Matt Wertz – Today & Tomorrow

Matt Wertz

Artist: Matt Wertz
Album: Today & Tomorrow EP
Label: None
Purchase: Aware Store
Release Date: 2005

Overall: 9.6
Music: 9.5
Lyrics: 9.7
Production: 9.6

Matt Wertz is very much a native of the solo-songwriter scene. Touring the nation countless times with friend and producer Dave Barnes, recording two previous full-lengths, and about working on his third record, Matt took five songs written over the last five years and recorded them, in one day. The recording process was lightly explained in the liner notes of the record. Very relaxed and sometimes multiple musicians ‘crowded around one mic’, a very back-to-the-basics approach was taken. I read these notes before listening to the record, and expected a something less in quality than his last two CDs. Fortunately, I was completely off with my predisposition.

The Today & Tomorrow EP quickly became a staple in my car stereo. The five songs were not b-sides, or recorded like they were. The first track Like The Last Time is available on Matt’s myspace page, and begins with Matt’s spoken introduction, ‘we’re rolling this…(beatbox)’. Matt explores the acoustic rap-singing world that Jason Mraz has brought to mainstream. While I don’t like to compare artists so directly, Jason and Matt would make a very well-paired tour. Both artists have the voice to battle the pop icons and the guitar skills equal to their voices. This EP highlights Matt Wertz’s vocal talents. His balance between the powerful side and soft side is perfect.

Most bands that put out an EP in between records to ‘tie fans over’ do it hastily or without much effort. While Matt did this in a short amount of time, the songs have been in the works for years and the musical collaborations were delightfully arranged. Available for $4.99 on iTunes, and also on his site, don’t overlook this release. This CD is for anyone who likes singer-songwriters and acoustic guitars.

Track Listing
1. Like The Last Time
2. Wanderin Eyes
3. Red Meets Blue
4. Honest Man
5. I’m Sorry Mary

Quietdrive – When All That’s Left Is You

Quietdrive

Artist: Quietdrive
Album: When All That’s Left Is You
Label: Epic Records
Purchase: Smart Punk
Release Date: May 30, 2006

Overall: 9.2
Music: 9.5
Lyrics: 8.5
Production: 9.5

Every now and then a CD will come along that turns in to the soundtrack to a significant part of your life. To the summer of 2006, you have found your soundtrack. Quietdrive is a band I was first turned on to by catching my friends Daphne Loves Derby in concert. As the opening band, their catchy pop-driven melodic rock caught my attention with the first song, and held it now a month after the last song. My mailbox greeted me on the first day of my summer with the debut full length, When All Thatâ┚¬Ã¢”ž¢s Left Is You.

I purchased their iTunes EP From The Ceiling after the concert and it contains the lead track from the new full length, Rise From The Ashes. This song is a perfect entrance to one of the best-produced records of the year. Straightforward chord progressions are layered with the guitars of Brandon Lanier & Matt Kirby. and the violin of lead singer Kevin Truckenmiller. I know what youâ┚¬Ã¢”ž¢re thinking, violin? Is this a wanna-be Yellowcard? Not even close, while Yellowcard uses the violin as the defining part of the sound, Quietdrive uses it hone their sound even further ahead of the tasteful pop symphony found on When All Thatâ┚¬Ã¢”ž¢s Left Is You.

This album is drowning in potential singles, Get Up, Let Me Go In, Take A Drink With Me, where the list stops the album ends. Some of the vocal melodies I have heard before, but not delivered with the clarity and emotion of this band. These songs are perfect to roll the windows down and blast on a summer drive. In a time period where modern radio is being infected with Fall Out Boy replicas, Quitedrive has a refreshing pop sound that will please fans from groups the Backstreet Boys to Cartel to Anberlin. While that mix of bands is quite variable, there is no doubt in my mind that any pop-rock fan will find a new guilty pleasure in this band.

