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Rookie Of The Year – The Goodnight Moon

April 27, 2006 By Michael Schneider Leave a Comment

Rookie of the Year

Artist: Rookie Of The Year
Album: The Goodnight Moon
Label: One Eleven Records
Purchase: Smart Punk
Release Date: April 11, 2006

Overall: 8.3
Music: 8.2
Lyrics: 8.0
Production: 8.4

Rookie of the Year; it would be easy to write them off as just another acoustic band, put their cd at the bottom of the pile and forget about them…that is, if you don’t listen to it first. The band, originally started as a solo project, has now released its full band debut, ‘The Goodnight Moon.’ Currently touring with acts like Hit The Lights, Dave Melillo and many other notables, they are steadily building a substantial fanbase and it’s easy to figure out why.

Releasing single tracks up until the release date as well as a full preview of the album built my excitement for this record from the first time I heard the demos. After an intro track, ROTY chose the perfect lead off song in ‘Poison Like Your Own.’ Brightly toned electric guitars hover above a slightly produced acoustic, Ryan and Mike’s vocals complement each other with impeccable precision.

‘Silhouettes’ follows with a slower but balancing pace, but If I had one complaint about this record it is evident in this track. I am a big fan of drums, I feel like the drums fade into the background of this record and never effectively push the music. Putting that aside, let’s fast forward to track six, ‘Pop Destroyed The Scene.’

I told the band this myself, this track sounds exactly like it belongs on the Backstreet Boys most recent album. Response? ‘Great! I love the Backstreet Boys.’ Well, I won’t lie, I do too just as I do this song! It is perfectly produced as a straightforward soundtrack to summer pop song. The chorus sticks in my head, the bridge borders LFO-style rap, and the melodies you’ll sing out loud for days. This song epitomizes my opinion of this record.

While there is always room for improvement, Rookie Of The Year has constructed a CD that will stay in my car all summer long. They have all the assets to be one of the next big bands in the pop-rock scene. The wait for this record was well worth it, pick it up as soon as you can.

Track Listing
1. The Goodnight Moon
2. Poison Like Your Own
3. Silhouettes (All Eyes Above)
4. Sign of Her Glory
5. Liars and Battlelines
6. Pop Destroyed the Scene
7. The Blue Roses
8. Life, Fall Fast Now
9. Set The Sails, Red Beret
10. The Weekend
11. Enjoy This Drive
12. Having To Let Go

Filed Under: Album, Reviews Tagged With: One-Eleven-Records, Rookie of the Year

The Rocket Summer Interview March 5th 2006

March 7, 2006 By Michael Schneider 2 Comments

The Rocket Summer

I just wanted to preface this by saying thank you so much to the kind people at the Militia Group & Island Records for their continued support of websites like ours. I got an opportunity to dialogue with Bryce Avary (The Rocket Summer) and ask him some questions I’ve been curious about for quite some time; pop in ‘Hello, Good Friend’ and enjoy!

Michael: So why Island/Def Jam?

Bryce: It seemed like a really good place to be. The people there are all really cool. It felt right.

Michael: What made you choose Brat Pack as the next single from your record?

Bryce: I had a good concept of what I wanted the video to be like for the next single and of all the songs it seems like Brat Pack was the best one to fit the video concept. It’s also a song that seems to connect with a lot of people.

Michael: What should fans expect from you on the upcoming tour? New songs? New members?

Bryce: Neither really. We might play new songs but you can definitely expect aԚ  celebration! It’s always a good time, you can count on that.

Michael: You just made a pretty extensive trip to Japan, what is the scene like over there compared to the US? Are fans more/less receptive?

Bryce: They are just as receptive, they definitely freak out more though. It’s a special thing for a band to go over there. We tour America around the clock but I haven’t been to Japan in over 2 years. It feels more special since it’s not as often.

Michael: It’s quite evident in some of your songs that you maintain a spiritual relationship, without me defining it any further for you, could you explain that and how it plays into your music?

Bryce: I think because I’m a Christian and it’s a huge part of my life, its only natural for it to influence my songwriting. I definitely enjoy singing about that beautiful part of my life.

Michael: Your song, Good News, has been incredibly powerful in my life, could you tell me the story behind it?

Bryce: That song is actually inspired by a situation when I was in Detroit. There was a guy that I got into a conversation with and he wanted to see the show. He was a homeless man in a wheel chair. I carried him down the stairs into the venue to see the show. He wound up getting really drunk and the venue wouldn’t allow him to stay any longer so I had to carry him back out.

