sing our songs for more.” Its statement is along the lines of that no matter what is happening at any given time the voice of one person could make a world of difference. “One Trillion Dollars” starts out with a nice soft acoustic guitar part before going into the line “Whoa… Fuck the world, a lot of people gotta die tonight. Woah… Fuck the world, fuck ’em all!!!” Money won’t get you everything I believe is the main point of this song. Its beat is catchy and is a nice slow down for being half way through the album. As far as the wrest of the album goes “Cities Burn” has a great up-beat sound and with “Depleted Uranium Is A War Crime”, you can about guess what that song is about.

Anti-Flag have made another album thats incased in that punk-rock beat that is know for its influence on being a message carrier. I know I may have covered their message a little more then their music on this review but this is one of the main reasons this band stands out especially in todays crowded market. If your a previous Anti-Flag fan your thoughts may be mixed on this album, however their message is still for the better and their sound helps bring that message to people who will hopefully listen and make a difference.

Track Listing
1. I’d Tell You But…
2. The Press Corpse
3. Emigre
4. The Project For A New American Century
5. Hymn For The Dead
6. This Is The End (For You My Friend)
7. 1 Trillion Dollars
8. State Funeral
9. Confessions Of An Economic Hit Man
10. War Sucks, Let’s Party!
11. The W.T.O. Kills Farmers
12. Cities Burn
13. Depleted Uranium Is A War Crime

Standout Tracks
“The Press Corpse”, “One Trillion Dollars”, “Cities Burn”

Filed Under: Album, Reviews Tagged With: A-F-Records, Anti-Flag

Videos: Paramore, Cassino

April 13, 2006 By Bryce Jacobson Leave a Comment

You can download these new Driven Far Off videos of Paramore and Cassino performing live below.

Paramore – “Brighter “ (iPod Video)
Paramore – “My Heart “ (iPod Video)
Paramore – “Never Let This Go “ (iPod Video)
Cassino – “Unknown” (iPod Video)

Filed Under: Videos Tagged With: Cassino, Driven Far Off, Paramore

Punchline – 37 Everywhere

April 11, 2006 By Trevor Bivens 2 Comments

Punchline

Artist: Punchline
Album: 37 Everywhere
Label: Fueled By Ramen
Purchase: Smart Punk
Release Date: April 11, 2006

Overall: 8.2
Music: 8.9
Lyrics: 8.3
Production: 8.1

I’m that kid. What kid? The Chattanooga kid. You might not know what that means if you don’t keep up with Punchline. This band only sold 3 CDs in Chattanooga, TN. Two of those CDs were bought by me. I went on a promotional campaign, holding a sign on the side of the road with the words “Buy A Punchline CD!” scribbled on it. I even converted teachers to Punchkids. That’s how much I love this band.

“Rewind” was a pop-punk EP that was so different than anything of that style I had ever heard. The songs were long, raw, catchy, and had a different tone to them than say, New Found Glory. “Action” was even better. Punchline had refined their sound, shortened their songs, and if they could “shine” in my ears, they would.

So how excited was I for “37 Everywhere?” Very.

Punchline’s sound has matured, but it’s still fun. With the addition of input from new guitarist Greg Wood, the songwriting has only been added to. I was worried about how Greg would do in Paul’s stead, but I’m worried no more.

The arena ready guitar opening of “Flashlight” sounds like tough guy punk rock, but when complemented by the voice of Steve Soboslai, we’re reminded that these guys have melody in mind when writing their music. The song also features Anthony of Bayside who just adds to the charm of this song.

“Don’t Try This At Home” keeps things going with lyrics about growing up and an upbeat chorus. The song includes a guitar solo, that while short and sweet, makes you wonder if that was a Punchline song you just listened to.

“The Getaway” hops around the field, going from slow, to rocking, back to slow, etc.

“Green Light” is Punchline playing fast, fun, and thoughtful.

“Caller 10” has lyrics that play out like a movie with an unhappy ending, but isn’t that essentially life? Relating to this song is something I can do best.

Slowing the album down is “For the Second Time.” It’s a song about loss, and a Punchline song has never really made me relatively sad, but this one has the ability to do that. Then again, I’m a pretty cheesey dude.

Ah, “The Fake, The Snake, And The Birthday Cake.” This is my favorite song on the album. The lyrics really shine here. “You’re only hip as in hypocrite, and critically unacclaimed.” I love Steve’s voice on songs like this. He gets a little angry and it adds a lot of flare to the song. There’s also classic Punchline harmonies involved.