Track Listing
1. Rise From the Ashes
2. Get Up
3. Take A Drink
4. Let Me Go In
5. Rush Together
6. Maybe Misery
7. I Lie Awake
8. The Season
9. Time After Time
10. Both Ways

Stars – Set Yourself On Fire

Stars

Artist: Stars
Album: Set Yourself On Fire
Label: Arts & Crafts (CA)
Purchase: Amazon
Release Date: March 8, 2005

Overall: 9.7
Music: 9.8
Lyrics: 9.4
Production: 9.8

Starsâ┚¬Ã¢”ž¢ breakout 2005 album, Set Yourself on Fire, starts and ends brilliantly â┚¬Ã¢â‚¬Å“ and itâ┚¬Ã¢”ž¢s pretty damn good the whole way through, too. These Canadians have almost conquered the land of perfect instrumentation. This album is where synth drums, keys, brass, strings, and your standard rock outfit instruments meet with alternating lead vocals and beautiful harmonies between two captivating voices, one male and one female. The pop act has received some notice in the past two years after opening for Death Cab for Cutie in the fall of 2005 and getting some airplay on The OC. And yet, it seems that they are still under the radar. Maybe hailing from Montreal keeps them distant from American pop culture, but the bandâ┚¬Ã¢”ž¢s recipe for pop is exciting and encouraging. Stars proves that pop doesnâ┚¬Ã¢”ž¢t end at the tooled up synth beats (and vocals) of â┚¬Ã…”Toxic,â┚¬? nor at the power-chord reliance of pop rock (read emo and pop punk that has found, in recent years, its way to top of TRL).

Now, let me get off my high horse momentarily. Iâ┚¬Ã¢”ž¢ve realized that my undying love for the opener, â┚¬Ã…”Your Ex-Lover Is Dead,â┚¬? â┚¬Ã¢â‚¬Å“ and perhaps this particular love results from a sleeping, but undying love for a certain someone â┚¬Ã¢â‚¬Å“ often makes me forget how much I love the rest of the album. As I must listen to the whole album from start to finish for this review, I am reminded of Starsâ┚¬Ã¢”ž¢ ability to capture and then unleash audible beauty. This beauty ranges from the pop hooks of â┚¬Ã…”Ageless Beautyâ┚¬? to the dance-inducing beat of â┚¬Ã…”What Iâ┚¬Ã¢”ž¢m Trying to Sayâ┚¬? to build-ups and dark imagery of â┚¬Ã…”One More Night.â┚¬? I could give you a few words on each of the others songs, but my little descriptions donâ┚¬Ã¢”ž¢t do justice to the songs. If youâ┚¬Ã¢”ž¢ve ever liked a pop song, buy this album.

Track Listing
1. Your Ex-Lover Is Dead
2. Set Yourself On Fire
3. Ageless Beauty
4. Reunion
5. The Big Fight
6. What I’m Trying To say
7. One More Night
8. Sleep Tonight
9. The First Five Times
10. He Lied About Death
11. Celebration Guns
12. Soft Revolution
13. Calendar Girl

Standout Tracks
“Your Ex-Lover Is Dead”, “Calendar Girl”, “Ageless Beauty”, “Soft Revolution”

The Acacia Strain Interview

The Acacia Strain
This interview with The Acacia Strain was originally done at their show at Alley Katz. Due to my recorder running out of batteries in the middle of the interview, I wasn’t able to get the answers from the interview. Therefore I sent the same questions via e-mail to lead vocalist Vincent. These are those answers.

- State your name and position the band.

My name is Vincent Bennett, I am the lead vocalist.

- Give a brief history of the band and the origin of the name.

We got together just for fun, and it turned into a serious thing. Prosthetic picked us up and surprised us all. We have changed members from time to time but all member changes have been for the best. The acacia strain is a disease spread by insects that breed in the acacia tree in Africa.

- What are some pros and cons of this tour?

We arenâ┚¬Ã¢”ž¢t on tour right now, but there are pros and cans to every tour. It feels good to get out and play in front of an audience who may have never seen us before, or play in front of kids who have been waiting to see us forever. It just feels good to get up on stage and play in front of a crowd of people who care. We get to see the country, get to meet new people, and get to experience things that most people our ages canâ┚¬Ã¢”ž¢t even think of. But everyone once in a while, the road can take its toll on you. Sometimes we get sick, and touring with a cold or the flu is the worst feeling ever. Every once in a while we get homesick, and talking on the phone isnâ┚¬Ã¢”ž¢t the same as talking to someone in person

-What is the best and worst city you have played? Why?