Michael: In writing/recording music full band by yourself, is there anything method you’ve found to be most successful?

Bryce: I use one method the whole time. When I finish writing I record the song on 4 track and start messing around on top of the song adding guitar parts and other layers to the song.

Michael: Did the process change for Hello, Good Friend from Calendar Days?

Bryce: Its always the same process for me.

Michael: When you choose your tour support or look for a band to support, what are your decisions based on?

Bryce: We really look for music that we like and think will be a good match with us on tour. As far as us opening for other bands, we are open to playing with almost anyone. I try to play in front of as many people as possible and always take that opportunity.

Michael: Seriously Bryce, what type of equipment do you use?

Bryce: It’s a pretty extensive list actually… On tour I usually use Fender guitars, Marshal amps, Yamaha keyboards, C & C Drums. On the records I use ALL different types of equipment.

Michael: You have been considered ‘The Rocket Summer’ solely as Bryce Avery for quite some time now, do you ever plan on adding members permanently to the roster?

Bryce: I’ve definitely thought about it. If I came across the perfect group of people it would be very possible. Right now, I’m having fun having with my friends tour with me. It’s really up to them when they want to go on the road with me. For instance, my drummer is going to school so its pretty casual right now but the next record might be different.

Michael: What’s life like as a touring, married musician?

Bryce: It’s interesting, it’s definitely way different than most marriages but it’s a lot of fun. We try hard to take minutes out of each day to not be The Rocket Summer but a lot of times that’s hard. It’s good to beԚ  with each other though.

Michael: How supportive have your parents been of your chosen career?

Bryce: They have been really supportive. I was so young when I started that they had a few reservations like most parents would. As time went on and they saw how hard I was working and things started happening they are became extremely happy for me.

Michael: What is the best gift you’ve ever received from a fan?

Bryce: In Japan we got lots of great gifts. Actually a few nights ago I got a cool banner that was written in Chinese. It read The Rocket Summer is sexy. That’s been the most recent one.

Michael: any albums or bands you want to plug?

Bryce: Mindy Smith. She’s really awesome.

Michael: Thanks Bryce!

Filed Under: Interviews Tagged With: The Rocket Summer

Cue The Doves – Architectures of the Atmosphere

March 4, 2006 By Michael Schneider Leave a Comment

Cue The Doves

Artist: Cue The Doves
Album: Architectures of the Atmosphere
Label: Dead Letter Records
Purchase: Smart Punk
Release Date: March 21, 2006

Overall: 7.9
Music: 8.0
Lyrics: 8.1
Production: 7.7

Cue the Doves are a combination of musicians with very unique common interests. Their mutual love for sci-fi, extraterrestrial life, and alien abductions is apparent in their lyrics, as well as general tone of music. As requested by founding member, Jon Berndtson, a former member of The Beautiful Mistake, I am making my own classifications of this band, and itâ┚¬Ã¢”ž¢s not an easy task.

First off, I find a lot of my opinion of a band in their vocalist. Ryan Von Bergen is the pick of the litter. His voice achieves the intensity you find in the hardcore scene, but the pitch control youâ┚¬Ã¢”ž¢d hear from a vocalist who had been classically trained for years. His ability to layer his vocal tracks as well as include the screaming & singing of two other members is something becoming increasingly rare in the â┚¬Ã‹Å“sing your heart outâ┚¬Ã¢”ž¢ scene.

Musically, this band is a force to be reckoned with. After years of playing bass, Jon Berndtson has made the switch to guitar, and the newly added Jake Quam on drums, Greg Burmeister playing guitar and Neck Gerhart on bass, Cue the Doves has assembled a powerful lineup. Delicate picking transforms into destructive mysterious riffs that build on top of each other far higher than youâ┚¬Ã¢”ž¢d ever expect.

â┚¬Ã‹Å“Majestic Twelveâ┚¬Ã¢”ž¢ is a musical introduction that leads directly into the passionate, vocally driven â┚¬Ã‹Å“Sphere of the Abyss.â┚¬Ã¢”ž¢ Dominated by technical musicianship, simple but booming drums, and clear melodic melodies, this record is strongly begun. Lyrics that question life meaning, spiritual insight, and mortality, this album is filled with standout songs. The band continues to tear down barriers between the pigeon-hole of hardcore and the endless oceans of melody.