“How Could You” and “Wars Will Always Happen” are two fast, driving songs that keep the momentum up.

The bassline in “They Are Strong Hands” is sick. Eat your heart out “Dance, Dance.”

“Exactly” closes the album out with Greg and Steve trading vocal duty back and forth for a round. The song sounds like an upbeat, more rocking version of something your parents could enjoy.

One thing that’s always made Punchline stand out among the other 439274 million pop punk bands in the world is their music. They seem to pay more attention to their song arrangements and think out their instruments capabilities a lot more than most bands. By not following the same three chord structures in every song and changing up the tempo and styles in their songs, the band keeps things fresh.

I love Steve’s voice. I wish there were way more harmonies on this disc, though. That’s one thing that got me hooked on this band.

The album art is so much fun to look at, too. I want posters of it.

Overall, Punchline have made an album to be proud of. They’ve always stood above the crowd, and to be as underrated as they are, it’s not fair. Please check this album out, as well as their other work. Also check out their blogs if you get a chance. These guys always have fun stuff to read.

Tracklisting
1. Flashlight
2. Don’t Try This At Home
3. The Getaway
4. Green Light
5. Caller 10
6. For The Second Time
7. The Fake, The Snake, And The Birthday Cake
8. How Could You
9. Wars Will Always Happen
10. They Are Strong Hands
11. Exactly

Filed Under: Album, Reviews Tagged With: Fueled By Ramen, Punchline

Skylines – Identity

April 9, 2006 By Manuel Enrique Garcia Leave a Comment

Skylines

Artist: Skylines
Album: Identity
Label: Blood & Ink
Purchase: Smart Punk
Release Date: February 28, 2006

Overall: 8.9
Music: 8.8
Lyrics: 9.5
Production: 9.0

Walk around town with your goal set on finding one of the best known local bands of Richmond, VA. You gaze at the locals, question them, and youâ┚¬Ã¢”ž¢ll soon discover that there is one band that is repetitively mentioned. Skylines was formed in 2003 and has quickly build up a fan base that has been growing ever since it begun. Skylinesâ┚¬Ã¢”ž¢ first full length with Blood & Ink Records is entitled â┚¬Ã…”Identityâ┚¬? and it perfectly captures what this Richmond native band is all about. Heavy breakdowns, brutal screams, serenading singing, pounding drums. This record showcases the best of Skylines and it is quickly becoming a favorite amongst fans.

The record begins with the brutal screams of vocalist Nate Stone mixed in with pounding drums. Fifteen seconds into the song, you find yourself wondering why it took so long for Skylines to record a full length. The singing is perfectly synchronized with the rest of the song and serves as a quick, relaxing intermission point from Skylinesâ┚¬Ã¢”ž¢ intensity. Skylines presents a record that gives everyone a taste of the beginning of a band that is going to go further than a teenage boy on prom night.

â┚¬Ã…”Identityâ┚¬? is intensely driven record that will raise you towards your feet in a fit of pure adrenaline , push you towards the ground, and give a helping hand to bring you up again. The lyrics are organized with perfect word structure, yet manages to leave the meaning up for grabs for the imagination. Skylines delivers brutal breakdowns that will make you wish you were enrolled in a local fight club.

Every moment I listen to this record, a smile emerges from my face. Skylines is one of those bands that gives me every reason to be proud to be living in Richmond. This record was highly anticipated since the first time fans caught a glimpse of Skylines’ high energized shows. The only downside to this record is the fact that none of the songs cross the three minute mark (except for one). If only more songs crossed the three minute mark, we could all have more of the incredible uprising band that has become Skylines.

Track Listing:
1. Pseudo-Funeral Teleconference
2. Pugilist’s Lament, The
3. Title Belt Return Policy
4. Annihilation
5. Liars and Saints
6. G.H.O.S.T.
7. Forgiveness
8. Veir Heroicus Subliminus
9. Statis Newsflash
10. Mouth Like Gravestones

Standout Tracks:
– Pseudo-Funeral Teleconference
– Title Belt Return Policy
– Liars And Saints
– G.H.O.S.T.
– Statis Newsflash

Filed Under: Album, Reviews Tagged With: Blood-&-Ink, Skylines

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