There are so many good cities; Anywhere in So. Cal is amazing, Boise, Idaho is surprisingly fun, Kansas City, Fredrickburg, VA, and we canâ┚¬Ã¢”ž¢t forget our hometown of Chicopee, MA. Everyone experiences bad shows in shitty towns, but I donâ┚¬Ã¢”ž¢t want to talk trash just because we had a bad time this one show. Itâ┚¬Ã¢”ž¢s not fair.

- In your opinion, what makes you walk away from a show feeling accomplished?

When people will come up to me and tell me they had a blast. When I look out into the crowd and everyone is having fun, I know we are doing our jobs as musicians. Itâ┚¬Ã¢”ž¢s all about having a good time!

- What can the fans expect from your upcoming record?

Ha ha, most people have already heard it via download, but the people who havenâ┚¬Ã¢”ž¢t stolen it from us can expect one of the heaviest records they have ever heard. It isnâ┚¬Ã¢”ž¢t just breakdowns, there is thought put into every song on the record.

- How is your new record different and similar to your previous records?

This record is still heavy, but itâ┚¬Ã¢”ž¢s more thought out. We worked really hard on all of the technical aspects of all the music. We worked on transitions and tried to make it a little more metal.

-Which one of your songs stands out the most to you and why?

I like â┚¬Ã…”Demolishor.â┚¬? I had a blast writing the lyrics and I love singing them live. I loved recording that song more than any of the other ones because of the lyrics. A lot of the songs on the record I wrote under pressure, and this was no exception. I canâ┚¬Ã¢”ž¢t wait until kids know the song so we can play it live.

- How would you sum up the band to someone that hasnâ┚¬Ã¢”ž¢t heard anything about it?

We are heavy. We try and stray away from bullshit. We get a lot of criticism saying that we are nothing new or whatever, but we arenâ┚¬Ã¢”ž¢t trying to re-invent the wheel. We want to play good, heavy music that people can groove to and have fun with live.

- Which main theme can fans find in the bandâ┚¬Ã¢”ž¢s lyrics?

I sing a lot about deviant sexual behavior, and I leave it kind of open ended so that people can attach their own meanings to any song they want.

- In your opinion, what has been the biggest achievement in the bandâ┚¬Ã¢”ž¢s history?

Just getting signed and getting a booking agent as amazing as the Kenmore agency behind us is a huge achievement for us. We never thought in a million years that we would be touring the country playing in front of people who WANTED to see us. That itself is a huge accomplishment for me.

- What has been the biggest disappointment in the bandâ┚¬Ã¢”ž¢s history?

All the member changes were kind of disappointing, but in the long run they are all for the better.

- How has the band changed and matured since the first day it was started?

We have all gotten used to each other musically. We have had our ups and downs but we all feel very close to each other. When Dan L. joined the band, he was like 15 so he has definitely matured more than anyone, but we have all grown up a whole lot. We have also all gotten used to life on the road. Our first tour was like 3 years ago and it was only 10 days, it felt like forever. Now we leave for months at a time and it barely phases us.

- What is the importance of setting your own opinion and having meaning to life?

An opinion is what separates us as human beings. People who donâ┚¬Ã¢”ž¢t have their own opinions and do whatever they are told might as well be dead. That is the focus of the new album â┚¬Ã‹Å“The Dead Walk.â┚¬Ã¢”ž¢ It doesnâ┚¬Ã¢”ž¢t matter if your opinion matches with someone elseâ┚¬Ã¢”ž¢s, you donâ┚¬Ã¢”ž¢t have to be the most original person in the world, but as long as the opinion is YOURS â┚¬Ã¢â‚¬Å“ thatâ┚¬Ã¢”ž¢s all that matters.

- Which trend and aspect of the â┚¬Ã…”sceneâ┚¬? annoys you the most? Why?

Most trends annoy me period, because it involves people not thinking for themselves. I hate girl pants on guys, I hate girl haircuts on guys (follicle feminitis) and I hate makeup on guys, and I hate when 90 pound kids act like they are hard asses. Sleeping around has also become a trend. Iâ┚¬Ã¢”ž¢ve noticed that a lot of girls come to shows just because thatâ┚¬Ã¢”ž¢s where the cock is. So many people have shared partners itâ┚¬Ã¢”ž¢s disgusting.

- Which record in your CD collection would people not expect you to have?