Eerie, paranormal hardcore rock that raises the bar for musical intricacy; Cue the Doves is a band to keep your eyes on and your ears open to. Architectures of the Atmosphere far surpasses most records in the genre. If experience serves me correct, this band has many good things ahead of them. Donâ┚¬Ã¢”ž¢t take my word for it, go pick up this record!

Track Listing
1. Majestic Twelve
2. Sphere of the Abyss
3. An Astronomerâ┚¬Ã¢”ž¢s Ellipse
4. The Balance
5. Course One: The Abductions
6. Architectures of the Atmosphere
7. The Red Planet Falls
8. Peregrine Mountain: The Aftermath
9. Hallucinations
10. Escape The Cell

Filed Under: Album, Reviews Tagged With: Cue-The-Doves

Amber Pacific Interview February 15th 2006

February 16, 2006 By Michael Schneider Leave a Comment

Amber Pacific

This is my interview with Greg, bassist of Hopeless Records’ band Amber Pacific. Make sure to head to takeactiontour.com and learn about this incredible tour the band is a part of!

Please introduce yourselves, what is your name and role in the band?

I’m Greg, I play bass and wiggle around on stage all wierd like.

Letï¿Â½s start from the beginning, you used to be called Follow Through, correct?

Yea, that was our original name, we had to change it cause some homeboy in NY would sue if we used it. He owned the rights to it, even though the band had broken up. I think they were a hardcore type band sorta like Bane, except it wasnt good haha.

You guys signed with Hopeless Records before doing any major touring, how has that played out since?

Well we have been touring pretty much non-stop since then. We learned fast and are still learning. We’ve definetly paid “dues” since we’ve started touring, maybe not as much as other bands but we have had our share.

Your first tour was the warped tour, I know you guys had a great experience with the tour, tell us a little bit about it.

HOT! haha it was a blast, it was tons of hard work, tons of fun, tons of hot, bright sun. Its something we will never forget, it was just an amazing experience. We were on it the year after that and will be on it again this year. Summer doesnt feel like summer anymore if we arent on warped, its like I’m missing part of me if we arent on it.

What was it like being fresh out of high school and touring the country?

Well we all did a couple quaters of college too, but its amazing. Its a dream come true for me, i know im truely blessed every night that i stop onto a stage and theres kids out there ready to have fun.

Your debut EP and Full-length were recorded with the same producer, what made you want to go back with him?

Yea we did both of them with Martin Feveyear at Jupiter studios in Ballard Wa. We went back with him cause hes the man, hes going to make anything we want sound the way we want it. He has a rad british accent and hes just an easy going guy and knows his stuff. His sound board is amazing too.

Your one of the rare Seattle bands to not record with Casey Bates, is there any reason why?

There’s no real reason. We found Martin when we were trying to record a demo/ep that wouldnt sound like it was recorded in a garbage can and he was able to do that in the 4 days that we had to do it. We knew he was easily capable of making stuff sound way better if he had more time so we went back. All of casey bates stuff sounds good, we just never really wanted to go with anyone other then our boy Martin.

How did you connect with your drummer, Dango?

One night we flew to Nashville and put a Big Mac under a net and waited for him to take the bait then we caught him and made him one of us.

Tell us about the recent departure of one of your founding members.

Jusin wasnt actully one of the founding members, Will is the only founding member in the band still. Justin just felt he was meant to go back to school and move on from the band. We all still love the guy, people just sometimes need to do what they want/need to do.

How is your relationship with Hopeless Records? How many more records will you be releasing with them?

We love em : )

You have an opportunity to be a part of the incredible Take Action Tour this year. How do you feel about the tour, the cause, and the other bands youï¿Â½ll be touring with?

We are so excited about it. Its an amazing cause, helping those in need when they need it the most. everyone should check out www.takeactiontour.com to see everything that its about. I think I’m most exctied about Paramore being on the tour cause we just did a tour with them and i love all of them, my brothas and sista from anotha motha, so it’ll be great to see them and go to dennys and all that good stuff. Im excited to hear the new stuff the early november and matchbook romance too. Im pumped to see the boys in Chiodos too, super rad guys and good tunes. Theres so many more awesome bands on this tour like silverstien too, everyone just needs to go to takeactiontour.com and see all the good stuff that is going on in and around this tour!

Tell me about the video you just shot, youï¿Â½re very discrete on the website, can you give out any more info on it?

Im not really sure why we are being so secretive about it… but i guess i should keep being hush hush so nothing bad will happen to me in my sleep haha. We are super happy with it though, we did with Morgan Phillips down in hollywood and it was so much fun and everyone that worked on the video was super nice and rad. All i can say is that the video is rad i guess haha… ohh and you should see it popping up on fuse and different places end of feb early march… thats all i can say for now…

Any last thoughts? Comments?

Please come out to any of the take action tour dates and support a good cause, we will be there hangin out like always so come say hi!!

Filed Under: Interviews Tagged With: Amber Pacific

Brightwood – The Love Antidote EP

February 14, 2006 By Michael Schneider Leave a Comment

Brightwood

Artist: Brightwood
Album: The Love Antidote EP
Label: Independent
Purchase: Smart Punk
Release Date: February 18, 2006

Overall: 9.5
Lyrics: 9.2
Music: 9.5
Production: 9.7

Brightwood seemed to catch my attention almost out of nowhere. I checked out their myspace page on a link from a friend and was immediately attracted to their sound. When their debut EP â┚¬Ã‹Å“The Love Antidoteâ┚¬Ã¢”ž¢ finally made its way into my hands, I had only had one listen before I was ready for the full-length.
Self-described â┚¬Ã‹Å“Brightwood is a four-piece aggressive melodic rock group based in the Portland areaâ┚¬Ã‚¦a modern blend of raw, yet intelligent, melodic rock laced with soaring guitars, passionate vocals and intermittent tasteful screamsâ┚¬Ã‚¦Ãƒ¢Ã¢”š¬? I will boldly state that no band has made an impact on me this much since my first listen of Copelandâ┚¬Ã¢”ž¢s â┚¬Ã‹Å“Beneath Medicine Tree.â┚¬Ã¢”ž¢

Brightwood takes the tone of artists like the Goo Goo Dolls, and Rookie of the Year and puts their own spin on it. The EP begins with incredibly produced programming that doesnâ┚¬Ã¢”ž¢t overrun the bright toned guitars and vocal melodies. Vocalists Andrew and Stephen complement each other, and until reading the liner notes of the cd, I couldnâ┚¬Ã¢”ž¢t discover why until last names were mentioned. Drummer and Guitarist, this combination of brothers are bringing a vocal combination rarely found in todayâ┚¬Ã¢”ž¢s music. Adding Benjamin Hawkins on guitars and Matt Fosket on bass, this four-piece has collectively stumbled upon a formidable sound.

The third track â┚¬Ã‹Å“In Memoryâ┚¬Ã¢”ž¢ reaches the peak of acoustic splendor that I would expect from a band who denotes their concentration on it. This track establishes their range as a group. From entering with acoustic guitar, following with piano and blending in distorted guitars and booming drums, this epic ballad sings â┚¬Ã‹Å“you carried my heart in the midst of this battle, in your hands, And Iâ┚¬Ã¢”ž¢ll wait for you.â┚¬Ã¢”ž¢ As I stated earlier, I am waiting for a full length and to see the incredible things this group can achieve.

Brightwood has written, recorded, produced and mixed an EP that will remain a staple on my playlist for as far as I can see. These six songs sound as though they were done with an endless budget, yet this independent band, about to embark on a west coast tour is seemingly â┚¬Ã‹Å“do-it-yourself.â┚¬Ã¢”ž¢ Expect great things from these guys and BUY THIS EP!

Track Listing
1. My Reply
2. Sit Still
3. In Memory
4. The Futile
5. Superfire
6. Unspoken

Standout Tracks
The Entire EP, literally

Filed Under: Album, Reviews Tagged With: Brightwood

Pistolita – Oliver Under the Moon

February 12, 2006 By Michael Schneider Leave a Comment

Pistolita

Artist: Pistolita
Album: Oliver Under the Moon
Label: Montalban Hotel
Purchase: Smart Punk
Release Date: February 7, 2006

Overall: 7
Lyrics: 6.5
Music: 7
Production: 7.5

In March, Pistolita will embark on a lengthy tour with scene veterans Saves The Day, Canadian rockers Moneen, and Circa Survive. Before my knowledge of this tour I had never heard of Pistolita, nor their music. In thinking of other piano-rock type bands, Pistolita is in the same vein as Something Corporate and Melee, unfortunately, theyâ┚¬Ã¢”ž¢re just not quite there yet.