I own Hilary Duffâ┚¬Ã¢”ž¢s â┚¬Ã‹Å“Metamorphosis,â┚¬Ã¢”ž¢ which I am damn proud of. Anyone who wants to make fun of me; listen to the disk first and tell me you wonâ┚¬Ã¢”ž¢t be tapping your toes.

- Has there ever been any moments when you doubt being in the band?

Every once in a while we get a shitty tour and no one comes to the shows. We all get on each others nerves and hate each other. Iâ┚¬Ã¢”ž¢ve almost quit the band like 8 times, but the feeling always goes away. This is the best time I have ever had and Iâ┚¬Ã¢”ž¢d never let it go.

- If this band didnâ┚¬Ã¢”ž¢t work out, would you have continued to try to start another one or do something else?

I probably would try doing another band. I know enough people who play instruments that would love to start a band, and Iâ┚¬Ã¢”ž¢m currently working on about 5 different side projects so keep your eyes open! I have a college degree, I might consider going back to get another one. I want to be a college television production professor â┚¬Ã¢â‚¬Å“ or even a grade school teacher.

- What effect do you hope your music has on the fans?

I just want kids to read the lyrics and understand what the songs are about. Also I love when people come up with their own meanings. I want people to stop fucking each other. And I want kids to come to our shows and have the time of their fucking lives, let loose and do whatever they want.

- If you could have any historical figure play a part in the band, who would you choose and why?

The Boston Strangler for two reasons: 1. Then when people ask if we are from Boston we could say yes, and 2. He could take care of some hookers for us.

- Is there anything else you want the readers to know?
BUY THE RECORD. DOWNLOADS ARE FOR SUCKERS!

Saves The Day – Sound The Alarm

Saves The Day

Artist: Saves The Day
Album: Sound The Alarm
Label: Vagrant
Purchase: Smart Punk
Release Date: April 11, 2006

Overall: 9.2
Music: 9.0
Lyrics: 9.4
Production: 9.3

After the horrible response from fans about 2003′s “In Reverie,” being labeless, and touring off of their old material, Saves the Day have returned with a more focused album on “Sound the Alarm.” Finding refuge in old friends Vagrant Records, the band that influenced so many of today’s artists have had to draw on influence from none other than themselves, returning to the frantic “emocore” that made them popular. They’ve also got a few new tricks up their sleeve this time around.

Most easily notable is Chris Conley’s voice which has been refined into an even bigger powerhouse than it once was. He takes the “heart on sleeve” approach and produces an entire wardrobe compromised of a heart on everything. The lyrics really stick out on the whole album. “Say You’ll Never Leave” is a prime example of the emotional gutwrenching feeling that is closer to the true definition of “emo music” than the crap kids call “emo” today.

There’s a little variety here such as the slow burner “Don’t Know Why.”

The bands that rip off “Saves the Day” should take note, because they just got outdone by the original product once again.

Tracklisting
1. Head For the Hills
2. The End
3. Shattered
4. Eulogy
5. Dying Day
6. 34
7. Say You’ll Never Leave
8. Diseased
9. Don’t Know Why
10. Sound the Alarm
11. Bones
12. Delusional
13. Hell Is Here

Forgive Durden – Wonderland

Forgive Durden

Artist: Forgive Durden
Album: Wonderland
Label: Fueled By Ramen
Purchase: Smart Punk
Release Date: May 9, 2006

Overall: 8.4
Music: 8.7
Lyrics: 8.2
Production: 8.5

Seattle’s Forgive Durden were one of two “mystery signings” by the ever growing Fueled By Ramen this past year. They are also one of the most unique bands on the label’s roster. “Wonderland” is a concept album touching on several different social issues that are problems in the world today. The result is an album that’s not your typical pop-punk that the label has been delivering as of late.

Mixing elements of pop and prog, the band’s songs are constructed more intricately than those of their labelmates, yet still retain their ability to hook you in. Songs like “Ear to Ear” and “Parable of the Sower” are perfect examples of this. Meanwhile a song like “Il Tango Della Signora Francesco Di Bartolommeo Di Zanobi Del Giocondo” shows how ambitious the band can be while sounding different from their contemporaries. Drawing influences from several different styles, Forgive Durden are an amaglam of flavor that should be able to please everyone from fans of Fall Out Boy to fans of Coheed and Cambria.

Tracklisting
1. Ants
2. Beware The Jubjub Bird And Shun The Frumious Bandersnatch
3. Ear To Ear
4. Parable Of The Sower
5. Il Tango Della Signora Francesco Di Bartolommeo Di Zanobi Del Giocondo
6. A Dead Person Breathed On Me!
7. The Great Affair Is To Move
8. Harry Frazee And No No Nanette
9. For A Dreamer, Night’s The Only Time Of Day
10. I’ve Got A Witch Mad At Me And You Might Get Into Trouble
11. Cue The Sun

Transition – Get There

Transition

Artist: Transition
Album: Get There
Label: Floodgate Records
Purchase: Smart Punk
Release Date: September 12, 2006

Overall: 7.4
Music: 7.5
Lyrics: 7.3
Production: 8.0

This band’s singer, Daniel Smyers, sound just like Scott Sellers of Rufio. For the first few seconds of listening to this band, I thought I was listening to Rufio. Take the metal influences away from Rufio and you have Transition.

“Excusable” is another anthem for working class teenagers with dreams of living a more exciting life. It’s pretty catchy, too. For some reason though, I just can’t get into the rest of this album.

Transition are good. They play perfect poppunk, but it just isn’t enough to catch my attention. We all know I’m a sucker for that sugar coated stuff, but this is like eating a hollow gobstopper. This music will fit in perfectly with this day and age’s current “Warped Tour Crowd.” It may even be nice to listen to on a warm summer day, but it lacks the punch that recent releases from Punchline and Hit the Lights delivered. It’s almost like there’s no feeling to it.

The production by Mike Herrera from MXPX is solid.

All in all, this isn’t a bad release, it’s just not as ear grabbing as it should be. It’ll be interesting to see where these guys go, though.

Tracklisting
1. Excusable
2. Down At the Harbor
3. The Issue
4. Winter
5. Air We Breathe
6. Count Me Out
7. A Letter From Dallas
8. Carolina
9. Give and Take
10. Get There
11. Tune In

Halifax – The Inevitability of a Strange World

Halifax

Artist: Halifax
Album: The Inevitability of a Strange World
Label: Drive-Thru Records
Purchase: Smart Punk
Release Date: May 23, 2006

Overall: 8.6
Music: 9.5
Lyrics: 7.9
Production: 8.9

It’s been a long time coming, and when I say a long time coming, I mean basically a year. “The Inevitability of a Strange World” is Halifax’s debut LP for Drive Thru Records. This album is great. It’s not awesome, it’s not bad, but it’s great. It’ll make for good summer-driving music..or party music, depending on how you look at it. It’s no surprise the content of this album is more concentrated on being a big time rock band as the groups penchant for partying has been made public by several appearances on MTV’s “The Real World.”

The opening riff of “Nightmare” gets your head moving automatically and before vocalist Mike Hunau can even finish the second line of the song, he’s already shown us how powerful his voice can be. This is one of the strongest and catchiest tracks on the album.

The Motley Crue influenced “Our Revolution”(the song blatantly rips off the melody of “Kickstart My Heart” with the blessing of Nikki Sixx himself) presents us with a band that obviously wants to have more fun than bands that take themselves too seriously in this scene. The song was road tested for the past year along with “Nightmare” and contains what is probably one of the cheesiest “shout-a-long” parts on any band’s current touring circuit. Replacing the Crue’s “Whoah, yeah!” to “Hell yeah!”, you can just taste the cheese, but when you’re seeing this band live, you can’t help but shout along. To top things off, there’s an over the top guitar solo. Halifax are as close to hair metal as you can be while still retaining your fans. Honestly, I like hair metal. Maybe that’s why I love this song so much. It’s a feel good track that’s a lot of fun.

Keeping the pace of the album up is “Under Fire.” Interesting rhythm parts and a catchy chorus keep you jamming along for another three minutes.

“Anthem For Tonight”, “Hey Italy”, and “Snow In Hollywood” are more of the same driving rock that’s been playing for the past three tracks. The trio are all solid tracks, but aren’t as compelling as the previous.

“Such a Terrible Trend” will most likely end up on the next incarnation of “Power Ballads.” It’s not that bad of a song, it just brings the album’s fast and furious pace down a few notches.