Upon my first few listens to this debut full-length, what sticks out to me as a major weakness is the vocalist. While Connor Meads is a solid pianist, his voice does not hold the passion that the music demands. At times it seems he is right on the verge of a brilliant melody, he drowns off with moans expected of a high school screamo band. I can only imagine how much my opinion of this record would change with Jason Gleason behind the microphone. Disregarding voices for the time being, this is quite a catchy and solid record. With hooks that contain the intensity of much heavier groups like Moneen, and piano lines that saturate with harmony, this band has the potential of any piano fronted group I have ever heard.

The final track, â┚¬Ã‹Å“Panicâ┚¬Ã¢”ž¢ which clocks in at an epic 7 minutes, 25 seconds, is easily my favorite song on the whole album. I feel like they finally achieve the dynamic theyâ┚¬Ã¢”ž¢ve been striving for with the swelling bridge, the tension is breathtaking, and makes me wonder how the live show ends. â┚¬Ã‹Å“China Dolls,â┚¬Ã¢”ž¢ a beautiful mid-album piano-rock ballad, chimes in at only two minutes, definitely a creative decision as it is the only real break from the aggression filling the rest of the record. Without track tags, I might believe that â┚¬Ã‹Å“Killjoyâ┚¬Ã¢”ž¢ was just a Moneen song left off of â┚¬Ã‹Å“Are We Really Happyâ┚¬Ã‚¦Ãƒ¢Ã¢”š¬Ã¢”ž¢ Regardless of the music and production the same problem taints this whole record. The vocals, just do not reach the height of the music. An instrumental record would better suit my tastes with this band.

Although I might come off as a little harsh with the vocals of this record, the truth is itâ┚¬Ã¢”ž¢s quite well-written. The recording is transparent, the instruments connect and complement each other, and the lyrics are excellent; this is just not the record for me. If you are a fan of piano-driven music, give this record a shot but donâ┚¬Ã¢”ž¢t keep the bar as high as past artists have set it.

Tracklist:
1. Age
2. Big Shot
3. China Dolls
4. Cupid
5. Fadawhite
6. Killjoy
7. Metronome
8. Oliver Under The Moon
9. Panic
10. Papercut
11. Pity Refrain
12. Voicebox

Standout Tracks
“Killjoy”, “Panic”, “Cupid”

Filed Under: Album, Reviews Tagged With: Pistolita

Rocky Votolato – Makers

February 8, 2006 By Michael Schneider Leave a Comment

Rocky Votolato

Artist: Rocky Votolato
Album: Makers
Label: Barsuk
Purchase: Barsuk
Release Date: January 24, 2006

Overall: 8.9
Lyrics: 8.8
Music: 9
Production: 9

As quoted from Rocky Votolatoâ┚¬Ã¢”ž¢s onesheet, â┚¬Ã…”Rocky Votolato is a soft-spoken, hard-working 28-year-old father of twoâ┚¬Ã‚¦Ãƒ¢Ã¢”š¬Ã¢”ž¢My dad was in a motorcycle gang based out of Dallas, TX called the Scorpionsâ┚¬Ã‚¦I remember the family trip to the state fair and my dad being handcuffed and taken away because of the pistol he always carried in his beltâ┚¬Ã‚¦Ãƒ¢Ã¢”š¬?â┚¬Ã¢”ž¢

To say the least, Rocky Votolato has had his share of life experiences, most of which occur in his music. After my first time seeing him play in the now re-invented Paradox Theatre in Seattle, I have not stopped supporting and listening to his projects. Touring with bands like The Get Up Kids, Rocky has made his way around the country, â┚¬Ã‹Å“Makersâ┚¬Ã¢”ž¢ is his third album; The first two released on Second Nature Recordings, and â┚¬Ã‹Å“Makersâ┚¬Ã¢”ž¢ under license to Barsuk Records.

The first track, â┚¬Ã‹Å“White Daisy Passingâ┚¬Ã¢”ž¢ is a beautiful and mellow introduction to a very well crafted record. His falsetto background vocals sing â┚¬Ã‹Å“passing white daisies taking turns, all those evenings on the back deck on our first apartment, they mean everything but the wind just carried them off.â┚¬Ã¢”ž¢ Rockyâ┚¬Ã¢”ž¢s metaphors are so well put I wouldnâ┚¬Ã¢”ž¢t dare tried to reword them. His voice is soothing, and full; White Daisy Passing is a perfect introduction into his best release yet.