Luckily, the opening “Ahs” of “Better Than Sex” make up for the slowed-down tempo of “Such a Terrible…” and the song fully kicks in, picking things back up. With Mike’s voice really shining throughout this song, the lyrics of the bridge stick out. “Still why do we breathe sex like lovers, but live like enemies?” The song even has a light breakdown that oddly enough fits in perfectly.

Unfortuately, we’re slowed down again by “Giant in the Ring” which is easily skippable.

What happened to the flow of this album? “Promise Me Tragedy,” “A Tint of Rain,” and “I Told You So” continue the pattern of fast, slow, fast. This band should just stick to writing pounding rock music instead of slow songs that will put you to sleep in thirty seconds.

“Murder I Wrote” closes the album mixing some of the best and worst elements of the band.

Musically, the band has expanded upon what made their EP “A Writer’s Reference” so wonderful. The guitar parts are metal tinged while still retaining their “punky” roots, and let’s not forget that solo in “Our Revolution.” The drumming is solid, and the bass helps keep the rhythm in check.

Lyrically, the band can improve. The “fun” tracks are great for what they are, but aside from “Better Than Sex” the “relationship” tracks need some work.

Dual production from Lou Giordano and Machine took a polished album and gave it a gritty live feel. The result was perfect for all of the faster songs. The band shines live and the “live sound” of the album is close to what you’ll hear when they take the stage.

The only thing strange about this world is that Drive-Thru’s release schedule is back on track. If they keep bringing us solid releases like this, they can easily reclaim their crown as favorite independent label of kids everywhere. As for Halifax, if the band keeps growing and gets the promotion they deserve, they will easily topple the crap passing for rock on the radio right now and will bring the fun back into a corporate market.

Tracklisting
1. Nightmare
2. Our Revolution
3. Under Fire
4. Anthem For Tonight
5. Hey Italy
6. Snow In Hollywood
7. Such a Terrible Trend
8. Better Than Sex
9. Giant In the Ring
10. Promise Me Tragedy
11. A Tint of Rain
12. I Told You So
13. Murder I Wrote

Angels & Airwaves – We Don’t Need To Whisper

Angels & Airwaves

Artist: Angels & Airwaves
Album: We Don’t Need To Whisper
Label: Maverick
Purchase: Smart Punk
Release Date: May 23, 2006

Overall: 9.4
Music: 9.6
Lyrics: 8.9
Production: 9.5

When Blink 182 went on a hiatus it didn’t come as a shock to me, but it was still a surprise. The band had been on tour for months after taking well over a year to create their masterpiece self-titled album so it was time for a break. Weather Blink 182 get back together or not is another whole story in itself. The overall fact for Blink 182 going on a hiatus wasn’t to get away from the music but rather a break from their normal music and touring lives. It wasn’t until months later that we found out that Tom was working on a new project. Hyping up everything he was doing, Tom told us about his new project but left us hanging until months later to hear anything. I first heard a clip of their music on the movie trailer that showed up on the bands website. To say the least, I was mesmerized by the emotion and power that was in that short clip and instantly couldn’t wait to hear the rest of the album. Tom made up Angels & Airwaves with Box Car Racer member David Kennedy, Rocket From the Crypt & Offspring former member Atom Willard, and the Distillers former member Ryan Sinn.

Opening this album is a two and half minuet long passionate intro on the song “Valkyrie Missile.” You can instantly hear a lot of emotion with the guitars moving back and forth with a number of sound loops before the recognizable voice of Tom Delong comes in with the line “Everyone, everyone will listen, even if it hurts sometimes.” Is this line directly from all of the hype Tom was putting into the album or was it in the song way before these thoughts occurred to him? “Distraction” starts with a nice soft piano intro before we hear it build up with with a catchy guitar lick and then finally into a full blown line “I’ll be your distraction.” This is more of a laid back song with a pretty simple beat but it rings of Blink 182 style with more of a mature sound. “It Hurts” stars out with a very catchy guitar part and follows with a slower melody of moving guitars and a very catchy chorus. “Do It For Me Now” also starts out with a catchy guitar intro. This song uses a lot more guitar effects for more of an echoey sound. Tom’s voice and overall desire for music has matured and you can really tell he wanted to create something new with Angels & Airwaves. The songs are a step up from Blink 182 in terms of lyrics and more of a different approach when it comes to the music. The bands first single “The Adventure” sets in with another long intro before moving into a waterfall of guitars and a foot tapping drum part. This sing along song should catch a lot of listeners ears as it’s a bit different then the music that has recently been impacting radio. Tom wanted to go back to his influences for this release and you can hear them throughout all the songs in various ways. When I first heard “The War” I was instantly brought back to the harder songs that Blink 182 would trow into the mix now and then on their albums. I love the guitar work on this song, it’s got some power behind it yet a lot of melody at the same time. “A Little’s Enough” can be considered the slow song on the album but I happen to love the vocals, and especially the break down half way through the song. Tom has always been good at making a song interesting with little guitar parts here and there, nothing really technical but something always interesting. “The Gift” has an intro that could of come straight off a U2 album, but Tom said he was going to incorporate his influences into his music so what better way then a similar guitar lick. “Good Day” was the second song I heard from Angels & Airwaves. At first I wasn’t very pleased and thought that the whole album would be a bit to slow for my liking. “Good Day” mixes a lot of simple yet catchy guitar parts as well as the “da da da da” lyrics like we use to hear in Blink 182′s songs now and then. The song grew on me with a few listens but it’s not one that I will play over and over like some of the others. Wrapping up this 50 minute 10 song album is “Start The Machine” that starts with a music box like intro before adding a deep bass electronic beat. The song is pretty laid back until about half way where a cleaner sounding guitar part comes in and then wraps up with slowly eliminating the instruments back to just the music box.

Tom’s voice is back and for the most part I couldn’t be happier. The music is more mature, the songs in general have a lot of emotion and feeling behind them. I was hoping for a few harder tracks as well as a few tracks with a little more edge to them but overall I can’t complain. I don’t think it’s quite up to all the hype of changing music forever like Tom was suggesting but I could see where he was coming from. If you were a Blink 182 fan I’m sure you’ll find some love in this album, and if you didn’t like Blink 182 be sure to still give this album a try because it’s something new.

Track Listing
1. Valkyrie Missile
2. Distraction
3. It Hurts
4. Do It For Me Now
5. The Adventure
6. The War
7. A Little’s Enough
8. The Gift
9. Good Day
10. Start The Machine

Standout Tracks
“Valkyrie Missile”, “Do It For Me Now”, “The War”, “A Little’s Enough”

Sherwood – The Summer EP

Sherwood

Artist: Sherwood
Album: The Summer EP
Label: Maverick
Purchase: Flipside
Release Date: September 12, 2006

Overall: 8.9
Music: 9.0
Lyrics: 8.8
Production: 8.6

Sherwood have come quite a ways since their self released, self-tited EP which they put out in January of 2004. The guys came through on tour and I caught up with them in the summer of 04′ where they were eating peanut butter and crackers for supper and playing for crowds of 20-100 people night after night. I knew instantly that the guys were very hard working and deserved every little bit of exposure they could get. You can check out the interview I conducted with Dan from June 30th 2004 here. Since then Sherwood signed a one record deal with SideCho and Released Sing, But Keep Going about a year ago on May 31st 2005. The Summer EP is a continuation of Sherwood’s fun energetic music which is filled with catchy guitars, organ backgrounds, and sing along lyrics.

Starting out the EP is the catchiest song on the EP titled “The Only Song.” Back and forth guitar parts are filled in with an upbeat bass and drum part as well as being covered with that nice organ sound I’ve come to love from Sherwood. “This Airplane Is A Ribbon” starts out with Nate singing “This Airplane Is A Ribbon, with the bird at either end, and it’s feather light floating in the wind ” while we hear a light acoustic guitar part. I love when the song picks up with a nice drum and bass line, as well as the background vocals which add so much to the songs dynamics. “I’m Asking Her To Stay” reminds me of Sherwood’s early days when they sang about California, life, love, and girls. Wrapping up the EP is “The Simple Life” which is a slower acoustic song with great melody and lyrics.

Like I said before, Sherwood have come a long way in their time and things are only looking better from here. The bands sound has been perfected with their last few releases and I definitely love their sound. Pick up this EP while it’s still free. The band will have it on sale on their shows in the future and you can also pre-order it from Flipside Industires for a June 1st release.

Track Listing
1. The Only Song
2. Middle of the Night
3. The Airplane is a Ribbon
4. I’m Asking Her to Stay
5. Simple Life

Standout Tracks
The Whole EP

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