Next is the other single, â┚¬Ã‹Å“Portland Is Leaving.â┚¬Ã¢”ž¢ This track reminds me of why I could listen to Mr. Votolato sing for the rest of my life. Harmonica melody and minor chords blend with his insightful lyrics, and often leave me contemplating his messages.

Rocky has taken a good step forward in his song-writing. On Suicide Medicine, some of the songs grabbed you quickly, and pulled you in to listen to the rest of the album. It seems as though he has abandoned the plan of writing the radio single, and stuck to his best formula; Rocky writes songs that require a few plays to understand. His sometimes-depressing topics, speak so honestly that I would think his age would be far past his late twenties. The title track â┚¬Ã‹Å“makersâ┚¬Ã¢”ž¢ describes the loss of a loved one, or so said metaphorically, and if you remember his last release, the topic is identical to Suicide Medicine. â┚¬Ã‹Å“Wait Out the Daysâ┚¬Ã¢”ž¢ talks about waiting for death to come. Apparently the human fate is a constant on his mind.

Rocky Votolato has created an album that in my mind should speak for itself. Well I donâ┚¬Ã¢”ž¢t doubt it make take you a few listens to come to the level of appreciation I have, he has again proven to me why he is one of the best solo artists in the music scene today. If you are a fan of angst-filled emo songs about losing your girlfriend, this album is not for you. If you are a fan of heart-felt, honest, and wise folk-rock, you have found your new favorite artist.

Track Listing
1. White Daisy Passing
2. Portland Is Leaving
3. The Night’s Disguise
4. She Was Only In It For The Rain
5. Uppers Aren’t Necessary
6. Wait Out The Days
7. Streetlights
8. Tennessee Train Tracks
9. Goldfield
10. Tin Foil Hats
11. Where We Left Off
12. Makers

Filed Under: Album, Reviews Tagged With: rocky-votolato

Time and Distance – The Way It Should Be

February 3, 2006 By Michael Schneider 4 Comments

Time And Distance

Artist: Time and Distance
Album: The Way It Should Be
Label: None
Purchase: Smart Punk
Release Date: August 15, 2006

Overall: 7.6
Lyrics: 6.5
Music: 8.0
Production: 8.0

It’s been a couple years since I was introduced to this once “solo acoustic-rock” project from Charleston, WV. Since then, this four-piece has toured the country relentlessly with bands like Taking Back Sunday, Midtown, Daphne Loves Derby, and hundreds more. To say the least, this is one of the hardest working bands in the music scene. “The Way It Should Be” was recorded last spring and due to personal decisions was not released on their current home I-Surrender Records. The release date and label is still undetermined.

The dueling vocals provided by Greg McGowan and Derek Reese are unusually crisp for a two-singer combo. Aaron Squared’s bass and Ryan Ware’s drumming create a well-rounded rhythm section. What you might notice after a few listens is that there is very little extra instrumentation done on this record. Besides a track guest produced by Heath Sacreno of Midtown, almost all of what you hear, you will hear in the live show.

The first track titled Up-Out & Over it begins with a frustrated attack on a former romantic interest saying, “I can’t wait for this to end.” Wouldn’t it be fitting if that were the theme of the whole record? Fortunately, it’s not. This track is a very catchy, ready-for-the-radio song that has become quite addicting.

Moving forward to “Miss New York,” my favorite track on this record; As far as musicianship goes, it quite a simple song. What I am most impressed with is the caliber of back up vocalist Derek Reese. He handles most of the bridge, with vocals that I wish were seen in a lot more of the music in this genre. His melody is high, yet powerful and full, a great complement to Greg’s vocals.

This record is filled with other great tracks like Remember and Until it’s Over, and the do-it-yourself recording of Addicted. With traditional chord progressions, and catchy melodies, this is not a breakthrough record by any means. The truth is that they’re a very solid band that’s ready for the mainstream. This record has potential to be every one’s guilty pleasure, & maybe land them on one of the many major labels that have been following them since their first national tour.

Track Listing
1. Up Out & Over It
2. Lost In Me
3. Four To Go
4. I Miss New York
5. Remember
6. Until It’s Over
7. Say Anything
8. A Promise
9. Coast To Coast
10. Three Days Late
11. Addicted

Standout Tracks
“I Miss New York”, “Up Out & Over It”, “Lost In Me”

Filed Under: Album, Reviews Tagged With: Time-And-Distance

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